In Mrs Tilschers Class Flashcards

1
Q

In Mrs Tilschers class

A

The reader expects the classroom setting and the theme of childhood.

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2
Q

You could travel up the Blue Nile
with your finger, tracing the route

A

The use of the personal pronoun ‘you’ highlights how Duffy seems to be addressing herself and her own memories. The use of second person also reflects that the subject is universal which engages the reader and encourages them to remember their own experiences of childhood.

The poem is full of senses. The visual ‘Blue’ of the river and the sense of ‘touch’ in ‘tracing the route’ work together to show that the child if fully absorbed in the lesson.

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3
Q

while Mrs Tilscher chanted the scenery.
Tana. Ethiopia. Khartoum. Aswân.

A

‘Chanted has connotations of singing or a melody.
The series of mini sentences create a pause where the child can imagine the exotic nature of the place. This portrays the sense of wonder and engagement in the lesson.

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4
Q

That for an hour, then a skittle of milk

A

The word choice of ‘a skittle of milk’ refers to the shape of the bottle as well as a game. This adds to the playful tone and sense of wonder in the opening stanza of the poem.

The act of giving school children milk is now something that is lost. It portrays the classroom as a safe space with a loving teacher.

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5
Q

and the chalky Pyramids rubbed into dust.

A

The use of passive voice creates magical connotations.

The word choice of ‘dust’ also works in two ways. The images on the chalkboard are literally rubbed away while also referring to the desert and the erosion of the pyramid. The image hints at the passing of time and the sense of loss.

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6
Q

A window opened with a long pole.

A

A specific detail of school life - Cretes a sense of realism that juxtaposes with the magic of the geography lesson. Duffy also wins at the wider world here.

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7
Q

The laugh of a bell swung by a running child.

A

The personification of the bell through the description of its laugh creates a joyful and happy mood.
The engergetic actions of ‘swung’ and ‘running’ also adds to the carefree setting of the classroom.

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8
Q

This was better than home. Enthralling books.

A

The short sentence acts as n affirmation and tells the reader ow much she loves the classroom.

The word choice of ‘enthralling books’ creates a sense of magic and wonder that contrasts with the Childs home life. the minor sentence emphasises this further.

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9
Q

The classroom glowed like a sweet shop.

A

The similes compares the classroom to a sweet shop - a place full of colour and wonder for children.

The word choice of ‘glowed’ further enforces the magical nature of this image. The classroom is a place that capture the children’s interest and imagination.

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10
Q

Sugar paper. Coloured shapes.

A

The minor sentence continues the colourful and enchanting descriptions of the setting. This continues to portray the classroom as a positive and secure environment.

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11
Q

Brady and Hindley
faded, like the faint, uneasy smudge of a mistake.

A

Duffy references the notorious serial killers who prayed on children in the 1960s. Their mention creates a shocking juxtaposition to the safe and secure classroom environment. At the time the newspapers printed pics of murderers in black and white, this image contrasts with the display of colour in the classroom.

Enjambment

The word choice of ‘faded’ illustrates how the horrors of the outside world are almost wiped away by Mrs Tilscher .

The simile demonstrates that the awareness of the outside world cannot be removed completely.

The word choice of ‘smudge’ highlights how the dangers continue to be a blemish on this otherwise joyful time.

Alliteration and soft assonance (a) lengthens the sentence, mirroring the way horror cannot be erased completely.

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12
Q

Mrs Tilscher loved you. Some mornings, you found
she’d left a good gold star by your name.

A

‘Mrs Tilscher’ loved you’ is a simple statement highlighting that she is confident in her knowledge of this.

The author goes on to provide evidence of Mrs Tilshcers love. The child finds the star in the mornings as though it had been left by a fairy. It shows the, at this point in the poem, Mrs Tilschers love is able to overshadow dangers of the outside world.

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13
Q

The scent of a pencil slowly, carefully, shaved.

A

Sensory description is used again. The adverbs prolong this line, mimicking the slow act of sharpening a pencil. this nostalgic memory is universal.

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14
Q

A xylophone’s nonsense heard from another form.

A

The personification and word choice of ‘nonsense’ creates a playful tone.

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15
Q

Over the Easter term, the inky tadpoles changed from commas into exclamation marks.

A

This is a mixed metaphor.
The frogs development symbolises the quick growth of the children while also suggesting sexual reproduction.

‘Inky’, ‘commas’ and ‘exclamation marls’ are all example of classroom vocabulary and can symbolise the children’s growth as they move from small commas to bigger exclamation marks.

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16
Q

Three frogs
hopped in the playground, freed by a dunce,
followed by a line of kids, jumping and croaking
away from the lunch queue.

A

‘dunce’ and ‘rough boy’ both descriptions are negative. ‘dunce’ conveys the idea of a child who is separated from his peers and it contrasts with the safe, nurturing environment created earlier in the poem. ‘rough boy’ build up on this further by creating the sense that the child is uncomfortable around the boy.

The growing children are described alongside the frogs. ‘creaking’ has connotations of voice breaking and this reinforces the change in the children as they grow up.

17
Q

A rough boy
told you how you were born. You kicked him, but stared
at your parents, appalled, when you got back home.

A

The learning has moved from inside the classroom to outside, it is less safe and magical, but it allows the child to learn things she will not learn about in the classroom.

‘You kicked him’ the child reacts in anger as she feels a sense of disbelief and fear of the unknown. there is a loss of innocence as the learning continues outside the classroom.

Perenthesis places emphasis on the word ‘appalled’. this reflects the Childs horror as her innocence and familiar world fades away.

18
Q

That feverish July, the air tasted of electricity.

A

The children have reached summer - it’s the end of the school year and this stage of her childhood.
The word choice of ‘feverish’ has connotations of burning and frenzied. this creates a flustered and agitated mood.

The metaphor of ‘the air tasted of electricity’ creates a sense of new energy and excitement. The tangible sense of tis enthusiasm is furthered by ‘tasted’.

‘electricity’ also suggests lightening and thunderstorm. The excitement of adolescent brings difficult and challenging times too.

19
Q

A tangible alarm made you always untidy, hot,

A

Clear contrasted change when compared with the ‘laughing bell’ of stanza one.
‘alarm’ has connotations of stressed and warning, it may act as a warning of what’s to come, the Childs intense and turbulent feelings are emphasised further through the word choice of ‘tangible’

Duffy uses adjectives to add to the tension and the sense of the children’s frenzied discomfort, the children are beginning to experience puberty.

20
Q

fractious under the heavy, sexy sky.

A

Pathetic fallacy

‘heavy’ suggests the burden of new knowledge and her new reality as she leaves the secure environment of her childhood.

‘sexy’ refers to the students sexual awakening.

pathetic fallacy suggests that a storm is building.

21
Q

You asked her
how you were born and Mrs Tilscher smiled,
then turned away.

A

This time when the chid goes to Mrs Tilscher for help and security it is no longer there. The line break is deliberate here to mimic the new division between teacher and pupil. instead of a magical word she is given her report card.

Mrs Tilscher has become matter of fact and ordinary. The child has outgrown the security of the classroom and the lessons Mrs Tilscher can teach her.

22
Q

Reports were handed out.
You ran through the gates, impatient to be grown,

A

Fear and alarm has translated into an urge to move and experience the outside world. she is ready to leave mrs tilscher behind.

23
Q

as the sky split open into a thunderstorm.

A

Pathetic fallacy is used to close the poem. The splitting of the sky creates a climax to the tension that tis built throughout the final stanza. it reflects the child as she breaks free from school and into the next stage of her life. as she moves into adolescence, she may experience drama and strong emotions - the storm also suggests that there is a danger in this outside world. as she leaves school, she also leaves the protection of the safe environment created by mrs Tilscher.