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1
Q

7 types according to nature

A

occupational, religious or ceremonial, games, wedding, courtship, festival, war

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2
Q

show movements of a certain industry or human labor

A

Occupational dances (nature)

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3
Q

Performed in connection with spiritual vows and ceremonies

A

Religious or Ceremonial Dances (nature)

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4
Q

Performed with play components

A

Games Dances (nature)

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5
Q

Performed during nuptial feasts

A

Wedding Dances (nature)

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6
Q

Depicting a man expressing his love for a woman

A

Courtship Dances (nature)

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7
Q

Suitable for special occasions or social gatherings

A

Festival Dances (nature)

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8
Q

Showing imaginary combat or duel

A

War Dances (nature)

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9
Q

4 types according to Movement

A

Active with fast energetic movements, Moderate, Slow, Slow and fast

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10
Q

4 Types

A

Cordillera Dances, Muslim Dances, Maria Clara Dances, Rural Dance

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11
Q

3 types according to Formation

A

Square Dance or Quadrille, Long Formation, Set

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12
Q

4 Factors Affecting Philippine Dances

A

Geographic Location, Economic Condition, Climatic Condition, Customs and Tradition

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13
Q

depicts the hunting ritual performed before a tribal war

A

Idaw (Luzon)

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14
Q

Tribesmen would search and watch the scared ? bird which is believed to lead the tribe to victory

A

Idaw (Luzon)

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15
Q

shows the Cordillera women on their way to the river to fetch water for their families

A

Banga (Luzon)

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16
Q

This dance projects the skill, strength, grace, and agility of the women as they carry five or six clay pots full of water on their heads

A

Banga (Luzon)

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17
Q

Banga (Luzon) shows the ? women on their way to the river to fetch water for their families

A

Cordillera

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18
Q

presents a typical Itneg/ Tinggian couple who take turns in taking care of their children while doing their daily work in the fields

A

Idudu (Luzon)

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19
Q

Idudu (Luzon) presents a typical ? who take turns in taking care of their children while doing their daily work in the fields

A

Itneg/ Tinggian couple

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20
Q

Performed in Binan, Laguna as a mock war dance that demonstrates a fight between the Moros and the Christians over the prized of Latik or coconut meat during Spanish rule

A

Maglalatik (Luzon)

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21
Q

Maglalatik (Luzon) Performed in ? as a mock war dance that demonstrates a fight between the Moros and the Christians over the prized of Latik or coconut meat during Spanish rule

A

Binan, Laguna

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22
Q

Maglalatik (Luzon) mock war dance that demonstrates a fight between the ? over the prize of ? during Spanish rule

A

Moros and the Christians, Latik or coconut meat

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23
Q

this dance also shown to pay tribute to the town patron saint San Isidro Labrador

A

Maglalatik (Luzon)

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24
Q

Maglalatik (Luzon) this dance also shown to pay tribute to the town patron saint ?

A

San Isidro Labrador

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25
Q

Philippine dance of colonial-era origin from the Maria Clara suite of Philippine folk dances, where the fan or handkerchief plays an instrumental role as it places the couple in romance scenario

A

Carinosa (Luzon)

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26
Q

Carinosa (Luzon) Philippine dance of colonial-era origin from the ? suite of Philippine folk dances

A

Maria Clara

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27
Q

Carinosa (Luzon) ? plays an instrumental role as it places the couple in romance scenario

A

fan or handkerchief

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28
Q

Representing the courting phase of a romantic relationship, the ? is a Filipino folk dance that emerges from Panay, the Visayas and the Bicol region

A

Carinosa (Luzon)

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29
Q

Carinosa (Luzon) meaning

A

affectionate one

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30
Q

The dance originated from Cabugao, Ilocos Sur province

A

Kalapati (Luzon)

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31
Q

Kalapati (Luzon) The dance originated from ?

A

Cabugao, Ilocos Sur province

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32
Q

It symbolizes peace and is represented by imitating the movements of a graceful dove.

A

Kalapati (Luzon)

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33
Q

Kalapati (Luzon) symbolizes peace and is represented by imitating the movements of a ?

A

graceful dove

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34
Q

Kalapati (Luzon) portrays the typical traits of the ? 3 traits

A

Ilokanos: simplicity, naturalness, and shyness

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35
Q

It portrays the typical traits of the Ilokanos: simplicity, naturalness, and shyness.

A

Kalapati (Luzon)

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36
Q

dance named after the capital city of the Philippines, Manila, where an adaptation of Castilian Jota afloats with the clacking of bamboo castanets played by the dancers themselves

A

La Jota Manilena (Luzon)

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37
Q

The costume and the graceful movements of the performers are noticeably inspired by Spanish Culture

A

La Jota Manilena (Luzon)

38
Q

La Jota Manilena (Luzon) dance named after the city of the Philippines, ?

39
Q

La Jota Manilena (Luzon) adaptation of ? afloats with the clacking of ? played by the dancers themselves

A

Castilian Jota, clacking of bamboo castanets

40
Q

La Jota Manilena (Luzon) The costume and the graceful movements of the performers are noticeably inspired by ?

A

Spanish Culture

41
Q

originated from the province of Leyte and is considered the national dance

A

Tinikling (Vizayas)

42
Q

It mimics the movement of the ? hopping over shrubs, grasses, or bamboo traps set by farmers

A

Tikling bird, Tinikling (Vizayas)

43
Q

Dancers display remarkable grace while jumping and hopping between two bamboo poles

A

Tinikling (Vizayas)

44
Q

Tinikling (Vizayas) originated from the province of ? and is considered the ?

A

Leyte, national dance

45
Q

Tinikling (Vizayas) Dancers display remarkable grace while jumping and hopping between ?

A

two bamboo poles

46
Q

represents the epic legend Darangan of the Maranao people

A

Singkil (Mindanao)

47
Q

Singkil (Mindanao) represents the epic legend ? of the ?

A

Darangan, Maranao people

48
Q

It tells the fateful story of Princess Gandingan, who was caught in the middle of the forest during an earthquake caused by the fairies

A

Singkil (Mindanao)

49
Q

Singkil (Mindanao) tells the fateful story of ?, who was caught in the middle of the forest during an earthquake caused by the fairies

A

Princess Gandingan

50
Q

The crisscross rhythmic clapping of bamboo poles signifies falling trees, which the princess gracefully avoids

A

Singkil (Mindanao)

51
Q

Singkil (Mindanao) The ? signifies ?, which the princess gracefully avoids

A

crisscross rhythmic clapping of bamboo poles, falling trees

52
Q

Her loyal slave accompanies her throughout the ordeal, and finally, a prince saves her.

A

Singkil (‘Mindanao)

53
Q

The dancers wear serious and regal faces with a dignified posture, starting at a slow pace and progressing to a fast tempo while skillfully maneuvering the fans, which symbolize the wind

A

Singkil (Mindanao)

54
Q

Singkil (Mindanao) The dancers wear serious and regal faces with a dignified posture, starting at a slow pace and progressing to a fast tempo while skillfully maneuvering the fans, which symbolize the ?

55
Q

depicts the elite upbringing of Maranao women

A

KiniKini or The Royal Walk (Mindanao)

56
Q

KiniKini or The Royal Walk (Mindanao) depicts the elite upbringing of ?

A

Maranao women

57
Q

The dancers display grace in their movements with scarves

A

KiniKini or The Royal Walk (Mindanao)

58
Q

KiniKini or The Royal Walk (Mindanao) The dancers display grace in their movements with ?

59
Q

is a Badjao dance

A

Pangalay (Mindanao)

60
Q

Pangalay (Mindanao) is a ? dance

61
Q

The Badjaos are known as the ?

A

sea gypsies

62
Q

Their dance demonstrates the agility of the upper body, the rhythmic bounce of the shoulders, and the simultaneous alternate waving of the arms

A

Pangalay (Mindanao)

63
Q

Pangalay (Mindanao) demonstrates the ???

A

agility of the upper body, the rhythmic bounce of the shoulders, and the simultaneous alternate waving of the arms

64
Q

It is commonly performed at weddings and other social gatherings

A

Pangalay (Mindanao)

65
Q

is danced solo by a maiden ornamented with fine beads, makeup, and a long headscarf

A

Asik (Mindanao)

66
Q

Asik (Mindanao) danced solo by a ? ornamented with fine beads, makeup, and a long headscarf

67
Q

She gives her whole heart and soul throughout the dance to soften and win the favor of her Sultan master or to make up for a wrongdoing.

A

Asik (Mindanao)

68
Q

Mindanao lies in the ? part of the country

69
Q

Mindanao dances often reflect the religion and culture of ?

A

Muslim Filipinos

70
Q

4 Mindanao Dances

A

Singkil, Kinikini (Royal Walk), Pangalay, Asik

71
Q

7 Vizayas Dances

A

Tinikling, Kuratsa, Itik-itik, Inalimango, Kuradang (Curacha), Mananagat, Mananguete

72
Q

7 Luzon Dances

A

Idaw, Banga, Idudu, Maglalatik, Carinosa, Kalapati, La Jota Manilena

73
Q

from Bohol province, performed using a moderate waltz style

A

Kuratsa (Vizayas)

74
Q

It tells the story of a young, free-spirited couple who attempt to get each other’s attention

A

Kuratsa (Vizayas)

75
Q

Kuratsa (Vizayas) from ?, performed using a ?

A

Bohol province, moderate waltz style

76
Q

from Surigao Del Norte, imitates the duck’s movements

A

Itik-itik (Vizayas)

77
Q

Itik-itik (Vizayas) from ?, imitates the ?’s movements

A

Surigao Del Norte, duck

78
Q

from Panay and Capiz, depicts the mud crab’s movements

A

Inalimango (Vizayas)

79
Q

Inalimango (Vizayas) from ?, depicts the ?’s movements

A

Panay and Capiz, mud crab

80
Q

a lively wedding dance popular in Bohol

A

Kuradang or Curacha (Vizayas)

81
Q

it is performed to the accompaniment of a rondalla, an ensemble of string instruments

A

Kuradang or Curacha (Vizayas)

82
Q

Kuradang or Curacha (Vizayas) a lively ? dance popular in ?

A

wedding, Bohol

83
Q

Kuradang or Curacha (Vizayas) performed to the accompaniment of a ?

84
Q

ensemble of string instruments

85
Q

depicts fishermen at sea

A

Mananagat (Vizayas)

86
Q

Mananagat (Vizayas) is Cebuano for

A

“fisherman”

87
Q

Dancers in long-line formations mimic women scooping water from a banca (canoe) with bamboo shells and men wielding wooden paddles

A

Mananagat (Vizayas)

88
Q

reenacts the stages of making tuba (coconut wine)

A

Mananguete or Coconut Wine Tapper (Vizayas)

89
Q

The dance starts with movements that mimic the sharpening of the sanggot (scythe) and then proceeds to the cleaning of the kawit (bamboo container), climbing of the coconut tree, extracting of the sap, and finally tasting the tuba

A

Mananguete or Coconut Wine Tapper (Vizayas)

90
Q

Mananguete or Coconut Wine Tapper (Vizayas) reenacts the stages of making ?

A

tuba or coconut wine

91
Q

Mananguete or Coconut Wine Tapper (Vizayas) The dance starts with movements that mimic the ? and then proceeds to the ?, ?, ?, and finally ?

A

sharpening of the sanggot (scythe), cleaning of the kawit (bamboo container), climbing of the coconut tree, extracting of the sap, tasting the tuba

phyed (2 decks)

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