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Eduqas: Music A Level: > Haydn 104.4 > Flashcards

Haydn 104.4 Flashcards

1
Q

What is the key of Haydn’s Symphony No. 104 4th movement?

A

D major

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2
Q

True or False: The 4th movement of Haydn’s Symphony No. 104 is a slow adagio.

A

False

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3
Q

Fill in the blank: The 4th movement of Haydn’s Symphony No. 104 is characterised as a _____ form.

A

Sonata

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4
Q

What is the main theme of the 4th movement often referred to?

A

The ‘Folk Tune’ theme

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5
Q

What rhythmic feature is prominent in the 4th movement?

A

Dotted rhythms

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6
Q

Short Answer: How does Haydn create contrast in the 4th movement?

A

Through dynamic shifts and contrasting themes

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7
Q

What key change occurs in the B section of the Rondo?

A

Modulation to B minor

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8
Q

Fill in the blank: The 4th movement is known for its _____ energy and lively character.

A

Joyful

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9
Q

What is the significance of the ‘Folk Tune’ theme in the context of the movement?

A

It reflects Haydn’s connection to popular music and culture.

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10
Q

True or False: The 4th movement features a coda that revisits the main theme.

A

True

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11
Q

Identify one way Haydn uses orchestration to enhance the 4th movement.

A

By using contrasting timbres between strings and woodwinds.

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12
Q

Short Answer: What emotional effect does the 4th movement aim to evoke?

A

A sense of celebration and joy.

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13
Q

What is the term used to describe a musical work that focuses on a single theme?

A

Monothematic

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14
Q

What is a notable change observed between sections S2a and S2b?

A

Change of mood

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15
Q

What musical technique involves reorchestrating and varying textures and section lengths during recapitulation?

A

Reorchestration

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16
Q

Which harmonic concept involves a sequence of chords based on the interval of a fifth?

A

Circle of 5ths

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17
Q

Name some typical features of Haydn’s music.

A
  • Remote keys
  • Unexpected cadences
  • Neapolitan chords
  • Use of silence
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18
Q

What compositional technique is characterized by breaking melodies into smaller fragments?

A

Melodic fragmentation

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19
Q

What style of interaction is emphasized in the development of musical themes?

A

Dialogue

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20
Q

What kind of feel does the movement exhibit, reminiscent of traditional music?

A

Folk and dance feel

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21
Q

What is introduced in Bar 11?

A

Start of countermelody in Violin II

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22
Q

What musical technique is used in Bar 19?

A

Mannheim hammerstrokes with ‘x’ theme

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23
Q

What happens in Bar 31 regarding the key?

A

Move away from D major with C naturals in S1

24
Q

What is a Neapolitan chord?

A

F major chord in root position within E major key

Neapolitan chords are typically used in classical music to create tension.

25
Q

What occurs in Bar 54?

A

Violin I and Violin II have swapped roles from S1A

26
Q

What theme is heavily developed starting in Bar 65?

A

‘Y’ theme

27
Q

What chord progression is typical in Bars 82-83?

A

Ic - V7 progression

28
Q

What type of cadence occurs in Bars 83-84?

A

Interrupted cadence heading towards Bm

29
Q

What musical concept is featured in Bars 84-90.1?

A

Circle of 5ths

30
Q

What do Bars 85 and 87-90 include at the beginning?

A

Accented passing notes in Violin I and Bassoon

31
Q

What is introduced in Bar 102?

A

Rhythmically diminished version of S1 in Violin I and Flute I

32
Q

What begins in Bar 108?

A

Start of codetta theme with octave unison and ‘x’ theme

33
Q

What is fused with the codetta theme in Bar 118-124?

A

S2A in Violin II

The codetta theme is combined with S2A in Violin II and then followed by an octave ‘theme’ in Violin I.

34
Q

Which theme is heavily developed in Bar 129?

A

‘Y’ theme

The ‘Y’ theme is accompanied by the ‘x’ theme.

35
Q

List the chords in the progression from Bar 149 to 156.

A
  • A sharp dim 7 chord
  • A dim 7 chord
  • Em 1st inversion
  • German augmented 6
  • F sharp major transition theme

The F sharp major transition theme is a down a tone from the Exposition.

36
Q

What type of chord is introduced in Bar 158.3?

A

Neapolitan chord

This is a G major chord but in root position, with the key being F sharp major at this point.

37
Q

What happens to S2B in Bar 167?

A

Tone higher than before and extended

This indicates a development in the melodic line.

38
Q

What chord is played in Bar 181?

A

D sharp diminished chord

This chord creates a tension leading into the next progression.

39
Q

What chord is introduced in Bar 183?

A

D7 chord

This represents a strange progression from the previous chord.

40
Q

What chord is in second inversion in Bar 185?

A

F sharp minor

This also represents a strange progression from the previous chord.

41
Q

What is the cadence created in Bars 185-192?

A

C sharp pedal finishing with C sharp 7 chord

This creates a strange cadence back to D major, which should be A7 rather than C sharp 7.

42
Q

How many bars shorter is the section from bars 195-202 compared to the Exposition?

A

8 bars shorter

S1 is not repeated up the octave as it was in the Exposition and has fuller orchestration.

43
Q

What happens to the second part of the transition at bar 211?

A

Omitted; now 18 bars long instead of 35

Replaced with an extended idea of bars 206.4-210.4 but with C naturals.

44
Q

Which instruments are used for the re-orchestrated theme at bar 221?

A

Horns, bassoons, and lower strings

The theme is now presented in a different orchestration.

45
Q

What is notable about the transition section at bar 232?

A

Put back in from bars 44-52, featuring ‘z’ but in A major

This indicates a shift in key and thematic material.

46
Q

What occurs at bar 247 regarding S2B?

A

S2B returns with inclusion of flute scales

Starts in E minor and is the same length as Exposition S2B.

47
Q

What unexpected chord starts in Bar 264?

A

E7 in 2nd inversion

This chord is unexpected as a D major was anticipated.

48
Q

What returns in Bar 264?

A

Codetta and S1

This indicates a return to previously established musical themes.

49
Q

What ensemble is featured in Bar 275.4?

A

Woodwind trio

This section highlights the woodwind instruments specifically.

50
Q

What key is the piece in during Bar 287?

A

D minor

The section has a Sturm und Drang feel.

51
Q

What type of movement occurs in Bar 287?

A

Tutti with quaver movement

This indicates a full ensemble playing with a specific rhythmic pattern.

52
Q

What is the rhythmic section in Bars 293 to 300 leading back to?

A

D major for Bar 301

This section transitions the piece back to a major key.

53
Q

What rhythmic element returns in Bar 301?

A

Bar 76 motor rhythms

This refers to a previously established rhythmic motif.

54
Q

What is referenced at Bar 307?

A

‘x’ with final reference to S1

This suggests a thematic conclusion and recall of motifs.

55
Q

What is described at the end of the piece?

A

‘stamping’ of ‘x’, references to ‘y’ theme

This includes typical triplets and a ff perfect cadence played tutti.

Eduqas: Music A Level: (13 decks)

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