G10 Philippine Movies Flashcards
Film in the Philippines is regarded as the youngest of the Philippine fine arts. From being a mere means for entertainment, it has become a powerful force in Philippine society by using it as a tool for mass communication.
Films are introduced in the Philippines in 1897 when 2 Swiss businessmen sponsored the opening of _ in Manila.
Cinematografi
Films are introduced in the Philippines in 1897 when 2 Swiss businessmen sponsored the opening of Cinematografi in Manila. From this, the Filipino term “/” which means movie became a coined term for Philippine cinema.
cine/sine
In 1903, the first movie theater owned by a Filipino opened and was named
Cinematografo Rizal
Cinematografo Filipino opened then in Tondo with the hopes of helping establish movies as an important element of the country’s culture
Local movies also started during this time with _ _ _ becoming the first locally produced film in the country.
La Vida de Rizal
A lot of people jumped into the trend of making Rizal-themed movies and came up with
La Pasion Y Muerte de Dr. Rizal
Both of these films (La Vida de Rizal, La Pasion Y Muerte de Dr. Rizal) were made for the Philippine film industry but were produced by foreigners and employed _ troupes to act the parts.
sarswela
The first Filipino who embarked on film business
Jose Nepomuceno
Father of the Philippine Movies
Jose Nepomuceno
Jose Nepomuceno and his brother, Jesus, established in 1917 the Malayan Movies, a film studio, which aimed to market Philippine movies.
a film studio, which aimed to market Philippine movies established in 1917
the Malayan Movies
first Jose Nepomuceno film which was a stage play adapted into a film
Dalagang Bukid
After the Japanese Occupation, a lot of Filipino artists produced films of different genres and some with cinematic techniques that earned the label to the decade as the _ _ _ _ _ by a lot of critics. Aside from a lot of movie studios springing up in the industry, local and international awards were also established during the decade.
Golden Age for Philippine Films
In the 1970s, filmmaking was regulated due to the control of the government to the mass media, but films also became a form of expression for the masses against the dictatorship of Marcos.
Films such as Lino Brocka’s _, _ _ _ _in 1975 and Ishmael Bernal’s Himala in 1982 were some of the daring films that portrayed revolt, labor, unionism, social ostracism, and class division that had imprinted history in the film industry-distinct during its time.
Maynila
Sa Kuko ng Liwanag
Films such as Lino Brocka’s Maynila, Sa Kuko ng Liwanag in 1975 and Ishmael Bernal’s _ in 1982 were some of the daring films that portrayed revolt, labor, unionism, social ostracism, and class division that had imprinted history in the film industry-distinct during its time.
Himala
Films such as _ _’s Maynila, Sa Kuko ng Liwanag in 1975 and Ishmael Bernal’s Himala in 1982 were some of the daring films that portrayed revolt, labor, unionism, social ostracism, and class division that had imprinted history in the film industry-distinct during its time.
Lino Brocka
Films such as Lino Brocka’s Maynila, Sa Kuko ng Liwanag in 1975 and _ _’s Himala in 1982 were some of the daring films that portrayed revolt, labor, unionism, social ostracism, and class division that had imprinted history in the film industry-distinct during its time.
Ishmael Bernal
The early 2000s were marked with notable releases of inspirational films such as Mark Meity’s comedy film _ _ in 2003 and Maryo J. delos Reyes’s Magnifico.
Crying Ladies
The early 2000s were marked with notable releases of inspirational films such as Mark Meity’s comedy film Crying Ladies in 2003 and Maryo J. delos Reyes’s _.
Magnifico
The early 2000s were marked with notable releases of inspirational films such as _ _’s comedy film Crying Ladies in 2003 and Maryo J. delos Reyes’s Magnifico.
Mark Meity
The early 2000s were marked with notable releases of inspirational films such as Mark Meity’s comedy film Crying Ladies in 2003 and _ _ _ _’s Magnifico.
Maryo J. delos Reyes
Though a study showed that _ and
_ from foreign films caused a marked decline in the Philippine movie industry, independent films brought positive light as it accounts for half of the films being produced.
piracy and competition
the highest national recognition given to Filipino individuals who have made significant distributions to the development of Philippine arts and its categories are namely Visual Arts, Music, Dance, Theater, Literature, Film, Broadcast Arts, and Architecture and Allied Arts.
Order of National Artists/National Artist Award
This award is administered by the National Commission for Culture and the Arts (NCCA) and the Cultural Center of the Philippines (CCP) and conferred by the President of the Philippines upon the recommendation of the two institutions.
Brillante Mendoza
Maryo J. de los Reyes
Laurice Guillen
is one of the leading filmmakers in the new Filipino cinema. The beginning of his career was in the field of advertising, but his debut in cinema was what made him well-known in the media industry because of his awards and nominations from various international film festivals
Brillante Mendoza
a Filipino film and television director that began his career in the 1970s. His film Bagets that starred actors like William Martinez, J.C. Bonin, Herbert Bautista, Raymond Lauchengco, Aga Muhlach, Eula Valdez, Yayo Aguila, and Jobelle Salvador became a touchstone during that generation. However, his most notable work considered would be Magnifico which was released in 2003.
Maryo J. de los Reyes
is regarded as one of the pillars of the Philippine film industry. Having transitioned from acting in films and TV into becoming a director in the late 1970s
Laurice Guillen
protégé of the National Artist Lino Brocka. Her directions in important Filipino film classics like Yin 1981 and Tanging Yaman in 2001 became a benchmark for every Filipino family drama.
Laurice Guillen
