Gain staging/ Interconnectivity Flashcards

1
Q

define noise floor

A

the point at which a signal is so low hiss and system noise can be heard

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

define clipping point

A

when the signal is too high that it cannot be accomodate by the signal resulting in distortion

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

define signal to noise ratio S/N

A

the level of noise in recording in relation to usable signal

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

define headroom

A

the range between operating level and the systems clipping point

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

define gain staging

A

recording hot enough to avoid excess levels of unwanted noise, but also having enough headroom to avoid distortion

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

what are the commonly used meters

A

Analogue peak

VU

Analogue dBu

Digital peak

Digital RMS

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

difference between analoge and digital metering

A

digital meters zero is the max operating level, any further then distortion occurs

analogue zero is the optimum level, and you can go above this without distortion to a point, and when distortion occurs it can be pleasing

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

describe a VU meter

A

designed to give an indication of average volume rather than peak level, slow response time approx 300ms means meters cannot show peak level.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

describe the dBu meter

A

referecned using an LED display. averaging meter that does not show peak values.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

describe the PPM meter

A

analogue meter shows peak levels in analogue domain. hybrid meaning it shows peak levels and averaged levels

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

DbV meter

A

a second seperate operating level devised for semi pro or consumer equipment, based around an operating level of 1.0 vrms which is know as dBV

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

what are the different units and their levels in vrms

A

+4dBu 1.227 Vrms
0dBV 1.0 Vrms
0dBu 0.775 Vrms
-10dBV 0.316Vrms

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

what do pro level analogue operating levels operate at

A

+4dBu, which translates as a nominal voltage of 1.227 Vrms, which is called line level

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

what consumer gear operating levels operate at

A

-10dBV, meaning a nominal operating voltage of 0.316 Vrms

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

what are the acceptable levels in analogue

A

any peaks rising up to 8dB above 0VU (+rdBu) are acceptable

peaks above 12dBu start to distort

undesirable clopping occurs around +18dBu or +24 dBu on higher end systems

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

describe dBFS

A

digital clipping is so undesirable that meters had to show peak level rather than average in the digital domain. This lead to dBFS, where 0dBFS is the highest possible figure in digital domain. Anything above that is a clip

17
Q

what level should your peak values be in a DAW compared to the analogue domain

A

between -6dBFS and -12dBFS, depending on the transient nature of the material

18
Q

what are the recommended digital levels for engineers to calibrate analogue VU meters to

A
  • 18dBFS in the UK

- 20dBFS in america

19
Q

what is the standard monitor calibration level in the film and television industry

A

0 VU equals 83 dB SPL

20
Q

what is the K system

A

it is a calibrating listening level system. designed to allow you to return to a calibrated listening level that is a compromise between the point at which your ears have the flattest response and a comfortable listening level

21
Q

what are the three tiers of the k system and what are they best used for

A

K20 = for music with the most dynamics such as large theatres (20dB headroom)

K14 = standard for pop and rock music (14dB headroom)

K12 = for programmes dedicated for tv and radio broadcast (12dB of headroom)

22
Q

what should the 0 in the k systems be equal to

A

83 bDC SPL with pink noise on each k/rms meter