Harmony

Question 2

The most common use of the 2nd inversion of a chord is:

Answer 2

cadential 6/4

Question 3

The ______is approached by a step and is left by a skip in the opposite direction.

Answer 3

Echapee

Question 4

T or F: Harmony is the study of vertical combinations of different pitches and their succession.

Answer 4

True

Question 5

T or F: Harmonic progression is the simultaneous motion of all parts in chord formation.

Answer 5

True

Question 6

T or F: Melodic progression is the succession of melody notes in a single line or part.

Answer 6

True

Question 7

Using any one given primary triad, how many inversions are possible?

Answer 7

3

Question 8

Group 1 (First Classification) chords are the major ______ and diminished __________ chords and have a ______________ function.

Answer 8

dominant, leading tone, dominant

Question 9

Group 2 (Second Classification) chords are the ______ and _________ chords and have a __________ function.

Answer 9

subdominant, supertonic, subdominant

Question 10

The Group 3 (Third Classification) chord is the ________ and may have a ______ function.

Answer 10

submediant, tonic

Question 11

The Group 4 (Fourth Classification) chord is the ________ and may have a ______ or _______ function.

Answer 11

mediant, tonic, dominant

Question 12

________ relationship is the association of two chords whose roots are a perfect fifth apart.

Answer 12

Dominant

Question 13

An __________ _______ ______ occurs whenever a dominant function chord progresses to the tonic chord.

Answer 13

Established tonic chord

Question 14

__________ in a chord progression occurs when one chord group is skipped in left to right movement.

Answer 14

Elision

Question 15

A _______ ______ _____ occurs when a tonic chord appears between any two chords in a progression or between two positions of the same chord.

Answer 15

neutral tonic chord

Question 16

____________ occurs when chords move from right to left on the chord chart.

Answer 16

Retrogression

Question 17

In the leading tone triad, the ______ is normally doubled to avoid doubling a note of the tritone.

Answer 17

third

Question 18

The _______ of the leading tone triad is doubled when it appears in the soprano voice.

Answer 18

fifth

Question 19

An __________ _________ occurs with a vii half diminished first inversion to I(i) progression at a cadence point. It may appear at any cadence but final.

Answer 19

Intermediate Cadence

Question 20

The supertonic triad occurs primarily in _______ inversion with doubled ________ (tonal note).

Answer 20

first, third

Question 21

In major keys, the supertonic chord may be used in ________ inversion as a passing 6/4.

Answer 21

second

Question 22

The submediant triad appears primarily in _______ _______.

Answer 22

root position

Question 23

In minor, the ______ of the submediant triad must be doubled when there is elision or retrogression.

Answer 23

third

Question 24

The ________ _______ is a V to vi or V# to VI progression at a cadence point.

Answer 24

deceptive cadence

Question 25

The _______ of the submediant of a deceptive cadence is doubled.

Answer 25

thirds

Question 26

In major keys, the mediant triad may appear in root position with doubled __________ or occasional doubled _______.

Answer 26

root, third

Question 27

In minor keys, the major quality mediant triad may appear in root position or first inversion with doubled _________.

Answer 27

third

Question 28

The __________ triad only occurs in minor.

Answer 28

subtonic

Question 29

A __________ ________ of the seventh occurs when the seventh is sustained or repeated in the following chord.

Answer 29

delayed resolution

Question 30

The leading tone seventh is a ______ in major keys.

Answer 30

min7(b5)

Question 31

The leading tone seventh is a _____ in minor keys.

Answer 31

dim7

Question 32

The supertonic seventh is a ___ in major keys.

Answer 32

min7

Question 33

The supertonic seventh is a ______ in minor keys.

Answer 33

min7(b5)

Question 34

The subdominant seventh is a ___ in major keys.

Answer 34

Maj7

Question 35

The subdominant seventh is a ___ in minor keys.

Answer 35

min7

Question 36

The submediant seventh is a ___ in major keys.

Answer 36

min7

Question 37

The submediant seventh is a _____ in minor keys.

Answer 37

Maj7

Question 38

Major ninths appear in major keys on the ______ _____ or _______ ________ chord.

Answer 38

dominant seventh, supertonic seventh

Question 39

_________ is the process of moving from one tonality to another.

Answer 39

Modulation

Question 40

_______ ________ is movement to a closely related key.

Answer 40

Simple modulation

Question 41

_______ _______ keys are those adjacent to a key on the circle of fifths and their relative keys.

Answer 41

Closely related

Question 42

Any one key has ___ closely related keys.

Answer 42

5

Question 43

_____ _____ is the beginning key.

Answer 43

Original key

Question 44

A pivot chord should not be the ______ chord of the new key.

Answer 44

dominant

Question 45

T or F: Accidentals used to create notes in a new key need not be indicated in figured bass when accompanied with analysis.

Answer 45

True