Hum 1 Flashcards

1
Q

object depicted in the way they normally apper ( what you see is what you get)

A

Realism

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2
Q

Magnifies one phase of reality without representational intentions.

A

Abstraction

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3
Q

Combination of realism and distortion.

A

Surrealism

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4
Q

literally means, “Killing of the art”

A

Dadaism

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5
Q

The emphasis of subjective FEELING rather than an descriptions of the outer world.

A

Expressionism

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6
Q

Distarted form and vivid spontaneous color effects

A

Fauvism

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7
Q

Captures the movement of and the dynamism of the modern world

A

Futurism

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8
Q

Depicts the visual impression of the moment, especially in terms of shifting effect of light and color.

A

Impressionism

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9
Q

Idea or quality which represents another thing.

A

Symbolism

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10
Q

The art of creating meaningful effect (subjective) on a flat surface by the use of pigment.

A

Painting

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11
Q

consisting of “transparent color”, thinnedwith water rather than oil giving a transparent color.

A

Water Color (American Crow - James Audiban)

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12
Q

Painting on a moist plaster surface. It is executed upon freshly-laid (‘“wet” ) lime plaster:

A

Fresco (The Creation - Michelangelo)

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13
Q

Consisting of colored pigments mixed with a watt soluble binder medium, usually alutinous maltias such as can yolk

A

Tempera (Madonna and Child - Duccio)

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14
Q

Form of a stick, consisting of powdered pigment and a binder:

A

Pastel (Self Portrait - Jean -Baptiste - Simeon Chardin)

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15
Q

•hot waxing.
• painting with wax colors fixed with heat

A

Encaustic (Saint Catterine Monastery)

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16
Q

Synthetic paint is used. Contemporary painters Use this medium.

A

Acrylic (Woman Portrait - Celine Marcoz)

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17
Q

Pattern or image made of small regular or irregular pieces of cobred stones, glass of ceramic, held in place by plaster mortar, and coverina a surface.

A

Mosaic (from Pompeii, Casa di Orfeo)

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18
Q

Brown pigment extracted from boiling the soot of the wood.

A

Bistre (workers at rest by Jean -Honore Fragonard)

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19
Q

Pigments bound by was and compressed into painted sticks.

A

Crayons (Charles iX of France by Francois clouvet)

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20
Q

brained by burning wood or other organic substances in the absence of oxygen

A

Charcoal (self Portrait - Lean Kossoff)

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21
Q

Elements remain attached to a solid background of the same material

A

Relief (The flower -Asp Arts)

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22
Q

Combining small pieces of colored glass which are held by heavy iron bais.

A

Stained Glass (The Rose Window - From Norte Dame, France)

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23
Q

• most basic element

A

Line

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24
Q

(property of light)

25
Q

deals with the sense of touch

26
Q

Area between, around, below or within the
shapes that you’ve caused in your visual arts

27
Q

representation of mass in an artwork

28
Q

concept that we use to organize the structural elements of a design

A

Principles of design

29
Q

•refers to the placing relationship between the various elements.

• appearance belong to each other

30
Q

There should be a feeling of equillbrium that exists between the elements

31
Q

comparison of an object’s size of different elements or part of an object or arrangement

A

Proportion

32
Q

• regular recurrence of a certain element
• repetition of a certain element

33
Q

totality of your artwork

34
Q

Placing very different things next to each other.

35
Q
  • has definite subiects
    • natural
    • conventional
A

Representational

36
Q
  • product of imagination
A

Non-representational

37
Q

is defined as how most of us perceive and name a color

38
Q

is the shade (darkness) or tint (lightness) of a color

A

brightness value luminance

39
Q

is a measure of the purity of a color or how sharp or dull the color appears.

A

chroma intensity saturation

40
Q

psychology of colors and shades

A

despair
peace
danger
solid
sadnes
life
purity
assertive
joy
gratitude
wholesome

41
Q

is the process of painting with pigments with a medium of drying oil as the binder.

A

Oil (mona lisa by leonardo da vinci)

42
Q

Elements of arts

A

Line
Color
Texture
Perspective
Space
Forms
Shape
Volume

43
Q

Principles of design

A

Harmony
Balance
Propotion
Rhythm
Emphasis and subordination
Movement
Contrast

44
Q

To be truly human

45
Q

Man made

46
Q

Man vs God

A

Medieval Period

47
Q

University Discipline

A

Renaissance Period

48
Q

To prepare/to put together

A

Decorative Arts

49
Q

Arts (National Topics)

A

Modern Period

50
Q

Ornaments

A

Decorative Arts

51
Q

Human Body

A

Performance Arts

52
Q

Beautiful Writing

A

Belles Letres

52
Q

Digital Art

A

Popular Art

52
Q

Beautiful

53
Q

2D/3D

A

Spatial Arts

54
Q

Useful

55
Q

Designer

56
Q

Skillful Worker

57
Q

10 purpose of arts

A

cultural
fantasy
social
mood
education
purpose