Igor Stravinsky Flashcards

1
Q

dates

A

1882-1971

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2
Q

where was he born

A

June 17 in Oranienbaum, near Saint Petersburg, Russia

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3
Q

family occupations and early music education

A

father was a highly respected opera singer, mother was a competent singer and fluent pianist, well to do family, had lessons in piano and harmony but parents discouraged career in music

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4
Q

initial career aspiration

A

entered law school at the University of Saint Petersburg. met son of Rimsky Korsakov in law school, who’s father mentored Stravinsky. devoted himself to music and did not graduate law school

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5
Q

who did he marry?

A

Katerina Nossenko, his childhood friend and cousin

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6
Q

how was he noticed by Sergei Diaghilev, director of Ballets Russes in Paris?

A

His early orchestral piece, fireworks, impressed him. His early ballets commissioned by Diaghilev launched hhis career, The firebird, and Petrushka

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7
Q

Why was the crowd outraged by The Rite of Spring?

A

premiered in Paris, primitive sounding music and unconventional choreography shocked the audience, a riot erupted.

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8
Q

Which leading artistic luminaries did he collaborate with?

A

Diaghilev and Pablo Picasso

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9
Q

Who was his second wife?

A

Vera de Bosset

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10
Q

Story with America

A

visited the us on several occasions in late 1930’s, conducted, performed and completed commissions. lectured at many univesities such as Harvard and u of California. eventually settled in Los Angeles and became an American citizen

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11
Q

death

A

died April 6, 1971 in New York City. Buried on the island of San Michele, Venice, Italy, a few yards from the grave of Sergei Diaghilev

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12
Q

four principal periods of career: early years (1882-1914)

A
  • russian nationalism expressed through use of folk song and dance and choice of subject matter
  • influenced by Rimsky-Korsakov
  • primitive style
  • dissonant harmony, polytonality, ostinato
  • the firebird, the rite of spring
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13
Q

four principle periods of career: the transitional years (1914-1920)

A
  • created more intimate works with reduced forces in response to the devastation wrought by world war 1
  • seeds of Neo-classical style are sown
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14
Q

four principle periods of career: the middle years (1920-1954)

A
  • neo-classical style adopted with emphasis on formal design, absolute music
  • emotional restraint, balance, discipline, detachment
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15
Q

four principle periods of career: the final years (1954-1971)

A
  • embraced Arnold Schoenberg’s twelve-tone method
  • space textures inspired by Anton Webern
  • Explored miniatures
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16
Q

genres

A

orchestral, ballets, choral, dramatic, operas, opera-oratorio, vocal