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A Level Music > Haydn Movement 3 > Flashcards

Haydn Movement 3 Flashcards

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1
Q

Where does section A of the minuet start?

A

Bar 1

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2
Q

Where does section B of the minuet start?

A

Bar 16

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3
Q

Where does the codetta start?

A

Bar 43

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4
Q

Where does the trio start?

A

Bar 52

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5
Q

Where does section A of the trio start?

A

Bar 52

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6
Q

Where does section B of the trio start?

A

Bar 64

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7
Q

What is the structure of this movement?

A

Ternary form (minuet-trio-minuet)

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8
Q

What is the structure of the minuet?

A

Rounded binary

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9
Q

What does the piece begin with?

A

Anacrusis

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10
Q

What key does the movement begin in?

A

D major

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11
Q

Give the key and cadence at bars 7-8

A

Perfect cadence in D major

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12
Q

Describe the use of instrumentation in bar 9-16

A

Lighter scoring, only 2 wind playing and only horns in brass

Timpani missing

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13
Q

What harmonic device is used in the cello+bass from bar 9-12?

A

Tonic pedal

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14
Q

Compare the opening 8 bars with bar 9 onwards

A

repeated at bar 9 but p

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15
Q

What key does section B of the minuet start in?

A

B minor

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16
Q

What rhythmic device is used in the bassoon from bars 20-24?

A

hemiola

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17
Q

How are the openings of both sections of the minuet similar?

A

Both start with tonic triads in D major

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18
Q

What key do we go into at bar 25?

A

A major

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19
Q

What chord is used in bar 28?

A

Neapolitan 6th chord

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20
Q

Describe the melody from bars 35-42

A

repeat of the minuets opening

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21
Q

What device is used from bars 45-46?

A

Grand pause

22
Q

Describe the harmony from 48-53

A

repeated V7-I chords

23
Q

What happens at the end of the minuet?

A

Section B is repeated before the trio

24
Q

What structure is the trio?

A

Binary form

25
Q

What key does the trio start in?

A

Bb major (remote key)

26
Q

Describe the opening texture of the trio

A

Light texture- no clarinets, brass or timpani

27
Q

Describe the opening melody of the trio

A

Long lines of legato quavers- less emphasis on the downbeat

28
Q

What key does section B of the trio start in?

A

C minor

29
Q

What happens to the opening melody of the trio in section B?

A

Becomes the new countermelody, letting oboes and flutes carry new melodic material

30
Q

What key is shifted to in bar 72?

A

F major

31
Q

What key is returned to at bar 78?

A

Bb major

32
Q

What melodic device is used in the oboes from bars 84-86?

A

Ascending sequence

33
Q

Describe the type of scale used in the flute from bars 84-86

A

descending chromatic scale

34
Q

Describe the key and cadence from bars 93-94?

A

Perfect cadence in Bb major

35
Q

What is the purpose of the trio tailpiece from bars 95-end?

A

smooth transition from Bb major to D major

36
Q

Describe the melody at the end of the trio

A

uses rising 3rd idea from the beginning of the trio

37
Q

Describe the harmony at the end of the trio

A

rising chromatic scale in violin1

tonic pedals in violin2 and violas

38
Q

What chord does the trio finish on?

A

A major chord- dom of D major

39
Q

What does the Men.D.C mean at the end of the trio?

A

minuet repeated until the word ‘fine’ is reached

40
Q

Where is there an augmented 6th chord in this movement?

A

Bar 99

41
Q

Key and cadence at bar 44

A

Perfect cadence in subdominant

42
Q

What key does the minuet finish in?

A

D major

43
Q

How does Haydn achieve the modulation from the tonic to the unrelated key at the start of the trio?

A

Delays the tonic note for 2 bars

44
Q

Which chord does the linking section end on?

A

Dominant 7th

45
Q

Describe tonal structure of the trio

A

A sections ends in dominant and moved to dominant minor

46
Q

What is the key at bar 20?

A

B minor

47
Q

Give the bar numbers where a hemiola can be found

A

20-24

48
Q

Give the bar number where a cycle of fifths can be found

A

23-25

49
Q

Where is the neapolitan 6th chord?

A

bar 28

50
Q

How does Haydn achieve contrast between the minuet and trio?

A

Trio in remote key of Bb major
long lines of flowing quavers w/ less emphasis on downbeat
lighter texture in trio, no brass, timps or clarinet
polyrhythms in trio (6/8 in bassoon+V1 but 3/4 in strings)
Addition of linking section in trio

51
Q

Describe harmony in linking section

A

Tonic Bb pedal in V2 (bar 95-99)
Augmented 6th chord (bar 99)
Alternating diminished7th and dom7th chords
rising third idea in oboe (bar 94-97)

A Level Music (6 decks)

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