Futurism Flashcards
Futurist Manifesto date and key points
1909 - sought to create a world that celebrated war, violence, courage and revolt, seeing ‘new beauty’ as the beauty of speed and machinery. Called for the destruction of libraries, moralism and feminism. Rejected tradition & celebrated anarchy
Political situation in Italy
- in economic crisis and they were unable to keep up with the sudden political changes: this caused many uprisings
- There was a recognition that political change was needed and the futurists wanted to be the driving force of this change
Street Light - artist and date
1909, Giacomo Balla
Revolt - artist and date
1911, Luigi Russolo
Abstract speed, a car has passed - artist and date
1913, Giacomo Balla
overall aim of streetlight
Attempting to destroy traditionalism by presenting the subject of technology and modernity
Street light: inspiration of subject matter
Inspired by one of the first street lamps to be built in Rome (electric street lamps being installed all over the city at this time in Rome)
What style had Balla previously worked in that informed street light
Divisionism which is evident here especially in the separation of colours into each individual stroke of light
street light: relationship to the manifesto release
painted a year after = initial response & focuses on the celebration of technology part (as well as the superiority of men with the moon vs light part)
Use of moon in street light responds to which Marinetti book
‘Lets murder the moonshine’, where he describes the lamps as “300 electric moons” cancelling out the moonlight.
symbolism of the moon in Street light
associated with women and with love - man-made and masculine force conquers the feminine - relates to the anti-women sentiment of the manifesto
Why was Russolo’s presentation of an uprising in ‘revolt’ significant
The artist had first hand experience of the uprisings, unrest and social injustices that grew out of the conflict between rapid industrialisation and an outmoded social structure
What does the collection of faceless people do
unifies the masses of the working class in their struggle for power and their facelessness perhaps corresponds with the ‘non-human type’ that Marinetti refers to in the Futurist manifesto - Marinetti had a goal to eradicate sexual difference itself resulting in this non-human type
What evidence suggests the colours might be related to sounds
the painting or sounds, noises and smells’ manifesto 1913 - which suggests that colours can be linked to sounds, with red being a colour that shouts: the hellish red captures the sense of uproar - futurist emphasis on aggression and violence
how does the yellow and green link to the futurist aims
the extreme yellow and green that seems to run down the canvas - acidic colours evoke a chemical explosion - links to the futurist emphasis on technology and modernity