Gerald Flashcards

1
Q
A

what Gerald says and does before the Inspector arrives
Gerald’s apparent regret when he is questioned by the Inspector
what Gerald says and does after the Inspector leaves
my judgement about Gerald’s attitudes to responsibility overall in the play
How is he presented through his speech/in conversation?
influence of his conversations with Sheila and the Inspector

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2
Q

‘i think miss birling ought to be excused […] she’s obviously had about as much as she can stand’ - gerald

A

trying to take control + getting sheila to leave because he doesn’t want sheila to hear what he did; similar to birling’s condescending tone earlier. gerald asserts his patriarchal influence by speaking on sheila’s behalf + supressing her voice

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3
Q

‘she looked young and fresh and charming and altogether out of place down there’ - gerald

A

polysyndeton + tricolon, always positive language, adjective ‘fresh’ is an odd lexical choice to describe someone, it’s almost revealing, which suggest youth + vulnerability which gerald recognised and then exploited

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4
Q

‘she was young and pretty and warm-hearted- and intensely grateful’ - gerald

A

tricolon that focuses on eva’s looks, highlights gerald’s attraction towards her and perhaps the only reason why he helped her

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5
Q

‘everything’s all right now, sheila. what about this ring?’ - gerald

A

treats her as a silly + irrational child, also indicates how gerald hasn’t changed and is reverting back to his patriarchal ways, the noun ‘ring’ also acts as a symbol of love + wealth (that will be profited from their marriage) but not true + genuine love

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6
Q

“where did you get the idea that I did know her?”

A

Gerald, responsibility
act two - middle

Gerald’s guilt is demonstrated through his immediate defensive tone as he questions the Inspector “where did you get the idea that I did know her”. This allows Gerald to gage how much the Inspector knows and therefore adapt his story to be consistent with the Inspector’s knowledge.

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7
Q

Sorry -I -well, I’ve suddenly realised - taken it in properly - that she’s dead.”

A

Gerald, responsibility
Act two- middle

Gerald’s delayed reaction to her death is diluted with hyphens as this stammered and staggered speech reveals the overwhelming sadness he feels. Priestley reveals the internal conflict within Gerald, between his natural emotional reaction and his attempt to suppress any (feminine) emotion that he shows, as he has to remain masculine in a patriarchal society.
Gerald had earlier been supporting Mr Birling verbally over his dismissal of Eva from her job however the humanity within him rises to the fore and prevails over the businessman who wants to make money.
No longer is she a troublesome worker who was “rightfully” fired but she is a human being and it now saddens him.
Gerald’s personality is fluid depending in the context as he is not totally respected as a gentlemen nor totally criticised as a money oriented businessman

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8
Q

Leave after a strike” // “Said something about the shop too”

A

Gerald, responsibility
Act two- middle

Gerald remembers that Eva had to “leave after a strike” and “said something about the shop too” and therefore confirms the story of Mr Birling and Sheila. Therefore, Gerald knows that Eva is the same person, yet he later suggests that “there’s still no proof it was really the same girl”. Here, Gerald is trying to excuse his own behaviour and also convince himself that he is innocent, through breaking the “chain of events” and therefore implying that his actions did not lead to a suicide.

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9
Q

“yes i think you were (justified in getting Eva sacked)”//”you couldn’t have done anything else”

A

Gerald
Act one - beginning

On the one hand, Gerald’s support for Mr Birling’s convictions, is necessary for Gerald to uphold good relations with his future father-in-law and therefore he aligns himself with Mr Birling’s views. However, it seems more likely that this is Gerald’s legitimate belief as he will inherit the Croft family business and thus is a true capitalist at heart.
This is said in reply Mr Birling saying that a week after the strike that Eva Smith helped to organise he let all the female workers back except for the ring leaders which included Eva Smith.

Gerald believes that this was the only option available to Birling so in a way he supports the capitalist system. Rather than having a more compassionate attitude that even the leaders of the strike should have been reinstated as they too were economically dependent on these jobs he supports their dismissal.

Perhaps such a view is heavily in part due to his ignorance of the plight of the working class poor, an ignorance which plays like ‘An Inspector Calls’ helps to combat. What we can take from this is that Gerald is definitely not an anti-capitalist leftist.

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10
Q

“He at least had some affection for her and made her happy for a time”

A

Gerald, responsibility
act two
middle

The Inspector notes that Gerald’s kindness towards Eva separates him from the rest of the characters as “he at least had some affection for her and made her happy for a time”. Yet, the help that he provided to Eva was in his own interest as he admits that he must have been a “wonderful fairy prince” to Eva.

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11
Q

“[rather too manly to be a dandy]”

A

Gerald, likeable appearance
beginning
act one

Priestley describes Gerald in the stage directions as “rather too manly to be a dandy”, suggesting that he his very much content and confident in his own masculinity.

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12
Q

“[Easy well-bred young man-about town]”

A

Gerald, likeable appearance
act one beginning

Priestley describes Gerald in the stage directions as “easy well-bred young man-about-town”. This idiomatic phrase suggests that Gerald is a fashionable socialite. Alternatively, this phrase could have plural connotations; perhaps, Priestley is foreshadowing the unfaithful nature of Gerald, as he literally goes about-town and into the Palace bar in the search of female companions.

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13
Q

“I insisted / I made her take some money”

A

gerald, capitalism
act two
middle

These are both monetary exchanges, rather than financial aid. Therefore, Gerald is disguising prostitution as charity. Priestley’s use of imperatives bears connotations of power and force; Gerald was always in power and in control.

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14
Q

“she was pretty - soft brown hair and big dark eyes - [breaks off] My God!”

A

Gerald,desire and lust
middle
act two

Priestley’s use of aposiopesis (abrupt break off in speech) comes directly after Gerald describes her beauty. Therefore, revealing that Gerald only felt attracted to Eva physically as he feels the greatest grief when remembering her physical beauty.

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15
Q

“a pretty girl in her early twenties” // “looked young and fresh and charming”

A

gerald, desire and lust
beginning act one
middle act two

Perhaps Gerald is simply marrying Sheila for her attractive physical appearance as she is “a pretty girl” and in her “early twenties”, while Gerald is “about thirty”. Priestley has already evidenced Gerald’s attraction to youth and appearance through his description of Eva and why he pursued her as she was “young and fresh and charming”

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16
Q

“women of the town”

A

gerald, desire and lust
act two middle
priestley uses euphemistic language to evidence geralds determination to conceal his use of prostitutes as “women of the town”

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17
Q

“I hate those hard-eyed dough-faced women.”

A

Gerald, desire and lust
act two middle

Priestley evidences this familiarity through Gerald’s vivid description of prostitutes as “I hate those hard-eyed dough-faced women”. This opinion of prostitutes is one that can only come from experience, rather than a one off or chance occurrence.

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18
Q

It wasn’t disgusting”

A

Gerald, class
Act two middle

Gerald refutes Mrs Birling’s remark about his relationship with Eva being disgusting. Priestley does this to, perhaps, separate Gerald from the older-generation of characters and their traditional classist views.

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19
Q

“Knew it couldn’t last”

A

gerald, class
act two middle

It wasn’t Gerald’s ending of funding that impacted Eva, but rather the end of a caring and intimate relationship, which pushed her over the edge and onto suicide as this hurt her emotionally. This sudden ending of their relationship is evidenced through Gerald dropping Eva like a possession as she “knew it couldn’t last”, due to her lower-class origins.

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20
Q

“Then it’ll be all right. The governor prides himself on being a good judge of port. I don’t pretend to know much about it.”

A

gerald
beginning act one

Mr Birling references Gerald’s fathers familiarity with port which is an expensive wine which would only be bought by those wealthy enough to do so. A status symbol. Gerald does not seem that interested in it and admits he is not too familiar with it. This shows he is less obsessed with reputation, status, image and classism than Mr Birling is. This is a very subtle thing but seen in context with other quotes and the rest of the play Gerald is less classist and more ‘humane’ than the Birling parents. This generational difference perhaps indicates the hope for a better future with the emergence of the new generation.

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21
Q

“You seem to be a nice well-behaved family”

A

gerald
act one beginning

Irony from Priestley here. Appearances can be deceptive but ‘appearance’ and ‘reputation’ are of immense importance to the likes of the elder Birlings and many in high-class English society at the time. Despite seeming to be a nice and well-behaved family we find out how cruel some of their behaviour is. Birling involved in the firing of Eva rendering her jobless.

Sheila’s capricious behaviour which led to Eva losing another job. Mrs Birling denying her much needed help from the charity that she (Mrs Birling) works with and Eric fathering an illegitimate child with her in an illicit affair. ‘Illicit’ by the standards of those times as it was sexually promiscuous behaviour that would never lead to marriage or a serious relationship. Eric also stealing money from his own family.

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22
Q

‘I know we’d have done the same thing. Don’t look like that Sheila.’

A

gerald
act one beginninng

This is said in further support of Mr Birling who after the previous comment mentioned above said that ‘If you don’t come down sharply on some of these people, they’d soon be asking for the earth.’

Gerald too is from a rich family and looks at things from a business perspective of maintaining a successful and functioning business, but he seems to be unaware that this can come at the cost of real human suffering as we find out later on with the case of Eva Smith.gerald
act one beginninng

This is said in further support of Mr Birling who after the previous comment mentioned above said that ‘If you don’t come down sharply on some of these people, they’d soon be asking for the earth.’

Gerald too is from a rich family and looks at things from a business perspective of maintaining a successful and functioning business, but he seems to be unaware that this can come at the cost of real human suffering as we find out later on with the case of Eva Smith.

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23
Q

“Well, there’s nothing to settle as far as I’m concerned. I’ve never known an Eva Smith.”

A

gerald, class division
act one- beginning

This is an interesting quote and ironic and perhaps contains a deeper significance than meets the eye. First of all unknown to Gerald he did ‘know’ the woman that was Eva Smith albeit under a different name. So he is wrong.

However on a deeper level, he has not known ‘an Eva Smith’ can allude to the fact that apart from having a short-term affair with her where he helped her and slept with her, he did not really know Eva properly. Not in the same way as he knows Sheila. Eva was a secret mistress. A hidden secret. By not knowing this particular Eva Smith i.e. a working class woman, it alludes to him not really knowing any working class woman. This is symptomatic of the separation of social classes in Britain at the time where the rich did not mix with the poor and kept a distance
This distance and lack of interaction bred ignorance and perpetuated the rigid class snobbery existent at the time. However perhaps by the rich interacting with the poor a bit more it could have broken down barriers. Gerald maybe rich financially but he is poor spiritually in that he is lacking in knowing and understanding the lives and personalities of the overwhelming majority of his countrymen and women at that time. Not just Gerald but the Birlings and thus the rich in general..

24
Q

“fortunately, it isn’t left to you, is it?”

A

gerald
act one beginning

This is said in response to the inspector saying ‘Sometimes there isn’t much difference as you think. Often , if it was left to me, I wouldn’t know where to draw the line.’ What Priestley is saying via the inspector is that this neat demarcation between ‘good’ people and ‘bad’ people is simplistic. It is more complex and fluid than that.

It is alluding to the fact that situations can make the ‘good’ bad and vice versa as we find out in the play. Taken to a more general level it can be said that we and our actions are often the product of individual situations and circumstances but also more fundamentally the social class that we are born to. We are all human and have good and bad in us.
he one which prevails out of the two (good and bad) can be as a result of the situation. People should not be so judgemental. However Gerald doesn’t seem to be too interested or appreciative of what the inspector is saying. That is because of his lack of life experience. Later on when he finds out that Daisy Renton is Eva Smith who is now dead he seems to be shaken.

25
Q

” (suprised) Well, I never said I hadn’t. I don’t see why-“

A

gerald
act one

This is in response to Sheila saying to Gerald ‘At least, I’m trying to tell the truth. I expect you’ve done things you’re ashamed of too.’ In essence Priestley is using the play through lines such as this for the rich in British society to engage in introspection and see they are not free of fault and that nor are the poor working class people unworthy of any respect or sympathy. Gerald does admit that he is not perfect, though in the rigid classist mind of a lady like Mrs Birling, she would prefer to view him as a ‘righteous’ middle class man.

26
Q

“I didn’t”

A

gerald
act one beginning

A response to Sheila saying ‘How did you come to know this girl - Eva Smith?’ Gerald is wrong, he does know her. He is essentially lying. Another example of someone rich not being free of negative qualities such as lying.

Priestley is exposing the shameful behaviour of the rich here to instil some realism amongst them that they are just normal people with good and bad qualities as are the working class poor

27
Q

“I’m sorry, Sheila. But it was all over and done with, last summer. I hadn’t set eyes on the girl for at least six months. I don’t come into this suicide business.”

A

gerald
act one beginning

Gerald denies that he is responsible for Eva Smith’s suicide. It could be said that he is right, in that he did try to support Eva financially and provided her a place to stay.

However Eva was ‘good’ enough as a mistress but not as a wife whom he should support and care for. The heavily classist nature of British society made marriage between them virtually inconcievable, even if he hadn’t been in a relationship with Sheila.

28
Q

“You don’t. Neither of us does. So - for god’s sake - don’t say anything to the inspector.”

A

gerald
act one beginning

This is said to Sheila exonerating themselves from Eva’s death. This can be seen to be a fault on the part of Gerald because it is clear that Sheila had some impact on Eva’s life, harming her financially and causing her to become destitute.

Though Gerald does have some positive qualities such as supporting Eva, he also supports capitalism e.g. with his backing of Birling’s firing of Eva earlier on in the play and now trying to absolve Sheila for any part in Eva’s demise.

29
Q

“why shouldn’t you? It’s bound to be unpleasant and disturbing.”

A

gerald
act two- middle

Gerald does not want Sheila to stay which prompts the inspector to say ‘and you think young women ought to be protected against unpleasant and disturbing things?’.

Little does Gerald realise the irony in this question, because the inspector seems to be referring not just to Sheila but to women in general.

Gerald knows that if Sheila stays she will find out more of the truth. Thus the truth of this story which reflects the plight of working class women in Britain at that time is ‘unpleasant and disturbing’. If the reality of life for the poor is ‘disturbing’ then morally the right thing is for things to be changed and society to be made better, and this is what Priestley’s central message is.

30
Q

“If possible - yes.”

A

gerald, patriachy
act two middle

Gerald does not understand the full significance of what he is saying. If women should be protected then the social conditions which lead to their suffering need to be changed. This is what Priestley wants

31
Q

“Mrs Birling, the inspector knows all that. And I don’t think it’s a very good idea to remind him”

A

Gerald, social class, younger generation
act two

Gerald gets irritated with yet again another reference from Mrs Birling on how powerful her husband is i.e he was mayor and is still a magistrate. Rather than supporting Mrs Birling and using that to intimidate the inspector it annoys him. It seems to be another indicator of the mental difference between him and the elder Birlings.

Position and status are not quite that important to Gerald as they are to the elder Birlings. If this is the case with Gerald perhaps this is the case with many others or most of the younger generation of the wealthy classes in Britain. Status and position are not the ‘be and end all’ of everything for Gerald. He is less status-obsessed than the elder Birlings.

32
Q

Old joe meggarty, half-drunk and goggle-eyed, had wedged her into a corner with that obscene fat carcass of his–

A

Gerald, classes, reputation
act two middle

Gerald earlier on tells everyone that Eric does indeed have alcohol abuse problems and here another of the rich members of the local community is exposed her. This time ‘Joe Meggarty’. Yet again Priestley is exposing how bad the rich can be.

33
Q

the girl saw me looking at her and then gave me a glance that was nothing less than a cry for help. So I went across and told Joe Meggarty some nonsense - that the manager had a message for him or something like that - got him out of the way - and then told the girl that if she didn’t want any more of that sort of thing, she’d better let me take her out of there. She agreed at once.

A

act two

Eva needed help from a predatory member of the local rich. However was it just for that night alone and was it just Eva? On a deeper level there are many Evas in fact millions of Evas and they did not need single solitary acts of kindness to help them but a more general and fundamental reform of society.

34
Q

no. she only had a port and lemonade - or some such concoction. All she wanted was to talk - a little friendliness “

A

Eva smith, gerald
act two middle

Eva did not want money or sexual activity, she simply wanted a conversation, an attentive ear, some sympathy, human kindness and to be free from Meggarty and his sexual advances which had traumatised her to an extent.

Gerald’s relationship with Eva did not originate out of lust but from compassion, from Gerald helping Eva in a moment of trouble. Perhaps the middle class in general if they saw the reality the suffering of the working class would extend more deep-rooted, permanent help and create a fairer, more equal and socially just Britain.

35
Q

it’s hard to say. I didn’t feel about her as she felt about me

A

gerald, eva, gender, class division
act two- middle

This quote reflects the gender and class disparities between Eva and Gerald. Gerald was socially and financially more powerful and able to support Eva. She was dependent on him. This dependence created gratitude and thus a form of love. His feelings to her were one more of pity though he did engage in an illicit affair with her.

36
Q

“All right - I did for a time. nearly any man would have done”

A

Gerald, class division
act two middle

This is said in response to Sheila saying that Gerald must have ‘adored’ the role he had as benefactor of ‘fairy prince’ to Eva. He admits he did enjoy it and that he is human and thus of course frail. This is yet again Priestley stressing that common human weaknesses are shared by everyone despite supposed class differences.

37
Q

” no. i wasn’t telling you a complete lie when i said i’d been very busy at the works all that time. We were very busy. But of course I did see a good deal of her”

A

gerald
act two middle

Gerald did see quite a bit of Eva. Why? Was Sheila not good enough for him? Did that relationship have something lacking that made Gerald do what he did? If so then it would undermine classist attitudes because by the logic of some of the deeply classist upper-middle classist British at the time it would be unimaginable that Gerald could even see Eva in any way equal to the morally and socially ‘superior’ Sheila. Again Priestley is attacking the ignorant, unrealistic and deluded classist world view of the upper middle class British of the time.

38
Q

“I see. Well I was expecting this”

A

Gerald
act two middle

Gerald’s reaction to Sheila returning the ring to him after revelations of his affair with Eva. His reaction is more of a realistic, human one than it would have been if he was more patriarchal and classist and had expected Sheila to stay with him despite what he did. In certain societies it was an open secret that rich, powerful men had mistresses and their official partners or wives had to accept that. Gerald is more progressive than that.

39
Q

“Of course!”

A

Gerald, Mr birling
Act three end

In contrast to Sheila who says whether the inspector being a real police officer or not is irrelevant contrary to her father’s opinion, Gerald agrees with Birling. Sheila is more focused on the human aspect of Eva’s tale, of the loss of life a fellow human being. Birling is virtually indifferent and more focused on his own self-centred interests including avoiding damage to his reputation. In this regard Gerald is closer to Birling than to Sheila. Gerald is a complex character and cannot be neatly labelled ‘good’ or ‘bad’.

40
Q

‘We’ve no proof it was the same photograph and therefore no proof it was the same girl’

A

gerald
act three end

  • coming up with excuses to avoid taking
    responsibility. - Priestley presents him in
    this way to show how him, and the older
    Birlings, are arrogant and refuse to
    accept any responsibility for their
    actions.
  • alliteration used to persuade (“proof”)
41
Q

“Everything’s all right now, Sheila. (holds up ring) What about this ring?”

A

Gerald Croft
act three end

He tries to make Sheila forget about what happened which shows how Gerald has not learnt his lesson and not changed unlike Sheila.
Shows his arrogance because he does not actually care for Eva Smith’s death and his own actions because of the fact that him and the elder birlings believe that because the inspector wasn’t real, none of their actions matter as they do not take consequence in reputation

42
Q

i don’t pretend to know much about it (port)

A

act 1 gerald showing a stark contrast to Mr Birling early on in the play, showing he is not as ‘provincial’ and is comfortable in his class.
being well bred

43
Q

busy at the works all that time
`

A

gerald lying to absolve himself act 2

44
Q

“She looked young and fresh and charming and altogether out of place down there”

A

act 2 gerald preying on evas virginity and weakness. connotations of fertility

45
Q

“I - well, I’ve suddenly realised - taken it in properly - that she’s dead”

A

gerald diluted reaction with hyphens reacting to evas death. act 2
Gerald’s delayed reaction to her death is diluted with hyphens as this stammered and staggered speech reveals the overwhelming sadness he feels. Priestley reveals the internal conflict within Gerald, between his natural emotional reaction and his attempt to suppress any (femenine) emotion that he shows, as he has to remain masculine in a patriarchal society. act 2

46
Q

“there’s still no proof it was really the same girl”

A

gerald manipulating to excuse his own behaviour act 3

47
Q

“Leave after a strike” // “Said something about the shop too”

A

Gerald reminices about eva and therefore confirms the story of Mr Birling and Sheila. Therefore, Gerald knows that Eva is the same person, yet he later suggests that “there’s still no proof it was really the same girl”. Here, Gerald is trying to excuse his own behaviour and also convince himself that he is innocent, through breaking the “chain of events” and therefore implying that his actions did not lead to a suicide. act 2

48
Q

“you couldn’t have done anything else”

A

necessary for gerald to uphold good relations wit his future father-in-law. He is fitting in with both the upper class and older generation

49
Q

“he at least had some affection for her and made her happy for a time”

A

The Inspector notes that Gerald’s kindness towards Eva separates him from the rest of the characters as he loved her and made her briefley happy. Yet, the help that he provided to Eva was in his own interest as he admits that he must have been a “wonderful fairy prince” to Eva. act 3

50
Q

“[rather too manly to be a dandy]”

A

confident in his own masculinity, stage directions gerald act 1 (a dandy being someone who cares a lot about the way they look)

51
Q

I made her take some money

A

These are monetary exchanges, rather than financial aid. Therefore, Gerald is disgusing prostitution as charity. Priestley’s use of imperatives bears connotations of power and force; Gerald was always in power and in control. act 2

52
Q

“she was pretty - soft brown hair and big dark eyes - [breaks off] My God!”

A

Priestley’s use of aposiopesis (abrupt break off in speech) comes directly after Gerald describes her beauty. Therefore, revealing that Gerald only felt attracted to Eva physically as he feels the greatest grief when remembering her physical beauty act 1

53
Q

“young and fresh and charming and altogether out of place down there”

A

Priestley incorporates a predatory description of Eva as there are connotations of desire and fertility from the adjective “fresh”, as Gerald views her sexually from the start. Priestley’s use of this adjective has plural connotations as Gerald views Eva like food - a possession. act 2

54
Q

“Women of the town”

A

Priestley uses euphemistic language to evidence Gerald’s determination to conceal his use of prostitutes by subtly calling them other names. act 2

55
Q

“I hate those hard-eyed dough-faced women” - Gerald, 2

A
  • Priestley evidences this familiarity through Gerald’s vivid description of prostitutes as being hard-eyed.
  • This opinion of prostitutes is one that can only come from experience, rather than a one off or chance occurrence. determiner ‘those’ reflects he has prior knowledge of prostitution.
56
Q

“It wasn’t disgusting” - Gerald, act 2

A
  • Gerald refutes Mrs Birling’s remark about his relationship with Eva being disgusting. Priestley does this to, perhaps, separate Gerald from the older-generation of characters and their traditional classist views
57
Q

“where did you get the idea that I did know her” - gerald, act 2

A
  • defensive tone,
  • questioning the inspector.
  • gaging how much the inspector knows already to be consistent with the inspectors story