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Module 1 Hair Care&design > Hair Design > Flashcards

Hair Design Flashcards

1
Q

Hair design is a temporary change in

A

Fo4m texture and direction that is achievable through wet and thermal design as well as long hair design techniques

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2
Q

Reasons to get hair design

A

Weekly service
special occasions
completion of another service

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3
Q

The two areas of hair design services are

A

Wet and thermal design

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4
Q

Hair design analysis includes

A

Levels of observation basic detail abstract

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5
Q

The two categories of surface texture are

A

Known as unactivated smooth, and activated rough

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6
Q

Tighter curl pattern added to increase layered forms create the illusion of

A

Shorter lengths

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7
Q

Rectangle shapes are usually used to move hair

A

Move in one direction

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8
Q

Curvature shapes used in hair design include

A

Oblong

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9
Q

The half circle is most often used to move hair

A

Half toward half away from the face

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10
Q

The temporary nature of hair design services provides clients with

A 
Styling options
Flexibility 
Try new designs
Fun
Freedom to change without  chemical change
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11
Q

Wet design

A

Refers to area of hair designing in which the hair is manipulated into the desired shapes and movements while wet and then allowed to dry

Wet styling

Structured longer lasting

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12
Q

Thermal design

A

The technique of drying or designing hair by using a hand held dryer while simultaneously using your fingers a variety of brushes pressing comb and thermal irons

Thermal styling

Softer casual finish

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13
Q

Basic

A

Form/shape
Volume
Indentation

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14
Q

Detail

A

Texture

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15
Q

Abstract

A

Direction

Where hair moves in relation to face

Forward/toward face
Back/away
One side

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16
Q

Texture pattern

A 
Straight 
Waves 
Curls
Spiral curls
Crimped
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17
Q

Inactivated surface texture

A

Straight

Flat iron & pressing comb

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18
Q

Activated surface texture

A 
Waves
Air forming with brush
Curls
Rollers
Spiral curls
Curling iron
Crimped texture 
Crimping iron
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19
Q

Length reduction

A

Shrinkage factor that result from various size tools used in the same length hair

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20
Q

Texture speed

A

Activation

The dimension of the texture pattern
Ranges from slow to fast waves highly activated curls

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21
Q

Lage diameter tools on longer lengths

A

Produce large waves and are considered slow

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22
Q

Small diameter tools

A

Produce tighter curls considered fast

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23
Q

Direction within the design

A

Lines that can be straight curved or angled

Impression of motion

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24
Q

Hair design technique allow

A

Temporary alter shape
Texture
Direction of client sculpted form

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25
Q

Solid form

A

Unactivated surface texture
Perimeter weight line

Addition of curls shifts weight area upward creating the illusion of a layered form

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26
Q

The tighter the curl pattern

A

The tighter the curl pattern the more expansive the form becomes

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27
Q

Graduated form

A

Combination of unactivated and activated texture

Tighter curl pattern produce wider silhouettes and emphasize the triangular shape of the graduated form

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28
Q

Increase layered form

A

Oval shape
No discernible Weight
Curls cause illusion of shorter lengths

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29
Q

Uniformly layered form

A

Activated

Round shape no weight

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30
Q

Combination forms

A

Smooth activated

Defy gravity

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31
Q

Straight shapes

A

Create straight directional movement either away from face or toward

Rectangles
Triangles

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32
Q

Rectangles

A

Hair moves in one direction

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33
Q

Triangles

A

Disperse outward from the narrow end of the triangle

Or disperse from wide end toward the point

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34
Q

Curvature shapes

A

Create curved movement in the hair either in a clockwise or counterclockwise

Circle
Oblong

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35
Q

Circles

A

Subdivided into half or quarter circles

Half circle shown here is set with rollers to move half the hair away from face and half towards
Creates side fringe

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36
Q

Oblong

A

2 or more oblong that alternate directions create wave patterns

Molded or set with rollers or pincurls

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37
Q

The type of comb that is used for distribution molding scaling and parting the hair is called

A

Fine tooth tail comb

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38
Q

Type of comb that is used to backcomb the hair separate curls and define texture

A

Wide tooth tail comb

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39
Q

Brush that allows the greatest airflow hair can be dried faster while directing them into the lines

A

Vent brush

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40
Q

Round brushes may have a core that is made out of

A

Wood metal or plastic

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41
Q

Tool used to relax a set backbrush or smooth the surface of the hair is

A

Cushion brush

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42
Q

Conical rollers are used within curvature shapes and create

A

Progression of diameters

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43
Q

Examples of thermal design tools

A

Flat irons
Blow dryers
Curling iron

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44
Q

Blow dryer attachment that spreads airflow gently over a large area

A

Is called a diffuser

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45
Q

Flat irons consist of 2 flat plates that include

A

Metal

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46
Q

The characteristics of styling products include

A

Viscosity
Level of shine
Level of hold/control

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47
Q

Molding comb

A

Distribute and mold hair
Used for fingerwaves
Wide spaces teeth distribute
Fine spaced refine lines of distribution

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48
Q

Master sketcher comb

A

Used for backcombing and smooth surfaces

Used to detangle

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49
Q

Fine tooth tail comb

A 
Drawing comb 
Used for distribution 
Molding 
Scaling 
Parting

Fine spaced teeth distribute hair smoothly

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50
Q

Wide tooth tail comb

A 
Rake comb
Used for backcombing 
Finishing techniques 
Create texture patterns
Detangles
Separate curls defines texture
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51
Q

Lifter comb

A

Teaser and lift comb
Used for backcombing
Details surface texture
Lifts and adds volume

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52
Q

Brushes consists of

A

Brushes can consist of nylon or boar bristles

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53
Q

7 - 9- row brush

A

Air form smooth textures
Creates directional emphasis
Create volume
Curved end texture

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54
Q

Vent brush

A

Greatest airflow so hair can be dried quickly

Directs hair into lines of the design

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55
Q

Round brushes

A 
Create volume 
Curved end texture curls
Available in different diameters 
Bristles are nylon or boar
May have metal core retains heat
Wood or plastic core
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56
Q

Cushion brush

A 
Used to brush hair 
Relax
Dry mold
Back brush
Smooth surface
Soft padded base
Type and density and length influence surface appearance
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57
Q

Rollers

A

Applied to wet or damp hair
More structured finish
Gripper type surfaces or metallic

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58
Q

Cylinder straight rollers

A

Create uniform curl formation across length width
Used with straight shapes (rectangles, and triangle)
Faster way to set hair using volume stand up pincurls

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59
Q

Conical cone shaped rollers

A

Consist of a progression of speed because of their wide and narrow ends
Progression curl diameter
Used in curvature shapes
Circles oblong

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60
Q

Blow dryer and attachments

A

Used to aid form wet hair
Concentrators
Diffusers

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61
Q

Concentrators

A

Focus on airflow to a small area

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62
Q

Diffusers

A

Spread a gentle airflow over larger areas and are used for creating scrunched textures

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63
Q

Curling iron

A

Temporary curvilinear texture pattern

Marcel irons

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64
Q

Pressing combs

A

Used to apply heat and tension to temporarily straighten hair

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65
Q

Flat iron

A

Two plates
Temporarily straightens hair
Plates can be ceramic or metal

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66
Q

Crimping iron

A

Angular serrated plates

Create crimped zip zag pattern

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67
Q

Undulating iron

A

Two undulating curved irons

Creates s pattern

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68
Q

Hot comb/brush

A

Used to dry
Smooth
Curl
Air waving

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69
Q

Hot rollers

A

Dry hair quickly

Add volume and texture

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70
Q

Self adhering rollers

A

Reinforce curl during or after blow dry

Add soft textural movement

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71
Q

Characteristics of styling products

A

Viscosity
Level of shine
Level of hold/control

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72
Q

Viscosity

A

Liquid to solids

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73
Q

Level of shine

A

Matte to high shine

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74
Q

Level of hold/ control

A

Light to super firm

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75
Q

Picks

A

Secure rollers in place ribbed surface

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76
Q

Double prong clips

A

Secure rollers smooth surface in place

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77
Q

Single prong clips

A

Secure pincurls

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78
Q

Wave styling clamp

A

Holds fingerwaves on place

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79
Q

Neck strip

A

Protects client from skin contact

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80
Q

Spatula

A

Used to remove product

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81
Q

Gel

A 
Creates maximum control 
Support
Structure 
Used for wet looming finishes
Wet setting 
Molding 
Styling 
Firmer hold
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82
Q

Spray gel

A

Supports volume and movement
Used for wet looking finishes
Enhances and defines

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83
Q

Mousse

A

Supports volume and movement
Used to define texture and patterns
Foam consistency
Contain conditioners

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84
Q

Cream lotions

A

Smooth and soften
Control frizz
Define curls
Contains moisturizer

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85
Q

Oils/sebum

A

Control frizz

Smooth cuticle

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86
Q

Pomade

A

Creates sleek smooth finishes

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87
Q

Wax

A

Creates natural spiky rough textures

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88
Q

Paste

A

Adds styling control
Texture definition
Separation

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89
Q

Fiber

A

Adds styling control texture definition and separation

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90
Q

Putty

A

Creates chunky texture separation

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91
Q

Clay

A

Adds texture definition and support

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92
Q

Powders dust

A

Add volume hold and texture

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93
Q

Non aerosol hairspray

A

Holds finished design in place

Liquid dispensed through a pump

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94
Q

Aerosol spray

A

Holds in place

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95
Q

Pressing oil cream

A

Prepares and protects hair
Helps prevent scorching and breakage
Conditions
Adds shine

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96
Q

Thermal protectant

A

Protects against heat styling
Conditions
Adds shine

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97
Q

Place where motion begins

A

A point of origin

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98
Q

Straight or curved lines that originate from a single point of origin and radiate outward in any direction like the spokes of a wheel

A

Radial distribution

99
Q

Used to move the hair in equal proportions from a cente point if origin

A

Half circle

100
Q

Second direction of bottom half of the oblong shapes moves toward

A

Concave end

101
Q

Two or more alternating oblong create

A

S shape pattern

102
Q

Used with a circle

A

Triangle shaped base

103
Q

The size of curl will be determined

A

Diameter of tool or pincurl

104
Q

Determines the amount of movement

A

Arc

105
Q

The finishing procedure that reinforces the established lines of the design

A

Dry molding

106
Q

Technique used to increase height and control form by creating a cushion or mesh at the base

A

Backcombing

107
Q

Setting procedures that lead to predictable results

A 
Distribute 
Mold
Scale
Part
Apply
108
Q

Distribution

A

The direction the hair is combed or dispersed over the curve of the head

Begins from one of several points of origin

109
Q

Point of origin

A

Place where the motion begins

Beginning of the movement within a shape or design

110
Q

Mold

A

Shape

Designing we hair in straight or curved lines to create a pattern

111
Q

Parallel distribution

A

Straight or curved lines
Distributed from multiple points of origin
Travel at an equal distance

Curved parallel lines result from distributing hair in curved motion

112
Q

Radial distribution

A

Straight or curved lines that originate from a single point of origin
Radiate outward in any direction like spokes of a wheel

Distributed and then curved

113
Q

Hair wrapping

A

Setting pattern
Smooth curvature finish
Reflects curves of head

114
Q

Scale

A

Section
Carve out shapes in proper size and proportion to establish the direction and the lines of design

Blueprint for design

115
Q

Straight shapes

A

Create straight directional movement away from the face toward the face

Rectangles 
Triangles
Trapezoid
Diamond 
Kites
116
Q

Rectangles

A

Parallel straight distribution

117
Q

Triangle

A

Radial distribution
Single point of origin
Parallel distribution used within triangle

118
Q

Trapezoid

A

Straight shapes includes two parallel and two non parallel
Parallel distribution
Not scaled used to blend

119
Q

Diamond and kite

A

Combined to encompass larger area
Back to back triangles
Narrow to wide with radial distribution
Wide to narrow Parellel distribution

120
Q

Curvature shapes

A

Motion used to create curvature directions or waves
Clockwise
Counterclockwise

Circles oblong

121
Q

Circle

A

Closed curve
Equal radii from point of origin
Half circle used mostly

122
Q

Half cicle

A

Moves hair in equal proportions from center of origin
Straight radial lines single point of origin
Curved radial lines molded to create half circle shape clockwise/counterclockwise

Scaled according to size1

123
Q

Expanded circle

A

Encompass larger area
Same distribution
R
Subdivided radial and parallel distribution

124
Q

Oval

A

Unequal radii from point of origin

125
Q

Half oval

A

Move hair unequal proportion from off center ppint of origin
Unequal radial lines produce fast to slow speeds unequal movements
Shorter radial lines faster speeds
Longer radial lines slower speeds
Distributed in straight lines from off center

126
Q

Expanded oval

A

Extension of half oval
Encompass larger area
Scolded according to area

127
Q

Oblongs

A

Elongated curvature shape with parallel c lines
Convex( close end)
Concave (open)
Multiple point of origin
1st and second direction
1st top half moves toward convex end
2nd bottom half moves toward concave end

Two oblong shape alternate result in s shape pattern

128
Q

Parting line

A

Parting are lines that subdivide shapes or sections to help distribute and control the hair

129
Q

Parallel horizontal partings

A

Rectangle shaped bases

Triangle and trapezoid shaped bases

130
Q

Rectangles shaped bases

A

Parallel horizontal parting used

Create rectangle shaped bases

131
Q

Triangle and trapezoid shaped bases

A

Parallel horizontal parting used

Used withing triangle shape to create trapezoid bases

132
Q

Radial parting

A

Triangle shaped bases

Trapezoid shaped bases

133
Q

Triangle shaped bases trape shaped bases

A

Radial parting used
Circle shape create triangled shaped vases in inner circle and trapezoid shaped bases in outer circle triangle shaped bases are created in an oval

134
Q

Parallel diagonal partings

A

Rhomboid shaped base

135
Q

Rhomboid shaped bases

A

Straight shapes with 2 set of parallel line no right angles

Parallel diagonal 45 ° used to create rhomboid shaped bases with oblong

136
Q

Components of a curl

A

Base
Stem (arc)
Circle

137
Q

Base

A

Area between straight or curved oartings within a shape or section of hair which the roller thermal iron or round brush is placed

138
Q

Stem(arc)

A

Hair between the scalp and the first turn of hair around the roller determines the amount of movement
Longer stems create more movement
Shorter stems create less movement and more base

139
Q

Circle

A

The hair that is positioned around the roller
Determines size of curl
Diameter of tool you choose determines size of circle
Closed Small circle strong wave fluffy effect
Open circle wider wave pattern with uniform curls

140
Q

Straight volume

A

Creates lift and fullness

141
Q

Straight volume

A

Position of tool in relation to base will affect the lift or volume achieved as well as amount of base strength

Base controls are same

142
Q

Straight Base control

A

Size of the base in relation to diameter of tool and position of the tool in relation to base

Affects volume lift fullness mass
Closeness flatness

Straight and curvature shapes

143
Q

Base size

A

Width and length

Width measured by diameter of tool
Length measured by length of tool

144
Q

Base width

A

Measured by diameter tool

145
Q

Base length

A

Measured by length of tool

146
Q

Most common base sizes

A

1 diameter 1x
1 1/2 diameters 1 1/2x
2 diameters 2x

147
Q

Pincurls

A

Size of base is related to diameter of circle

148
Q

Straight volume On base

A 
Full base 
1x 
45° above the center rotation base 
Sits completely on base
Maximum volume 
Maximum base strength
149
Q

Straight volume Half off base

A 
Half base 
1x 
90° from center of base 
Sits half off and half on from bottom parting 
Less volume 
Less base strength
150
Q

Straight volume Off base

A 
1x 
45° below center of base
Tools sits completely off bottom parting 
Least volume 
Least base strength
151
Q

Straighf volume Underdirected

A 
1 1/2x 
90° center of the base
Sits in the lower portion of the base 
Not below
Reduced volume and base strength
152
Q

Straight volume Overdirected

A 
Volume base 
1 1/2x 
45° above center of base 
Sits in upper portion of base not on or above parting 
Exaggerated direction and volume 
Reduced base strength
153
Q

Backcombing

A 
French lacing
Teasing
Ratting
Matting
Ruffing 
Performed underneath 
Cushion created at the base expands the form and concept the bases for more structured 
Large tooth comb to blend creates detailed texture finishes with airy effect
154
Q

Backbrush

A

Performed on top of strand light airy effect

Brush and Wide tooth tail comb

155
Q

Straight indentation positions

A

On base
Half off base
Off base
Underdirected

156
Q

Straight volume tool positions

A 
On base
Half off base
Off base
Underdirected
Overdirected
157
Q

Straight indentation

A

Position of tool and size of base influence the amount of hollow or flatness achieved

Strength of base and mobility of curl

158
Q

Straight indentation on base

A 
1x
60° below center 
Sit completely  within base 
Rolled upward
Maximum base strength and volume
159
Q

Straight indentation half off base

A 
1x 
30° below center 
Sits half off half on base
Rolled upward 
Medium base strength 
Allows more mobility
160
Q

Straight indentation off base

A 
1x 
0° below center 
Sits completely  off its base 
Rolled upward
Minimum base strength 
Maximum mobility
161
Q

Straight indentation Underdirected

A 
1 1/2 x
45° below center 
Sits within the base glose to the bottom of the parting 
Rolled upward
Medium base strength 
Strong flare
162
Q

Base size and tool position determine

A

Determine amount of volume or indentation in hair design

163
Q

Straight shapes

A

Cylindrical rollers are used

164
Q

Rollers set in straight shapes

A

Achieve directional movement

165
Q

Rollers are chosen

A

According to desired curl patterns repetition alternation progression or contrast

166
Q

The smaller the roller

A

The curlier the effect

167
Q

Why rollers instead of pin curls

A

1 roller sets the same amount of hair as 4 pincurls
Setting time reduced
Allows set hair with tension
Results in firmer longer lasting set

168
Q

Rectangles set

A

Achieve straight directional movement
Used as fill in or blending
For volume on sides
Multiple points of origin
Base control chosen according to desired effect
Straight indentation used for flip effect near perimeter hairline
Horizontal partings

169
Q

Rectangle

A

Rollers are all same length
Diameter determines base width
Diameter varies to achieve progression speeds

170
Q

Rectangle bricklay

A

Used on larger area

Various length rollers used stagged alternating patter of vase divisions to avoid splits

171
Q

Triangle shapes

A

Used to achieve straight movement in any direction
Progression of tool lengths is used to accommodate narrow to wide shape
Bricklay pattern can used
Horizontal partings

172
Q

Triangle

A

Radiate upward from one point of origin

Texture movement radiates outward diminishes toward perimeter

173
Q

Diamond kite

A

Back to back triangles
Achieves maximum texture at widest area of shape
Gradually tapers toward narrow points of shape

174
Q

Trapezoid

A

Parallel distribution
Used as a fill in when curvature shapes are used on sides
Stagged or bricklay

175
Q

Air forming volume or indentation

A

Position direction and continual motion of brush controls amount of volume and indentation achieved
Volume = underneath
Indentation = on top

176
Q

Keeping bases consistent

A

Allows equal amount of hair in each pincurl

More consistent results

177
Q

Pincurls in straight shapes

A 
Used on straight permed or naturally curly hair 
Not recommended  for tightly curled hair
Temporary  effects 
Specialized closeness
Allow wide range of movement
178
Q

Forming pincurls

A

Relies in dexterity to create clean smoothly wound curls without tools

Smooth controls consistency

179
Q

Pincurls are one of many ways

A

To temporarily change direction and texture of hair

180
Q

Base shape for pincurls

A

Various shaped bases used

Avoids splits

181
Q

Straight pincurl base shapes

A

Square/ rectangle

Triangle

182
Q

Square/rectangle pin curl base

A

Used within square or rectangle shape

183
Q

Triangle

A

Used within straight shapes along hairline

Alternates triangles yo avoid splits

184
Q

Base control foe pincurls

A 
Size of base in relation to size of circle
Position of curl relative to base 
Effect length of stem
Length determines movement 
Size of pincurl related to diameter
185
Q

Straight volume pincurl base controls

A

On base
Half of base
Off base

186
Q

Pincurl on base

A 
No stem pincurl 
1x
Circle positioned on base
Produces lift 
Strong curl effect 
Creates wave line
187
Q

Pincurl half off base

A

Half stem pincurl
1x
Half circle is positioned below base
Equal degree of predetermined direction or volume

188
Q

Pincurl off base

A 
Full-time pincurl
1x 
Stem and circle are positioned below base 
Closeness and mobility 
Nape area or along hair line
189
Q

Straight volume pincurls

A

Are large stand up pincurls that achieve a similar effect of hair wound around a roller
Weaker volume
Used within straight shapes create fullness and height

190
Q

Transitional/semi stand up pincurls

A

Create a blend or transition from areas of volume to areas of closeness
Not Stand up or flat

191
Q

Curvature volume

A

Creates lift mass
Base and strand are lifted
Ends turn under

192
Q

Curvature indentation

A

Create areas of hollowness and depression
Strand is flat end turned upward
Adds flare and interest

193
Q

Curvature volume and indentation are set

A

Counterclockwise and clockwise

194
Q

Three common shapes used

A

Circle oval and oblong

195
Q

Curvature base control

A

Size of base in relation to the diameter of tool and position of tool in relation to base

Effects volume or closeness

196
Q

Base shapes used for curvature volume

A

Triangle
Trapezoid
Rhomboid

197
Q

Base size includes

A

Width and length of base

198
Q

Base width is measured

A

Diameter of tool

199
Q

Base length is measured

A

Length of tool

200
Q

Base size include

A

1x 1 1/2x and 2x

201
Q

Large end of the roller is used to

A

Measure base size

202
Q

Curvature volume positions

A

On base
Underdirected
Half off base
Off base

203
Q

Curvature volume on base

A

1x
45° above center
Maximum volume

204
Q

Curvature volume half off base

A

1x
90° from center
Maximum volume

205
Q

Curvature volume Underdirected

A

1 1/2x
90° from center
Medium volume

206
Q

Curvature volume off base

A

1x
45° below center
Least volume

207
Q

Curvature indentation tool position

A

Base controls are the same

Roller is positioned on top of hairstrand rolled upward toward base

208
Q

Roller shaped used to set curvature shapes

A

Cone shaped

209
Q

Cone shaped rollers

A

Progression of speeds
Small end large end
Create stronger curvature movements than cylindrical

210
Q

Rollers within a half circle

A

Moves and directs the hair equally away and the toward face
Equal radial lines
Fringe area or sides
Single center point of origin

211
Q

Rollers within expanded circle

A 
Extension of half circle 
Larger areas
Equal radial lines
Fringe area or sides create curved movements  that extends to back 
Same distribution  and molding rules 
Set using inner and outer technique
212
Q

Rollers within a half oval

A 
Positioned in front or sides 
Direct greater amount of hair off the face
Unequal radial lines
Only a portion is used
Off-center point of origin
Unequal length rollers 
Shorter rollers =fast speed
Longer rollers = slow speed 
Positioned 1 diameter away from point of origin
213
Q

Rollers within an expanded oval

A 
Extension of half oval 
Larger areas 
Unequal radial lines
On top  or sides travels back
Indirect technique
Off center point of origin 
Each subsequent roller is established at the front bottom corner if each previous roller 
One diameter  away from point of origin 
To close plartings are taken from original point of origin
214
Q

Rollers within an oblong

A

Two or more oblong alternate directions
Create a strong wave pattern
Anywhere on head
Diagonally within rhomboid shaped based
When combines with indentation “flipped “ effect achieve

215
Q

Oblong distribution

A

1st direction toward convex end

2nd direction toward concave end

216
Q

Pincurls in curvature shapes

A

Wide range movement
Not recommended for tightly curl hair
Curved crescent shaped partings used
Size of base and position determine volume and indentation

217
Q

Pincurls in curvature shapes

A

Wide range movement
Not recommended for tightly curl hair
Curved crescent shaped partings used
Size of base and position determine volume and indentation

218
Q

Curvature shapes

A

Half circle
Half oval
Oblong

219
Q

Base controls for curvature pincurls

A

,on base
Half off base
Off base

220
Q

Three common types of curvature pincurls

A

Flat
Volume
Indentation

221
Q

Flat pin curls

A 
Carved 
Sculpturw curls 
Are used for closeness 
Hair doesn't travel any distance  form base before stem
No stem curl 
Base stem and circle are flat
Begin at concave 2nd direction
222
Q

Volume pincurls

A 
Create fullness and height 
Positioned anywhere on head 
Base and stem are lifted away 
Circle turns under 
1st direction 
Begin at convex
223
Q

Indentation pincurls

A

Create hollow space and flare
Base if flat and stem and circle lifted
Followed by volume curls
2nd direction begin at concave

224
Q

Fingerwaving

A

The art of shaping and defending the hair in graceful waves
Creates s shape pattern
Created by molding 2 complete alternating oblong that are joined and connected by a ridge

225
Q

Oblong may be created

A

Clockwise or counterclockwise

Molded into a series of equal or Unequal curved lines

226
Q

Oblong shapes are

A

Foundation of wave patterns

227
Q

Concave

A

Open end lower half

228
Q

Convex

A

Close end upper half

229
Q

Each wave movement consists

A

Hollow recess area and a ridge high ledge

230
Q

Pinching or pushing ridge

A

Creates overdirection of wave and is not recommended

231
Q

Shadow waves

A

Low ridge fingerwaves

232
Q

Skip waves

A 
Variation of fingerwaves 
Composed of 2 alternating oblong  and two pincurls 
Connected by a ridge 
First oblong molded second set
Strong wave pattern 
Wide deep flowing waves 
Diagonally or vertically
233
Q

Ridge curl

A

One oblong followed by a row of pincurls

234
Q

What determines size of circle of a curl

A

Tool diameter

235
Q

The driectionthe hair is combed or dispersed over the curve of the head is referred

A

Distributing

236
Q

Manipulation of thermal iron when styling involves

A

Rolling the iron
Quick clicking movement
Opening and closing clamp

237
Q

The hair type that generally requires lower temperature and less contact time when using and electric curling iron

A

Chemically altered hair requires lower temperature and less time

238
Q

Which type of hair is the least difficult to press and requires no additional precautions

A

Medium hair

239
Q

Fine hair

A

Treated gently

Less heat and pressure to avoid breakage

240
Q

Medium hair

A

Least difficult to press

No precautions

241
Q

Coarse

A

Resistant

Tolerate more heat

242
Q

Texture character

A

Shape of texture pattern

243
Q

Five wet setting provedires

A

Distribute mold scale part apply

244
Q

Upper half of oblong shape

A

1st direction

Module 1 Hair Care&design (2 decks)

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