Indian Classical Dances Flashcards
Natya Shastra
- By Bharata Muni, dance defined as complete art
- Lasya denotes grace and feminine aspects
- Tandava denotes male aspects
Abhinaya Darpan
- Written by Nandikeswara (5th century BC)
- Three basic elements
- Nritta: dance without expression
- Natya: Dance recital
- Nritya: Sentiment and emotions evoked through dance
Nayaka-Nayika relation : deity and devotee
- Also referred to as Dashiattam
- Previously only solo female performers but now popular in male as well
- Traced back to devadasis
Tanjore quarter: Chinnaiah, Ponniah, Vadivelu, Shivanandam
- Often referred as fire dance
- Emphasis on mudras
- Katakamukha Hasta resembles OM
- Ekcharya Lasyam: one dancer playing different roles
Rukmini Devi Arundale, Yamini Krishnamurthy, Lakshmi Viswanathan, Padma Subramaniam, Mrinalini Sarabhai, Mallika Sarabhai
Bharatanatyam
- Originally performed by group of actors going from village to village called Kuselavas.
- Formalised by Sidhendra Yogi in his “Bhama Kalapam”
- Monopoly of male Brahmins
- Recited Bhagavata Purana
- Involves difficult foot movements, generally group
- Prominance of Shringara ras
- Every dancer introduces himself with a small composition
- Manifestation of earthly elements
Manduk Shabdam(story of frog), Tarangam(on brass plate or pot), Jala Chitra Natyam(draw pictures while dance)
Accompanied by Carnatic music, generally violin and mridangam
Radha Reddy and Raja Reddy, Balasaraswati, Ragini devi, Indrani Rehman, Yamini Krishnamurthy
Kuchipudi
- All male troupe
- Language used is Manipravalam
- Symbolises sky
- Mostly depicts conflict of good and evil
VN Menon, Mukunda Raja, Guru Kunchu Kurup, Rita Ganguly
Kathakali
- Dance of an Enchantress
- Solo dance by women
- Prominence under the rulers of Travancore
- Story of feminine dance of Vishnu
- Element of Air
- Atavakul is the collection of 40 basic dance movements
Sunanda Nair, Kalamandalam Kshemavathy, Madhuri Amma, Jayaprabha Menon
Mohiniattam
- Caves of Udayagiri-Khandagiri provide evidence of this dance form
- Practised by “Maharis” under King Kharavela
- Young boys recruited and dressed as females called as Gotipuas
- Hand gestures play important role
- Lyrics of Gita Govinda used
- Accompanied by Hindustani Music
- Symbolises water
Guru Pankaj Charan Das, Charles Fabri, Indrani rehman
Odissi
- Mythological evidence of Shiv Parvathi performing
- Generally by females
- Rabindranath Tagore brought it back when he introduced in Shantiniketan
- Thangta and Sankirtana are influenced by this dance
- Drum called Pung is intricate element
Jhaveri sisters
Manipuri
- Traces origin from Ras leela of Brajbhoomi
- Gharanas : Lucknow, Jaipur, Raigarh, Banaras
- Intricate footwork and pirouettes
Jugalbandi : Kathak vs tabla player
Gatbhav : dance without music
Accompanied by Dhrupad music
Birju Maharaj, Lachhu Maharaj, Sitara Devi
Kathak
- Introduced by Shankaradeva in 15th century in Assam
- Sattras are Vaishavite monasteries
- Group of male monks called Bhokots
- Language Brajvali
Sattriya