Futurism Flashcards

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1
Q

Futurist Manifesto date and key points

A

1909 - sought to create a world that celebrated war, violence, courage and revolt, seeing ‘new beauty’ as the beauty of speed and machinery. Called for the destruction of libraries, moralism and feminism. Rejected tradition & celebrated anarchy

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2
Q

Political situation in Italy

A
  • in economic crisis and they were unable to keep up with the sudden political changes: this caused many uprisings
  • There was a recognition that political change was needed and the futurists wanted to be the driving force of this change
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3
Q

Street Light - artist and date

A

1909, Giacomo Balla

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4
Q

Revolt - artist and date

A

1911, Luigi Russolo

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5
Q

Abstract speed, a car has passed - artist and date

A

1913, Giacomo Balla

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6
Q

overall aim of streetlight

A

Attempting to destroy traditionalism by presenting the subject of technology and modernity

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7
Q

Street light: inspiration of subject matter

A

Inspired by one of the first street lamps to be built in Rome (electric street lamps being installed all over the city at this time in Rome)

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8
Q

What style had Balla previously worked in that informed street light

A

Divisionism which is evident here especially in the separation of colours into each individual stroke of light

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9
Q

street light: relationship to the manifesto release

A

painted a year after = initial response & focuses on the celebration of technology part (as well as the superiority of men with the moon vs light part)

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10
Q

Use of moon in street light responds to which Marinetti book

A

‘Lets murder the moonshine’, where he describes the lamps as “300 electric moons” cancelling out the moonlight.

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11
Q

symbolism of the moon in Street light

A

associated with women and with love - man-made and masculine force conquers the feminine - relates to the anti-women sentiment of the manifesto

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12
Q

Why was Russolo’s presentation of an uprising in ‘revolt’ significant

A

The artist had first hand experience of the uprisings, unrest and social injustices that grew out of the conflict between rapid industrialisation and an outmoded social structure

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13
Q

What does the collection of faceless people do

A

unifies the masses of the working class in their struggle for power and their facelessness perhaps corresponds with the ‘non-human type’ that Marinetti refers to in the Futurist manifesto - Marinetti had a goal to eradicate sexual difference itself resulting in this non-human type

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14
Q

What evidence suggests the colours might be related to sounds

A

the painting or sounds, noises and smells’ manifesto 1913 - which suggests that colours can be linked to sounds, with red being a colour that shouts: the hellish red captures the sense of uproar - futurist emphasis on aggression and violence

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15
Q

how does the yellow and green link to the futurist aims

A

the extreme yellow and green that seems to run down the canvas - acidic colours evoke a chemical explosion - links to the futurist emphasis on technology and modernity

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16
Q

abstract speed, the car has passed shows what

A

Part of a triptych - shows a simplified, agricultural landscape that has been tinged with the pink of exhaust traces which suggest a car (now absent) that has passed through and caused disturbance in the atmosphere - shown by the curved lines of force

17
Q

Car has passed :

what influence do the shard like forms suggest

A

Everything is simplified down to stylised shapes -suggests the cubist influence after the futurists’ exposure to the style upon their 1911 visit to Paris

18
Q

Car has passed:

Though it shows nature, why is not at all celebration on nature

A

Nature is being subsumed to technology & has been rendered in technological ways: the shapes look as if they have been cut out with a compass - again relates to the emphasis on technology and modernity triumphing over nature (from the manifesto)

disregards nature by putting it through a modern filter

19
Q

What is Photodynamism

A

pioneered by Futurist photographer Anton Giulio Bragaglia in the early 20th Century
it is a technique to capture energy and movement by repeating forms in close succession