Hearing and Vestibular Lecture (Dr. Karius) TEST 2 Flashcards
Hearing
The Outer, Middle, and Inner Ear each play an Important role in Hearing
1) OUTER EAR: Funnel the Sound Waves into the Ear
2) MIDDLE EAR: Impedance matching, the sound wave has been moving though AIR, but now we are going to have it move in Liquid/ Water
3) INNER EAR: COCHLEA coverts the Sound Waves to ACTION POTENTIALS
Cochlea
1) The SCALA VESTIBULE is the MOST SUPERIOR
** The REISSNER’S MEMBRANE separates the Scala Bestibuli with the Scala Media
2) The SCALA MEDIA is in the MIDDLE
- ** The BASILAR MEMBRANE separates the Scala Media and the Scala Tympani
- It is important with SOUND!!!
3) The Most INFERIOR Compartment is the SCALA TYMPANI
Hearing, circulation between the Scala Vestibule and Scala Tympani
*** The SCALA VESTIBULE and the SCALA TYMPANI are continuous, Fluid- filled compartments. The Fluid inside is PERILYMPH!!!!
Helicotrema
Perilymph
- Contents are similar to ECF
- Contains HIGH Na+ and LOW K+
Hearing with the Basiar and Reissner’s Membranes
- The BASILAR and REISSNER’S MEMBRANE create a Chamber (The Scala Media) that is ISOLATED from Perilymph
- ENDOLYMPH (Fluid inside the Scala Media) is HIGH in K+ and LOW in Na+
**The Composition of the Endolymph will have a SIGNIFICANT EFFECT on the TRANSDUCTION of SOUND WAVES int ACTION POTENTIALS
Compare and Contrast Perilymph and Endolymph
1) PERILYMPH
- Found in the Scala Vestibule and Scala Tympani
- Most similar to ECF/ CSF
- HIGH in Na+ and LOW in K+
2) ENDOLYMPH
- Found in the Scala Media
- Most similar to INTRACELLULAR FLUID
- HIGH in K+ and LOW in Na+
***If something disrupts the Endolymph and Perilymph distributions, then HEARING will be profoundly IMPACTED!!!
External Ear
- Crucial for “FUNNELING” the Sound Waves into the EAR
- Head motions are Crucial to helping this happen, we will turn TOWARDS the NOISE to Improve the ability of the EAR to COLLECT the SOUND WAVES
Middle Ear
- The MIDDLE EAR transmits the Sound Waves from the AIR Environment of the Middle Ear to the AQUEOUS Environment of the COCHLEA
- The OSSICLES Transmit and AMPLIFY the COCHLEA!!!!
Inner Ear
- In the Inner Ear, the IMPACT of the STAPES on the Oval Window causes the BASILAR MEMBRANE to Virabte at the SAME FREQUENCY of the Sound (Down with Impact, Up with Release)
1) COMPRESSION of STAPES on OVAL WINDOW:
- Stapes moving IN Causes a DOWNWARD Motion of the BASILAR MEMBRANE
2) RAREFACTION of the STAPES on the OVAL WINDOW:
- Stapes Moving OUT causes an UPWARD Motion of the BASILAR MEMBRANE
High Frequency and Low Frequency Waves
1) HIGH FREQUENCY Sound (Short Wavelengths) :
- Cause the MAXIMUM VIBRATION of the Basilar Membrane CLOSEST to the OVAL WINDOW
2) LOW FREQUENCY Sound (Long Wavelengths):
- Sounds cause the MAXIMUM Vibration of the Basilar Membrane FARTHEST AWAY from the OVAL WINDOW (Towards the HELICOTREMA)
Organ of Corti
- Has a TECTORIAL MEMBRANE that DOESNT Connet all the way across and DOESNT MOVE when he Basilar Membrane moves
- There are Inner and Outer HAIR CELLS embedded into the TECTORIAL MEMBRANE
***The OUTER HAIR CELLS are the ones important for HEARING!!!!!!!!
Hair Cells
- Each Hair Cell is composed of a distinct arrangement of Shorter STEREOCILIA that INCREASE in Length. The Stereocilia are NOT true Cilia
- Each Stereocilia is connected to other at the top by an Extracellular Filamentous Protein. This protein filament is known as the TIP LINK
- During development, there is a SINGLE TRUE Cilium, the KINOCILIUM!!!!!!
- The KINOCELIUM is the TALLEST of the “Hairs” on the Hair Cell. In Mammals, it degenerates beginning around the time of Birth
Movement of the Basilar Membrane and result on Tectorial Membrane
**When sound causes the Basilar Membrane to VIRBATE, the Connections between the Basilar Membrane and the Tectorial Membrane cause the TECTORIAL MEMBRANE to move as well. THIS MOTION BENDS THE HAIR CELLS!!!!!!
- During TRANSDUCTION, if the STEREOCILI are Bent TOWARDS the KINOCILIUM, the Hair Cell DEPOLARIZES!!!!!!
**Bending the Hair Cells TOWARDS the Kinocilium OPENS POTASSIUM CHANNELS that DEPOLARIZE the Cell. Due to the Composition of the Endolymph, POTASSIUM ENTERS the Hair Cells and causes it to DEPOLARIZE Calcium is also Involved!! **
- If the STEREOCILIA move AWAY from the KINOCILIUM, the Hair Cell HYPERPOLARIZES!!!!!!
Summary of Depolarization of the Hair Cells
1) Sound Waves are funneled into the Ear by the EXTERNAL EAR
2) The Middle Ear OSSICLES are required to generate enough Force to cause the Water-filled COCHLEA to Vibrate at the Frequency of the Sound (IMPEDANCE MATCHING)
3) In the Cochlea:
a) Vibration of the Basilar Membrane is determined by the Frequency of the Sound
- HIGH Frequency Sounds are near the BASE of the Basilar Membrane
- LOW Frequency Sounds are Near the BASE of the Basilar Membrane
b) The Vibration causes BENDING of the Hair Cells
c) DEPOLARIZATION of the Hair Cells is produced by INFLUX of K+ and probably Ca2+
Pathways in the Cochlea
1) VENTRAL Pathway:
- Starts processing of TEMPORAL and SPECTRAL features of the Sound (Tells about the Sound)
2) DORSAL Pathway:
- Integrates the ACOUSTIC Information with SOMATOSENSORY Information for LOCALIZING SOUND (Where the Sound Started)
3) The MEDIAL SUPERIOR OLIVE generates a MAP of the INTRA-AURAL TIME DIFFERENCES (How the sound arrived at the two Ears differently)
- Sound will reach one ear milliseconds before it reaches the other ear
4) The LATERAL SUPERIOR OLIVE generates a Map of the INTRA-AURAL INTENSITY DIFFERENCES (How the Sound arrived at the Two Ears differently)
- If the Left Ear is farther away from the source of the sound, the Intensity (Amplitude) of the Sound is SLIGHTLY REDUCED compared to what the Right Ear detected!!!!
TIME and INTENSITY differences are CRUCIAL INFORMATION in Determining where a SOUND Originated from!!!!*
5) INFERIOR COLLICULUS:
- SUPPRESSES Information relates to Echoes (They Interfere with Location) and arrives at a FINAL Estimation of the SOUND LOCATION on the Horizon (Horizontal Plane)
6) SUPERIOR COLLICULUS:
- Takes the Location Data from the Inferior Colliculus and ADDS the THIRD DIMENSION to it (VERTICAL HEIGHT) to create the Spatial Map of the Sound’s LOCATION (ADDS DEPTH)