H Cards Flashcards
Robert Henryson
Robert Henryson (1425-1500) was a Scottish poet who is remarkable mostly for his relationship to Chaucer; Henryson wrote a conclusion to Chacuer’s Troilus.
Henryson’s longest, and in many respects his most original and effective work, is his Morall Fabillis of Esope, a collection of thirteen fables, chiefly based on the versions of Anonymus, John Lydgate and William Caxton. The outstanding merit of the work is its freshness of treatment. The work is unrivalled in English fabulistic literature.
In the Testament of Cresseid, Henryson supplements Geoffrey Chaucer’s tale of Troilus with the story of the tragedy of Cresseid. The description of Cresseid’s leprosy, of her meeting with Troilus, of his sorrow and charity, and of her death, give the poem a high place in writings of this genre.
Robert Herrick
A Cavalier Poet, Herrick is often associated with a carpe diem theme because of his poem “To the Virgins, Make Much of Time,” a poem that ETS holds in high regard.
His reputation rests on his Hesperides, a collection of lyric poetry, and the much shorter Noble Numbers, spiritual works, published together in 1648. He is well-known for his bawdy style, referring frequently to lovemaking and the female body. Many of his bawdy poems focus on the character of “Julia.”
“To the Virgins, To Make Much of Time”
GATHER ye rosebuds while ye may,
Old time is still a-flying:
And this same flower that smiles to-day
To-morrow will be dying.
The glorious lamp of heaven, the sun,
The higher he’s a-getting,
The sooner will his race be run,
And nearer he’s to setting.
That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.
Then be not coy, but use your time,
And while ye may go marry:
For having lost but once your prime
You may for ever tarry.
George Herbert
Herbert’s poems are characterized by a precision of language, a metrical versatility, and an ingenious use of imagery or conceits that was favored by the metaphysical school of poets. They include almost every known form of song and poem, but they also reflect Herbert’s concern with speech–conversational, persuasive, proverbial. Carefully arranged in related sequences, the poems explore and celebrate the ways of God’s love as Herbert discovered them within the fluctuations of his own experience. Because Herbert is as much an ecclesiastical as a religious poet, one would not expect him to make much appeal to an age as secular as our own; but it has not proved so. All sorts of readers have responded to his quiet intensity; and the opinion has even been voiced that he has, for readers of the late twentieth century, displaced Donne as the supreme Metaphysical poet.
Thomas Hardy
The bulk of his work, set mainly in the semi-imaginary county of Wessex, is marked by imaginative poetic descriptions, and a foreboding sense of fatalism. D.H. Lawrence greatly admired Hardy’s ability to ennoble the common man.
Tess of the d’Urbervilles
It is Hardy’s penultimate written novel. Though now considered to be a great classic of English literature, the book was poorly received at the time of its initial publication. The poignant portrait of heroine Tess illustrates Hardy’s deep understanding of women.
The story concerns a simple country girl, Tess Durbeyfield, whose father’s pretensions to social status lead her into the company of the nouveau-riche d’Urberville family. In a scene which suggests rape, though it is open to interpretation, Tess is made pregnant by the rakish Alec d’Urberville. Tess returns home in disgrace, but the child she bears soon dies, leaving her free to leave her village once again to look for work. While employed as a milkmaid, she encounters the morally upright Angel Clare, who falls in love with her. After their marriage, she is honest with him about her past; though Angel is educated, he remains basically naive, and cannot reconcile his real affection for Tess, his wounded pride, and his image of Tess as a semi-pagan Mary figure.
Abandoned by Angel, Tess is lured into a liaison with Alec d’Urberville, who comes back into her life by chance. When Alec lays eyes on Tess once more, he ruthlessly hunts her down, determined to win her back into his life of sin. Tess, influenced by her desprate situation and the perception that her husband will never rejoin her, yeilds to Alec’s determination and allows him to support her while she lives with him. Eventually Angel returns, repentant, to reclaim her, and Tess murders Alec in order to be with her legal husband. They flee together, but the police catch up with them at Stonehenge, in a memorable finale. Tess is hanged for the murder of Alec.
Jude The Obscure
The novel tells the story of Jude Fawley, a stonemason who yearns to be a scholar at “Christminster”, a city modelled on Oxford, England. Denied entry into the university, Jude is manipulated into an unwanted marriage with a country girl, Arabella, who soon deserts him. He becomes obsessed with his cousin, Sue Bridehead, even after she marries his former schoolteacher. Sue is attracted to the normalcy of her married life but quickly finds the relationship an unhappy one because, inherently, she is a libertine like Jude.
When Jude and Sue begin to live together, employers, who find out about this illicit relationship and its bastard children, dismiss Jude from his employment—and landlords continually evict them. Jude’s eldest son (from his first marriage to Arabella), also called Jude but known as “Little Father Time”, after observing the problems he and his siblings are causing their parents, hangs Sue’s two children and then himself. The child leaves a pathetically misspelled note that reads: Done because we are too menny.
This tragedy ends Jude’s relationship with Sue who returns to her first husband, Phillotson, after experiencing extreme religious guilt. After being tricked yet another time into remarrying Arabella, Jude falls ill and makes one last trip to Sue. Sue first confirms her intense love for him then leaves him forever, evincing the moral stranglehold of the church. Jude returns home and dies alone as Arabella is out courting his doctor.
Far From the Maddening Crowd
Far from the Madding Crowd is a novel by 19th century English novelist Thomas Hardy, published in 1874. The title is apt, as the life of the book’s heroine, Bathsheba Everdene, living in the quiet rural village of Weatherbury is indeed disrupted by the “madding crowd”. After shunning the first man to love her, the shepherd Gabriel Oak, she is courted by two others: the lonely and repressed farmer Boldwood, and the charming but faithless Sergeant Troy. The role of fate is clearly established, with each twist and turn in the book being more luck than the choice of one of the characters. The book is widely seen as Hardy’s first masterpiece.
Gerard Manley Hopkins (1844 – 1889)
Hopkins isn’t properly a Romantic figure, but I have included him in the Romantic poetry section because he falls between the Romantics and the Modernists. A poem or two of his are very likely to appear on the exam, and fortunately, they are pretty easy to spot because of the unusual rhythm.
Gerard Manley Hopkins was a British Victorian poet and Jesuit priest Much of Hopkins’ historical importance has to do with the changes he brought to the form of poetry. Prior to Hopkins most Middle English and Modern English poetry was based on a rhythmic structure inherited from the Norman side of English’s literary heritage. This structure is based on repeating groups of two or three syllables, with the stressed syllable falling in the same place on each repetition. Hopkins called this structure running rhythm, and though he wrote some of his early verse in running rhythm he became fascinated with the older rhythmic structure of the Anglo-Saxon tradition, of which Beowulf is the most famous example. Hopkins called this rhythmic structure sprung rhythm. Sprung rhythm is structured around feet with a variable number of syllables, generally between one and four syllables per foot, with the stress always falling on the first syllable in a foot.
Hopkins saw sprung rhythm as a way to escape the constraints of running rhythm, which he said inevitably pushed poetry written in it to become “same and tame.” Many contemporary poets have followed Hopkins’ lead and abandoned running rhythm, though most have not adopted sprung rhythm but have instead abandoned traditional rhythmic structures all together, adopting free verse instead. Hopkins was also a practitioner of the sonnet. He also invented the “curtal sonnet” (“Pied Beauty” is an example).
A.E. Housman (1859-1936)
Alfred Edward Housman was an English poet and classical scholar, now best known for his cycle of poems A Shropshire Lad.
“When I was one-and-twenty”, “Terence, this is stupid stuff”, “To an Athlete Dying Young”
William Dean Howells
For the sake of the GRE, you need only know that Howells (1837-1920) was a late 19th, and early 20th century critic.
Howells was an American realist author. He wrote for various magazines, including Atlantic Monthly and Harper’s Magazine. He wrote his first novel, The Wedding Journey, in 1872, but his career took off with his first realist novel, A Modern Instance. His most famous novel is The Rise of Silas Lapham.
Howells also wrote plays, criticism, and essays about contemporary literary figures such as Henrik Ibsen and Leo Tolstoy, which helped establish their reputation in the United States. Nevertheless, Howells’s own reputation in American literature has waned somewhat, with his novels being considered “prudish.” According to him, the vast majority of people who would read his works were women and he wrote in a way that would not offend them. He believed that literature was potentially injurious and devoid of thought.
Today, Howells is most famous for his literary criticism and his editorial support of authors like Mark Twain, Thorstein Veblen and Henry James.
Oliver Weldell Holmes
Oliver Wendell Holmes (1809-1894) was a physician by profession but achieved fame as a writer; he was one of the best regarded American poets of the 19th century. He first attained national prominence with his poem “Old Ironsides” about the 18th century battleship USS Constitution, which was to be broken up for scrap; the poem generated public sentiment that resulted in the historic ship being preserved as a monument. One of his most popular works was The Autocrat of the Breakfast Table.
In 1846, in a letter to William T. G. Morton, the dentist who was the first practicioner to publicly demonstrate the use of ether during surgery, Holmes coined the word anæsthesia.
H. D.
Hilda Doolittle, prominently known only by her initials H.D., was an American poet, novelist and memoirist. She is best known for her association with the key early 20th-century avant-garde Imagist group of poets, although her later writing represents a move away from the Imagist model and towards a distinctly feminine version of modernist poetry and prose.
Doolittle was one of the leading figures in the bohemian culture of London in the early decades of the century. Her work is noted for its use of classical models and its exploration of the conflict between lesbian and heterosexual attraction and love that closely resembled her own life. Her later poetry also explores traditional epic themes, such as violence and war, from a feminist perspective.
Ernest Hemmingway (1899-1961)
An American novelist, short-story writer, and journalist. His distinctive writing style is characterized by terse minimalism and understatement and had a significant influence on the development of twentieth century fiction. Hemingway’s protagonists are typically stoics, often seen as projections of his own character–men who must show “grace under pressure.” Many of his works are considered classics in the canon of American literature.
Hemingway, nicknamed “Papa,” was part of the 1920s expatriate community in Paris, as described in his novel A Moveable Feast. Known as part of “the Lost Generation,” a name coined and popularized by Gertrude Stein, he led a turbulent social life, was married four times, and allegedly had various romantic relationships during his lifetime.
The Sun Also Rises
The Sun Also Rises is set in the bars and cafes of Paris and the bull-rings of Pamplona during the Festival of San Fermin and the running of the bulls in the 1920s. The story is about a group of young Americans and English expatriats in Paris trying to enjoy their lives after the First World War. Alocohol plays an important part of the story, often making the characters reveal their true selves when they are drunk. Jacob Barnes (known as Jake) is the narrator of the story and the hero. He is an American from Kansas City now living in Paris and working as writer/newspaper reporter. Jake is impotent after being wounded in the war but he is deeply in love with a woman called Brett - her full name is Lady Brett Ashley, the title she inherited from her husband. Brett is seeking a divorce from her husband and it quickly becomes clear she is a very shallow person who loves to tease men and have affairs with them but she is incapable of having any real deep feeling for anyone. The story spans just a few weeks in the lives of Jake, Brett and a circle of friends. Hemingway makes much of the comaderie Jake has with men and the support he always offers Brett, despite her rejection of him because he is impotent. Jake sits back and watches Brett's relationships with men in a calm, controlled way but always painfully aware of his own physical inadequacies. Every time she breaks up with someone or is feeling depressed she turns to Jake. There is repetition in the story. The inevitability that Brett will have another affair, Jake is always there to comfort her. Michael is always there to put up with her. Each character goes away to heal their wounds. Just like the sun always rising every morning and setting every night. Jake has one friend, called Bill Gordon, he is the only male character not to fall in love with Brett but just enjoys the company of Jake in Spain, whilst they fish and watch the bull fights. A bullfighter, called Pedro Romero also falls in love with Brett. He is a young, confident and handsome Spaniard, admired by all for his expertise in the ring. He tries to change Brett, to make her into a more womanly woman. He wants her to grow her hair long, (she has short boyish hair). Pedro will lose respect in his country if he carries on his liaison with Brett. They part but Brett is distraught, perhaps for the first time. She runs to Jake for support. The story finishes with Brett telling Jake they should be together but they can't because he is impotent. Last lines: As they ride in a taxi through the Spanish capital, Brett laments that she and Jake could have had a wonderful time together. Jake responds, "Yes, isn't it pretty to think so?"