Harmony Flashcards
The most common use of the 2nd inversion of a chord is:
cadential 6/4
The ______is approached by a step and is left by a skip in the opposite direction.
Echapee
T or F: Harmony is the study of vertical combinations of different pitches and their succession.
True
T or F: Harmonic progression is the simultaneous motion of all parts in chord formation.
True
T or F: Melodic progression is the succession of melody notes in a single line or part.
True
Using any one given primary triad, how many inversions are possible?
3
Group 1 (First Classification) chords are the major ______ and diminished __________ chords and have a ______________ function.
dominant, leading tone, dominant
Group 2 (Second Classification) chords are the ______ and _________ chords and have a __________ function.
subdominant, supertonic, subdominant
The Group 3 (Third Classification) chord is the ________ and may have a ______ function.
submediant, tonic
The Group 4 (Fourth Classification) chord is the ________ and may have a ______ or _______ function.
mediant, tonic, dominant
________ relationship is the association of two chords whose roots are a perfect fifth apart.
Dominant
An __________ _______ ______ occurs whenever a dominant function chord progresses to the tonic chord.
Established tonic chord
__________ in a chord progression occurs when one chord group is skipped in left to right movement.
Elision
A _______ ______ _____ occurs when a tonic chord appears between any two chords in a progression or between two positions of the same chord.
neutral tonic chord
____________ occurs when chords move from right to left on the chord chart.
Retrogression
In the leading tone triad, the ______ is normally doubled to avoid doubling a note of the tritone.
third
The _______ of the leading tone triad is doubled when it appears in the soprano voice.
fifth
An __________ _________ occurs with a vii half diminished first inversion to I(i) progression at a cadence point. It may appear at any cadence but final.
Intermediate Cadence
The supertonic triad occurs primarily in _______ inversion with doubled ________ (tonal note).
first, third
In major keys, the supertonic chord may be used in ________ inversion as a passing 6/4.
second
The submediant triad appears primarily in _______ _______.
root position
In minor, the ______ of the submediant triad must be doubled when there is elision or retrogression.
third
The ________ _______ is a V to vi or V# to VI progression at a cadence point.
deceptive cadence
The _______ of the submediant of a deceptive cadence is doubled.
thirds
In major keys, the mediant triad may appear in root position with doubled __________ or occasional doubled _______.
root, third
In minor keys, the major quality mediant triad may appear in root position or first inversion with doubled _________.
third
The __________ triad only occurs in minor.
subtonic
A __________ ________ of the seventh occurs when the seventh is sustained or repeated in the following chord.
delayed resolution
The leading tone seventh is a ______ in major keys.
min7(b5)
The leading tone seventh is a _____ in minor keys.
dim7
The supertonic seventh is a ___ in major keys.
min7
The supertonic seventh is a ______ in minor keys.
min7(b5)
The subdominant seventh is a ___ in major keys.
Maj7
The subdominant seventh is a ___ in minor keys.
min7
The submediant seventh is a ___ in major keys.
min7
The submediant seventh is a _____ in minor keys.
Maj7
Major ninths appear in major keys on the ______ _____ or _______ ________ chord.
dominant seventh, supertonic seventh
_________ is the process of moving from one tonality to another.
Modulation
_______ ________ is movement to a closely related key.
Simple modulation
_______ _______ keys are those adjacent to a key on the circle of fifths and their relative keys.
Closely related
Any one key has ___ closely related keys.
5
_____ _____ is the beginning key.
Original key
A pivot chord should not be the ______ chord of the new key.
dominant
T or F: Accidentals used to create notes in a new key need not be indicated in figured bass when accompanied with analysis.
True
