Imagination Flashcards

1
Q

Sleep of Reason Produces Monsters (1799):

What is its main idea?

A

When you ignore imagination in favour of pure reason, things go bad

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2
Q

Sleep of Reason Produces Monsters (1799):

How is the dream like atmosphere conveyed

A

Aquatint technique and its grainy texture

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3
Q

Sleep of Reason Produces Monsters (1799):

How are connotations to the supernatural shown?

A

Use of supernatural animals, especially the lynx which can ‘look through deceit’

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4
Q

Sleep of Reason Produces Monsters (1799):

How is the idea of the work expressed thoroughly?

A

The name on the bottom left

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5
Q

Sleep of Reason Produces Monsters (1799):

How is the idea of this ‘lack of imagination’ indicated as a flaw of mankind?

A

This work is a part of a series; ‘The Follies of Man’

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6
Q

Sleep of Reason Produces Monsters (1799):

Rejection of the Age of Enlightenment is seen with?

A

The man is seen falling asleep to reason

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7
Q

Sleep of Reason Produces Monsters (1799):

Give me a quote;

A

“When abandoned by reason, Imagination produces impossible monsters;… she is the mother of the arts and source of their wonders.” - Francisco Goya

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8
Q

Sleep of Reason Produces Monsters (1799):

What does the aquatint and its grainy texture do?

A

A dream-like (i.e. irrational) atmosphere

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9
Q

Sleep of Reason Produces Monsters (1799):

What does the use of supernatural animals do?

A

Connotations of the supernatural

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10
Q

Sleep of Reason Produces Monsters (1799):

What does the name on the bottom left do?

A

Conveys the idea of the print much more clearer

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11
Q

Sleep of Reason Produces Monsters (1799):

What does the fact that this is part of the ‘Follies of Man’ series do?

A

Shows the idea of this ‘lack of imagination’ is as a folly of mankind

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12
Q

Sleep of Reason Produces Monsters (1799):

“When abandoned by reason, Imagination produces impossible monsters;…

A

… she is the mother of the arts and source of their wonders.” - Francisco Goya

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13
Q

Sleep of Reason Produces Monsters (1799):

Aspects of the subjective frame include?

A
  • Irrational animals (lynx sees through deceit)
  • Dreamlike atmosphere, the middle of a nightmare
  • Dark tones and grainy texture creates fear and mystery
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14
Q

The Third of May 1808 (1814):

What is its main idea?

A

War is terrible and horrid

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15
Q

The Third of May 1808 (1814):

How is a sense of drama and horror manifested?

A

Colour choice of dark black night and deep crimson red blood which signify mystery

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16
Q

The Third of May 1808 (1814):

How is the innocence and virtue of the Spanish people revealed?

A

Christian iconography of the central figure with his crucifix pose and white shirt

17
Q

The Third of May 1808 (1814):

What aspects removes the humanity of the war mongers?

A

French soldiers are turned away hiding the most expressive part of the body from the audience

18
Q

The Third of May 1808 (1814):

How is a sense of danger and violence exhibited?

A

Rough texture and the unrefined brushstrokes with a contrast of dark and light

19
Q

The Third of May 1808 (1814):

In what ways are the atrocities and brutality of war displayed?

A

The incredibly fearful expressions on the faces of the Spanish victims

20
Q

The Third of May 1808 (1814):

Give me a quote;

A

“It is unlike all previous war paintings. No glory; only pity and loss, and the defiant humanity of the victims.” - Critic Robert Hughes

21
Q

The Third of May 1808 (1814):

What does the colour choice of dark black night and deep crimson red blood (which signify mystery) do?

A

Sense of drama and horror as a result of war

22
Q

The Third of May 1808 (1814):

What does the Christian iconography of the central figure with his crucifix pose and white shirt do?

A

It shows the innocence and virtue of the Spanish people

23
Q

The Third of May 1808 (1814):

With the soldiers turned away hiding the most expressive part of the body from the audience, what does this achieve?

A

It removes the humanity of the war mongers i.e. the French

24
Q

The Third of May 1808 (1814):

What does the rough texture and the unrefined brushstrokes with a contrast of dark and light do?

A

How is a sense of danger and violence exhibited

25
Q

The Third of May 1808 (1814):

The incredibly fearful expressions on the faces of the Spanish victims

A

In what ways are the atrocities and brutality of war displayed?

26
Q

The Third of May 1808 (1814):

“It is unlike all previous war paintings. No glory;…

A

…only pity and loss, and the defiant humanity of the victims.” - Critic Robert Hughes

27
Q

The Third of May 1808 (1814):

Aspects of the subjective frame include?

A
  • Highly emotional, deep sense drama
  • Based on Goya’s own life, NOT REAL dramatisation that captures the feelings of the Spanish
  • Rough brushstrokes has a sense of danger and violence
  • Aspects of romanticism, a rejection of pure reason and logic in favour of emotions and respect of nature