GCSE English Quotes Flashcards

1
Q

Percy Shelley Ozymandias (Power) - How all power is fleeting

A

‘Nothing beside remains. Round the decay of that colossal wreck’

oxymorons/juxtaposition

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2
Q

Percy Shelley Ozymandias (Power) - The cruelty, oppression and corruption of those in power

A

‘sneer of cold command’

imagery
scowl of superiority, disdainful of subjects

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3
Q

Percy Shelley Ozymandias (Power) - The insignificance and impotence of humans in the face of nature/time’s power

A

‘Lone and level sands stretch far away’

resolution

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4
Q

Percy Shelley Ozymandias (Pride) - The danger of pride and arrogance

A

‘My name is Ozymandias, King of Kings,
Look on my works ye mighty and despair!’

symbolism

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5
Q

William Blake London (Power) - The cruelty, oppression and corruption by those in power

A

‘blackning church appalls’
‘hapless soldiers sigh runs in blood down palace walls’

imagery

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6
Q

William Blake London (Conflict) - Between an individual and ‘the system’; the poem is a protest against injustice

A

‘I wander through each chartered street
Near where the chartered Thames does flow’

repetition
everything is owned
anti-establishment

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7
Q

William Blake London (Power) - The potential power of individuals to overcome oppressive regimes

A

‘the mind-forged manacles’

metaphors
the Social Contract

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8
Q

William Blake London (Loss of innocence) - The corruption of the innocent by those in power

A

‘the youthful harlot’s curse
Blasts the new-born infant’s ear’

maternal power

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9
Q

Seamus Heaney Storm on the Island (Conflict) - The conflict between man and the natural world

A

‘exploding comfortably’
oxymoron
‘spits like a tame cat turned savage’
simile

suddenly and unexpectedly violent and aggressive

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10
Q

Seamus Heaney Storm on the Island (Power) - The insignificance and impotence of humans in the face of nature’s power

A

‘We just sit tight while wind dives and strafes invisibly’

metaphor

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11
Q

Seamus Heaney Storm on the Island (Appearance vs reality)

A

‘We are prepared: we build our houses squat’
‘Strange, it is a huge nothing we fear.’

Opens with stubborn and proud statement, finishes with unsettled fear… troubles?

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12
Q

Wilfred Owen Exposure (Conflict) - Between an individual and the system; the poem is a protest against injustice

A

‘What are we doing here?’
refrain
‘we cringe in holes’
imagery

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13
Q

Wilfred Owen Exposure (Conflict) - The insignificance and impotence of humans in the face of nature’s power

A

‘the merciless iced east winds that knife us’
‘dawn massing in the east her melancholy army … attacks once more in shivering ranks of grey’

metaphors
personification

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14
Q

Wilfred Owen Exposure (Conflict) - The psychological effects of warfare

A

‘all their eyes are ice’
‘we hear mad gusts tugging on the wire, like twitching agonies of men among its brambles’

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15
Q

Ted Hughes Bayonet Charge (Conflict) - The visceral experience of fighting

A

‘Raw in raw-seamed hot khaki’

repetition/imagery
raw recruits skin rubbed raw by uniform

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16
Q

Ted Hughes Bayonet Charge (Conflict) - The conflict between man and the natural world; in this poem it is man destroying nature

A

‘The shot-slashed furrows threw up a yellow hare’

imagery

17
Q

Ted Hughes Bayonet Charge (Conflict) - The psychological effects of warfare

A

‘King, honour, human dignity, etcetera dropped like luxuries’

simile

18
Q

Ted Hughes Bayonet Charge (Loss of innocence) - The speaker’s realisation of the cold indifference of those in charge

A

‘In what cold clockwork of the stars and the nations was he the hand pointing at that second?’

19
Q

William Wordsworth The Prelude (Power) - The insignificance and impotence of humans in the face of nature’s power

A

‘a huge peak, black and huge… upreared its head’

personification

20
Q

William Wordsworth The Prelude (Loss of innocence) - The loss of the naïve confidence of youth in the face of experience

A

‘As I rose upon the stroke my boat went heaving through the water like a swan’

‘With trembling oars I turned, and through the silent water stole my way’

Juxtaposition

21
Q

William Wordsworth The Prelude (Conflict) - The conflict between man and the natural world

A

‘no familiar shapes remained, no pleasant images of trees, Of sea or sky’

Imagery

22
Q

William Wordsworth The Prelude (Trauma) - The memory if a traumatic experience haunts the speaker

A

‘huge and mighty forms that do not live… were a trouble to my dreams’

23
Q

R and J: Death-marked

A

‘The fearful passage of their death-mark’d love’

Juxtaposition, Imagery

24
Q

R and J: Verona

A

‘In fair Verona’

Irony

25
Q

R and J: Grudge

A

‘From ancient grudge break to new mutiny’

Structure, Antithesis

26
Q

R and J: Naked Weapon

A

‘My naked weapon is out’

Double-entendré, Symbolism

27
Q

R and J: Your lives for peace

A

‘Your lives shall pay the forfeit of peace’

Juxtaposition

28
Q

R and J: Men, Beasts

A

’ You men, you beasts’

Asyndetic, Zoomorphism, Parallel Phrases

29
Q

R and J: Religion of eyes

A

‘When the devout religion of mine eye’

Motif

30
Q

R and J: Swan to Crow

A

‘And I will make thee think thy swan a crow’

Motif

31
Q

R and J: Eye infection

A

‘Take thou some new poison to thy eye and the rank poison of the old will die’

32
Q

R and J: Here ma’am

A

‘Madam, I am here, what is your will?’

Formal address/ register

33
Q

R and J: Beauty rich

A

‘O, she is rich in beauty’

Ecphonesis

34
Q

R and J: Love is smoke

A

‘Love is a smoke made with the fume of sighs’

Sibilance