Hip Hop and the Arts Flashcards

1
Q

What is the conceptual figure that Fujimura keeps circling around to in these chapters?

A

Mearcstapa

Mearcstapa refers to individuals who live on the edge of their group.

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2
Q

What role do artists fulfill according to Fujimura?

A

Border walker, border stalker

Artists are uncomfortable in homogenous groups and have unique and valuable contributions to make.

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3
Q

What is the hermeneutics of suspicion?

A

A method of interpretation shaped by masters like Karl Marx, Nietzsche, and Freud.

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4
Q

Define hermeneutics.

A

A method or theory of interpretation.

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5
Q

What does arts engagement equate to?

A

Criticism.

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6
Q

What does criticism uncover according to the text?

A

The hidden motives of the artist or the audience.

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7
Q

How does psychoanalysis view art?

A

As a manifestation of the artist’s psyche and subconscious desire.

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8
Q

What does the Marxist critique say about art?

A

Art as a manifestation of the material conditions of the author.

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9
Q

What is deconstruction in relation to art?

A

Art as a manifestation of the pervasive will to power encoded in our language.

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10
Q

What is often implied by the hermeneutics of suspicion?

A

Art = ideology.

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11
Q

What is the assertion about art in the text?

A

Art is more than ideology.

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12
Q

What does it imply if art is ideological?

A

There is a problem with the art or your way of understanding it.

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13
Q

Fill in the blank: Art is _______.

A

Allusive.

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14
Q

What does allusive art invite us to consider?

A

What if? and if only.

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15
Q

What does relational art explore?

A

What is unknown.

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16
Q

What is a key approach to engaging in art?

A

Adopt a posture of charity.

17
Q

What does learning to see the aesthetic involve?

A

Understanding how humans communicate meaning.

18
Q

What thought experiment is posed in relation to critiques?

A

What if there were no critiques?

19
Q

What does criticism do?

A

Calls what is good, bad and what is bad, good.

20
Q

How can criticism shape our experience?

A

Shapes our taste/interests and erects barriers.

21
Q

What is the hermeneutics of active apprehension?

A

Enactment of answerable understanding.

22
Q

What does understanding consist of?

A

Analytical and critical.

23
Q

What is answerability?

A

Interpretive response under pressure of enactment.

24
Q

What does the text suggest about interaction with text?

A

Text responds to text, text interprets text.

25
What is the difference between to consume and to ingest?
Interpretation is lived.
26
How does criticism relate to creative energy?
Criticism is put into creative energy.
27
Why are artists uniquely equipped to be accountable for art?
Art is the best kind of interpretation.
28
What is wrong with our world according to the text?
The lack of imaginative disclosure.
29
What is the role of the artist republic?
Helps to connect us with ourselves.
30
What does engaging in imaginative disclosure do?
Separates us from the hermeneutics of suspicion.
31
How does art as interpretation produce better critique?
Art is the best kind of interpretation.
32
What are the characteristics of Hip Hop?
Elusive, speaks to overall culture, and unifies artistic elements.
33
What are the main components of Hip Hop culture?
* DJing * MCing * B-boying * Graffiti art.
34
What is the historical context of Hip Hop?
Response to gang violence.
35
What does the commercialization of Hip Hop imply?
Money is a magnifier.
36
What was the original purpose of graffiti artists?
To feel visible.
37
Fill in the blank: Hip Hop is a culture that came from _______.
Ghettos and inner cities.