Cultural Warriors Flashcards

1
Q

Echo (2005):

What is its main idea?

A

Effects of the past still linger on into the present and the East and West are different

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2
Q

Echo (2005):

How is the historically invasive nature of the West shown?

A

Black silhouettes represent the indigenous who are being conquered and the appropriation of ‘Landing of Captain Cook 1770’ by E. Phillips Fox (1901)

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3
Q

Echo (2005):

How is Guan Wei’s heritage as a foreigner expressed?

A

The many panels of paintings which look like traditional Chinese scrolls

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4
Q

Echo (2005):

How is the duality of Eastern and Western cultures shown?

A

Appropriation of Australian ‘Landing of Captain Cook 1770’ by E. Phillips Fox (1901) and Chinese ‘Jiu Ri Shi Cheng Tu Juan’

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5
Q

Echo (2005):

How does the work connect the past to the present and shows the past’s lingering effects

A

Red military scopes which are of contemporary origin

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6
Q

Echo (2005):

Give me a quote;

A

“I use my Chinese eyes to create Australian Stories” - Guan Wei

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7
Q

Echo (2005):
What do the black silhouettes represent and what is the significance of the appropriation of ‘Landing of Captain Cook 1770’ by E. Phillips Fox (1901)?

A

Shows the historically invasive nature of the West

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8
Q

Echo (2005):

What do the many panels of paintings which look like traditional Chinese scrolls show?

A

Guan Wei’s heritage as a foreigner

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9
Q

Echo (2005):
What is the significance of this being an appropriation of Australian ‘Landing of Captain Cook 1770’ by E. Phillips Fox (1901) and Chinese ‘Jiu Ri Shi Cheng Tu Juan’?

A

Shows the duality of Eastern and Western cultures

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10
Q

Echo (2005):

Why are the red military scopes incorporated into the painting?

A

Connects the past to the present and shows the past’s lingering effects

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11
Q

Echo (2005):

“I use my Chinese eyes to…

A

…create Australian Stories” - Guan Wei

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12
Q

Echo (2005):

Aspects of the cultural frame include?

A
  • Chinese motifs i.e. clouds, mountains, fog
  • Australian iconography with Captain James Cook landing on Australia
  • Contemporary world with red scopes
    Colonisation
  • Western expansion verses Chinese introspection
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13
Q

Journey to Australia (2013):

What is the main idea?

A

The journey to Australia is perilous and we should show pity for the refugees who are struggling with the immigration laws

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14
Q

Journey to Australia (2013):

How is the danger of the journey to Australia shown?

A

Mythical sharks with cartography aesthetics which were used to warn sailors in the past

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15
Q

Journey to Australia (2013):

How is Australia’s exoticism shown?

A

Exotic animals and peoples on the island seen through silhouettes and native animals

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16
Q

Journey to Australia (2013):

How does Wei explicitly express his connection between contemporary migration and the first fleet?

A

The work is site specific made near Botany Bay in the Contemporary Art Museum

17
Q

Journey to Australia (2013):

In what way is the powerlessness of the migrants entering Australia shown?

A

The motif of pink fattened figures that are used to symbolise powerlessness and are ambiguous

18
Q

Journey to Australia (2013):

Give me a quote;

A

“As an Australian immigrant, and as an artist, I am able not only to identify with but also help to relate and bear witness to the [the refugees] solemn, stirring and tragic story” - Guan Wei

19
Q

Journey to Australia (2013):

What is the significance of the mythical sharks with cartography aesthetics?

A

Expresses the danger of the journey to Australia

20
Q

Journey to Australia (2013):

What do the exotic animals and peoples on the island convey?

A

Australia is an exotic land

21
Q

Journey to Australia (2013):

Why was the work site specific to Botany Bay in the Contemporary Art Museum?

A

Explicitly express his connection between contemporary migration and the first fleet

22
Q

Journey to Australia (2013):

The motif of pink fattened figures signify what?

A

The ambiguous identities of the struggling migrants and their powerlessness

23
Q

Journey to Australia (2013):

“As an Australian immigrant, and as an artist, I am able not only to identify with…

A

…but also help to relate and bear witness to the [the refugees] solemn, stirring and tragic story” - Guan Wei

24
Q

Journey to Australia (2013):

Aspects of the cultural frame include?

A
  • Chinese motifs i.e. clouds, mountains, fog
  • Traditional European cartography i.e. fantastical sharks
  • Gadigal people
  • Site specific, near botany bay
  • Refugee groups
  • Immigration