III. Indian Classical Music Flashcards
This term came to be applied to the art music of the courts and temples of the Indian subcontinent when it came to urban centers in the 19th century. The term implies a long history, sophisticated techniques, and refined theory. Based on Raga and Tala.
Classical
Which two terms for the classical music of North and South India, respectively, developed distinctive systems about the 15th century?
Hindustani (North India) and Carnatic (South India)
What is the name of the long history of music theory that is preserved in written texts in Sanskirt and other languages. Music historians study them to reconstruct the thought and practices of the ancient and medieval periods. Texts reflect and represent a long-standing oral tradition.
Sangita Shastra (music technical works)
This was compiled before 400 ce, and is a compendium of theory on theater, dance, and music. It includes an elaborate theory of musical pitch (svara and shruti) that is still studied today. This was composed in tightly condensed rhyming verses so that it could be memorized and handed down in oral traditions.
Natyashastra
In the 14th century, this was the premier text of the medieval period. Its seven chapters became the basis for many later texts written in Persian and regional languages. The chapters cover pitch (Svara), melody (Raga), various techniques (Prakiranaka), compositions (Prabandha), rhythm (Tala), instruments (Vadya), and dance (Nrtya)
Sangitaratnakara
Indian word for pitch.
Svara (pitch)
Indian word for melody.
Raga (melody)
Indian word for various techniques.
Prakiranaka (various techniques)
Indian word for compositions.
Prabandha (compositions)
Indian word for rhythm. Means clap.
Tala (rhythm)
Indian word for instruments.
Vadya (instruments)
Indian word for dance.
Nrtya.
Which two men standardized the notation and theory terms in the study of music in North India?
Vishnu Digambar Paluskar and Vishnu Narayan Bhatkhade
Which academy in South India standardized Carnatic music theory?
Madras Music Academy
These are the melodies or, more precisely, the melodic structures of Indian classical music. Every _______ is a set of melodic motifs used for playing both composed and improvised material. The concept of _______ has excited musicians from all over the world for hundreds of years.
Ragas