Grand Regulation Flashcards

1
Q

What is the purpose of traveling and burning in piano regulation?

A

To correct sideways movement and ensure hammers are evenly spaced and oriented for a consistent hammer strike.

This process addresses issues caused by improper drilling and wood twisting due to humidity changes.

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2
Q

What materials are needed for the traveling and burning process?

A

You will need:
* A thin, 12” to 16” smooth dowel or metal rod
* Traveling paper or traveling tape
* Phillips or flat-head screwdriver
* Embossing heat gun or similar smokeless heat source

The choice of screwdriver depends on the specific piano.

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3
Q

Fill in the blank: Traveling and burning helps technicians correct issues so that the hammers can be _______.

A

[evenly spaced and oriented]

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4
Q

What can cause twisted shanks in piano hammers?

A

Humidity changes can cause the wood of the shanks to twist.

This twisting affects the orientation of the hammers.

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5
Q

What is the ideal orientation of hammers on the shanks?

A

Hammers should be oriented at the proper angle on the ends of the shanks.

This ensures a consistent hammer strike.

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6
Q

Where are the glide bolt adjusting posts located?

A

Along the balance rail.

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7
Q

How many glide bolt adjusting posts are there typically?

A

Usually five or six.

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8
Q

What shape are glide bolt adjusting posts commonly similar to?

A

Tuning pin heads.

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9
Q

What is the first step to test if the keyframe is properly bedded?

A

Knock on the keys at the balance rail with the thick part of your palm.

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10
Q

What does it mean if there is no knocking sound during the test?

A

It is a good sign, indicating that we can move on to the second part of the test.

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11
Q

What should you do during the second knock test?

A

Use two or three fingers on the let-off rail to gently lift the action while knocking.

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12
Q

What should you do if you find two or more bolts that need adjusting?

A

It’s a good idea to reset all of them.

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13
Q

What is the first action to take if bedding work is required at the balance rail?

A

Turn all the bolts up by at least a full 360-degree rotation.

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14
Q

What direction should the bolt be turned when adjusting the tuning lever?

A

Clockwise

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15
Q

What should you do as you turn the bolt down?

A

Knock on the keys near that bolt

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16
Q

What should you do when you start to hear a knock while turning the bolt?

A

Continue to turn the bolt down very slowly past this knocking point just until the knock disappears

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17
Q

What should you do after setting the glide bolt at the break between bass and tenor strings?

A

Move on to the next one, working your way up to the treble end

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18
Q

How do you adjust the end bolts?

A

Use your hands to knock on the balance rail next to the nearest glide bolt you have already set

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19
Q

What should happen if none of the bolts knock at rest?

A

They should begin to knock while the stack is slightly lifted

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20
Q

What is the first step in setting the key height?

A

Take a stack of thick cardboard front rail punchings and set one of the end keys to a height of between 17mm and 21mm from the lip of the key to the top of the key slip.

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21
Q

What should you do if the key exceeds the top of the key slip when set to 21mm?

A

You will need to lower the key down.

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22
Q

What is the desired outcome when setting the key height?

A

The key should look good compared to the key slip and have plenty of room between the keytop and the fallboard.

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23
Q

How do you set the height of the opposite end key?

A

Measure the distance from the key bed to the underside of the keytop with a millimeter ruler and set the height of the opposite end key to that measurement.

24
Q

What should you do if the height of the opposite end key does not work well compared to the case parts?

A

Make adjustments to both keys until they each work well at the same measurement compared to the case parts.

25
List the tools needed for setting key height and leveling.
* Leveling stick * Millimeter ruler * Paper and cardboard punchings (front and balance) * Tweezers * Screwdriver * Chalk
26
Fill in the blank: The key height should be adjusted to ensure there is room between the keytop and the _______.
fallboard
27
What is the first step in leveling the keys of a grand piano?
Tap the keytops with the leveling stick and identify any keys that are too high.
28
What should you use to mark keys that are too high?
A piece of chalk or tape.
29
After marking high keys, what is the next step?
Remove the action from the piano and set it on the workbench.
30
What should you do after unscrewing the stack?
Set it aside as you work with the keys.
31
What is the purpose of removing some of the paper punchings under the balance rail cushions?
To lower the marked high keys.
32
What should you do after adjusting the high keys?
Screw the stack back onto the keys and place the action back in the piano.
33
What should you identify after adjusting the high keys?
Any natural keys that are lower than the leveling stick.
34
What tool is used to set the height of the sharps?
A millimeter ruler with a crossbar set to 13mm.
35
How should the sharps be set in relation to the naturals?
Set the height to the ruler instead of to a straight edge.
36
Unlike in an upright, hammers should NOT rest on the cushion below shank. How far above should it be adjusted? And how?
Shanks thickness. Adjust wippen
37
What four things are important in double escapement
Jack position Repetition level height Let off Drop
38
What is synchronous escapement
Jack and repetition lever escape at same time
39
What are the three core aftertouch adjustments?
Let-off, dip, blow distance
40
What is synchronous escapement?
Jack and repetition lever escapement occurring simultaneously
41
What four adjustments affect synchronous escapement?
Jack position, repetition lever height, let-off, drop
42
What is the ideal aftertouch measurement?
1.5 mm of key travel after let-off
43
Where should the hammer rest for correct blow distance in Phase 1?
One shank thickness above the hammer rest cushion
44
How is jack position adjusted in grand actions?
Rotate the jack screw until jack rear aligns with knuckle core rear
45
Why is repetition lever height important?
Ensures jack resets under knuckle without lost motion
46
What is the standard let-off distance?
2 mm from the strings
47
What is the standard dip (key travel)?
10 mm for natural keys
48
What is 'drop' in grand regulation?
Distance hammer falls after let-off (1-2 mm in Phase 1)
49
What is backchecking?
Catching the hammer tail so the jack can reset properly
50
What happens if repetition spring tension is too tight?
Hammer bounces and hard kick in the key
51
What happens if repetition spring tension is too weak?
Hammer rises slowly or not at all after check
52
What's the goal of Phase 1?
Make the action functional and roughly consistent
53
How do you adjust damper timing across all notes?
Raise or shim the pedal rod to adjust tray height
54
What is the dog-leg bend in damper wires for?
Align damper head above strings and prevent twisting
55
Ideal position for the sostenuto blade?
At 45° angle, 1/16" above damper lever tabs
56
How much clearance should the hammer rest rail have?
About one shank thickness