hamlet Flashcards

1
Q

list 4 ways in which an atmosphere of tension is created in a1 s1

A
  • midnight and darkness as characters cannot see each other
  • soldiers are on watch for attack
  • series of questions being asked
  • ghost appearance
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2
Q

list four ways the ghost is characterised in a1 s1

A
  • appearing three nights in a row
  • delay of speech
  • appearance being seen as a ‘strange eruption’
  • wearing armour and swords although image of a ghost
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3
Q

what important themes are introduced in a1 s1

A

death, uncertainty, good and evil, supernatural, betrayal, light and dark

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4
Q

what important motifs are introduced in a1 s1

A

theatrical language, dead fathers, duets, duels

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5
Q

list the interruptions that occur in a1 s1

A
  • the ghost’s appearance interrupting barnardo’s story
  • the crowing cock
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6
Q

what are the characters introduced in a1 s1

A

horatio, the ghost/ old hamlet , barnado

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7
Q

what language methods are used in a1 s1

A

questions, interruptions, half lines, dichotomy,

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8
Q

list the symbolic images in a1 s1

A

death of old hamlet
war of denmark
the crowing cock
the number three

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9
Q

list the contrasting pairs shown in a1 s1

A

horatio and hamlet: stoic and sceptic
heaven and earth
dark and light
good and evil

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10
Q

who are the characters introduced in a1 s2

A

claudius, gertrude, hamlet

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11
Q

list the language techniques in claudius’s speech

A
  • overusing names
  • unnecessary repetitions - laertes’s name stressed four times in nine lines
  • contortion of syntax
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12
Q

list the images associated with the scene in a1 s2

A

mouths, stomachs, eating to demonstrate gluttony

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13
Q

what relationship is focused on in a1 s2

A

familial love: incest and unconventional

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14
Q

what is the first type of murder that occurs in hamlet

A

fratricide: killing one’s brother or sister

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15
Q

list the ways claudius is characterised in a1 s2

A
  • insincere
  • attention seeking with his speech focusing only on him
  • manipulative
  • duplicitous via his inner conflicts
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16
Q

list the ways hamlet is characterised in a1 s2

A
  • sensitive
  • feeling of reject/ neglection
  • disappointed with his mother’s actions
  • problematic and dramatic
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17
Q

what language techniques are demonstrated in hamlet’s aside in a1 s2

A

word play, linguistic proverbs, doubles

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18
Q

how is hamlet demonstrated through his first aside

A

expressing his inner feelings of being cut off from those around him

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19
Q

what important themes are introduced in a1 s2

A

royalty, deception, incest, mother and son relationship

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20
Q

what important motifs are introduced in a1 s2

A

familial love, speeches, communication via asides,

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21
Q

list the characters introduced in a1 s3

A

ophelia, polonius, laertes

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22
Q

list the ways ophelia is characterised in a1 s3

A

short speech, sensitive, quiet, obedient

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23
Q

list the ways polonius is characterised in a1 s3

A

rambler, submissive, knowledgeable, self assured

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24
Q

list the ways laertes is characterised in a1 s3

A

speaking in longwinded speeches, traditional son, academic

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25
Q

what important themes are shown in a1 s3

A

familial love, patriarchy, disapproval

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26
Q

what role does polonius have in the court of elsinore

A

being the messenger and role jester of the king

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27
Q

what important motifs are seen in a1 s3

A

truth, memory, appearance vs reality

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28
Q

what language techniques are utilised in a1 s3

A

creating levels of suspense,irony, word play, long winded speech

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29
Q

list the dynamic of relationships in a1 s3

A
  • sibling relationship
  • father and daughter relationship
  • father and son relationship
  • romantic relationship
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30
Q

list the foil to the character of hamlet introduced in a1 s3

A

laertes

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31
Q

list the language techniques used in a1 s4

A
  • juxtaposition
  • interruptions
  • cut speeches
  • paradoxes
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32
Q

list the ways hamlet is characterised in a1 s4

A

feigning madness, curiosity, idolises his father

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32
Q

what effect is used in a1 s4 to set the scene

A

acts as a duplication of first scene to increase suspense

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33
Q

list the way the ghost of old hamlet is characterised in a1 s4

A
  • unreason
  • chaos
  • supernatural
  • image of human race
  • image of atmosphere
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34
Q

list the themes in a1 s4

A
  • delay
  • honour
  • evil
  • madness
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35
Q

what dynamic is shown in a1 s4

A

father and son relationship

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36
Q

when is a1 s4 set

A

at night as a duplicate of the first scene

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37
Q

what information does the ghost reveal in a1 s5

A

being poisoned by claudius

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38
Q

list the language techniques associated with a1 s5

A
  • metaphoric parallel
  • injunctions
  • soliloquy
  • dictions of ‘prison’ ‘ears’ weed’ ‘custom’ ‘seeing’
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39
Q

list the 4 ways old hamlet is seen as in a1 s5

A
  • chivalric warrior
  • desire to avenge
  • genuine love for wife
  • betrayal provokes him to avenge
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40
Q

what does hamlet include in his second soliloquy during a1 s5

A

the aim to wipe away whole past and trivial records, including ophelia

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41
Q

list the characters that are involved in a1 s5

A
  • old hamlet
  • hamlet
  • horatio
  • ophelia via soliloquy
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42
Q

what important themes are shown in a1 s5

A

murder/ fratricide, betrayal, loyalty

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43
Q

list the characters involved in a2 s1

A
  • polonius
  • reynaldo
  • ophelia
44
Q

what is the role of reynaldo in a2 s1

A

to spy on laertes and his behaviours in paris

45
Q

lists the dynamics recognised in a2 s1

A
  • familial
  • messenger
  • romantic but faded love
46
Q

what images are associated in a2 s1

A

letters, mistrust, loose living, rejection, temporary feelings

47
Q

what leads hamlet to rejecting ophelia in a2 s1

A

his previous announcement in the soliloquy that he will erase all trivial memories

48
Q

what is ophelia referring to with her father in a2 s1

A

the letters that she rejected from hamlet and hamlet’s change in behaviour

49
Q

list the way hamlet is characterised in a s1 with ophelia

A
  • feigning insanity
  • all clothing is misplaced
  • pale as his shirt
  • being ‘loosed out of hell’
    -shaking his legs and ophelia’s arms
49
Q

how does polonius define hamlet’s action in a2 s1 to ophelia

A

as an ecstasy of love

50
Q

list the characters involved in a2 s2

A
  • claudius
  • gertrude
  • rosencrantz and guildenstern
  • polonius
  • hamlet
  • the players
51
Q

what is the role of rosencrantz and guildenstern in a2 s2

A

spy on hamlet as per the king’s orders

52
Q

list the themes in a2 s2

A
  • incest
  • madness
  • revenge
  • betrayal
  • friendship
  • secrecy
52
Q

why are the players a major scene in the play

A

they determine whether the murder of old hamlet was truly by claudius

53
Q

what are the similar motifs to old hamlet’s death and the players scene in a2 s2

A
  • image of gertrude
  • the poisoning
  • the play title being ‘the murder of gonzago’
53
Q

list the language techniques used in a2 s2

A
  • soliloquy: hamlet
  • aside
  • short, sharp sentences
  • metaphor
  • puns
  • irony
53
Q

list the motifs in a2 s2

A
  • graves
  • earth
    -prisons
  • plays
  • death
  • doubt
54
Q

who are the dominating characters in a3 s1

A

hamlet and ophelia

54
Q

what does hamlet include in his soliloquy for a3 s1

A

‘to be or not to be’
- motif of suicide
- morals of royalty

54
Q

what is a3 s1 known as for the scene for hamlet and ophelia

A

the nunnery scene

54
Q

list the three choices available to women shown in a3 s1 for ophelia

A
  • wife
  • widow
  • nun
54
Q

what is repetitively said to opehlia in a3 s1

A

to a nunnery,go

54
Q

list the ways hamlet is characterised in a3 s1

A
  • cruel
  • dominant
  • feigning madness
  • traditional views (for women)
  • conflicted
54
Q

list the ways ophelia is characterised in a3 s1

A
  • vulnerable
  • foolish
  • obedient
  • betrayed/ used
55
Q

what is the role of ophelia in a3 s1

A

to spy and get information about hamlet’s progressive madness

55
Q

list the common themes in a3 s1

A
  • madness
  • secrecy
  • death
  • morality
  • royalty
  • nunnery
  • beauty
68
Q

list the dynamics of observing individuals in a3 s2

A
  • audience observes hamlet
  • hamlet observes claudius and gertrude
  • gertrude and claudius observe the players
69
Q

how is horatio characterised towards hamlet for a3 s2

A

as stoic and refusing to be ‘passion’s slave’ in the belief of that being how a man should act

70
Q

list the language techniques used in the play for a3 s2

A
  • rhyming couplets
  • plays
  • medieval rhetoric devices e.g. circumlocution
  • old style languages e.g. archaic diction
71
Q

what is the reason for hamlet’s vulgarity towards ophelia in a3 s2

A

as a burden for all the things he wants to accuse his mother of as she would be able to hear what he says

72
Q

what is the effect of the prologue/ play in a3 s2

A

silent parallel of old hamlet’s death
- play within a play

73
Q

how is hamlet characterised in a3 s2

A
  • ultimate madness
  • clarity due to proving his father’s superstition
  • shift from commentator and observer to an active protagonist
74
Q

what common form of method is used by hamlet in a3 s2

A

his fifth soliloquy in response to renewed resolving

75
Q

what link is used between claudius and hamlet in a3 s3

A

use of a soliloquy
- irony of similarity intellectually

76
Q

list claudius’s realisation in his only soliloquy during a3 s3

A

awareness that fratricide is the ultimate sin

77
Q

list 4 ways in which hamlet and claudius’s soliloquy have similarities in a3 s3

A
  • the dialect
  • rhetorical use of language
  • doubles
  • contradictions
78
Q

what is the difference between claudius and hamlet’s soliloquy in a3 s3

A

cannot resist temptation or show remorse for killing brother

79
Q

list the common motifs shown in a3 s3

A
  • revenge
  • conflict
  • asympathy vs sympathy
  • religion
  • murder
80
Q

what is hamlet’s reason for not killing claudius in a3 s3

A

does not want to kill him whilst praying as he will end up on heaven and not hell

81
Q

what is a3 s4 also known as

A

the closet scene

82
Q

what dynamics are used in a3 s4

A
  • mother and son: oedipal nature questioned
83
Q

how does polonius cause his own death in a3 s4

A

incapability of keeping quiet as hamlet kills polonius in mistake

84
Q

how is polonius’s death seen as a turning point for hamlet in a3 s4

A

first time hamlet acts impulsively and the outcome was heaven directed

85
Q

list the effects of the ghost appearing in his night gown for a3 s4

A
  • protectiveness towards gertrude
  • hamlet disobeys the ghost by tackling mother
    and is punished through the ghost’s appearance
86
Q

list the implications of gertrude not seeing the ghost appearing in a3 s4

A
  • her betrayal towards old hamlet
  • hamlet speaking to thin air: schizophrenic
  • hamlet being in touch with both living and dead: supernatural
87
Q

what is the shift of hamlet’s behaviour in a3 s4

A

starts to act on impulse, irrational behaviour shown

88
Q

list the characters involved in a4 s1

A
  • gertrude
  • claudius
  • guildenstern and rosencrantz
89
Q

what is the role of rosencrantz and guildenstern in a4 s1

A

aim to find the body of polonius as hamlet has hidden it

90
Q

list the motifs shown in a4 s2

A
  • secrecy
  • mistrust
  • afterlife
  • royalty
91
Q

list how hamlet is characterised in a4 s2

A
  • blunt
  • threatening
  • dismissive
  • cunning
92
Q

what is the role of rosencrantz and guildenstern in a4 s2

A

they speak to hamlet and ask for the body of polonius but instead hamlet humbles them as the ‘minions’ of claudius

93
Q

list the two characters involved in a4 s3

A

claudius and hamlet

94
Q

list how the corpse of polonius’s body is described in a4 s3

A

as if it has been eaten

95
Q

where does polonius direct hamlet towards in a4 s3

A

to england as a sense of worry and to kill off hamlet

96
Q

what common technique of hamlet is shown in a4 s4

A

hamlet’s final soliloquy as he finally result in taking revenge on claudius

97
Q

list the motifs used in a4 s4

A
  • conflict
  • war
  • foreign countries
  • battle
  • heroism
  • honour
98
Q

what dynamic is focused on in a4 s4 and why

A

hamlet and foil character of fortinbras
- action vs thought
- hamlet admires fortinbras for prioritisng honour and acting on impulse
- fortinbras viewed as avenging warrior

99
Q

list the similarity between hamlet and fortinbras shown in a4 s4

A
  • fatherless
  • usurping uncles
  • next to the throne
100
Q

list 2 ways in which ophelia demonstrates her madness in a4 s5

A
  • singing passionate songs of love and loss
  • projecting her sexuality towards everyone, especially claudius
101
Q

what period of time is a4 s5 assumed to be set in

A

early summer
- flowers with ophelia

102
Q

what is seen as the driving forces for ophelia’s madness in a4 s5

A

loss of her father and loss of her lover
- leads to being sexually explicit and also an innocent maiden

103
Q

list how laertes is characterised in a4 s5

A
  • seeking revenge for his father’s death
  • furious
  • fury seeing his sister’s madness
  • determined
  • enraged
104
Q

what is the effect of the letter in a4 s6

A

hamlet tells horatio of his capture by pirates and a battle at sea, suggesting that the death of hamlet was planned by claudius

105
Q

list the two reasons why claudius tells laertes not to punish hamlet in a4 s7

A
  • close to his wife and hamlet’s mother, gertude: close blood link of relationship
  • people of denmark like hamlet and claudius will be given a bad reputation
106
Q

what is the plot of laertes and claudius in a4 s7

A

to duel/ fight with eachother
- claudius will poison the drink for hamlet and poison the tip of laertes’s sword so it will kill hamlet

107
Q

what does hamlet reveal in a letter to claudius in a4 s7

A

that he is coming back to the court of elsinore
- claudius is unaware that hamlet has manipulated and ordered for the death of rosencrantz and guildenstern

108
Q

who’s death is revealed by gertrude and how they die in a4 s7

A

ophelia’s death is revealed as a act of committing suicide