Fundamentals of Harmony Flashcards
Root position I, IV, V doublings
R R 3 5
root position ii, iii, vi doublings
R R 3 5 or R 3 3 5
root position VII (minor) doublings
R R 3 5 or R 3 3 5
first inversion I6, IV6, V6 doublings
R R 3 5 or R 3 3 5
first inversion ii6, iii6, vi6 doublings
R 3 3 5 (others possible)
first inversion viio6 doublings
R 3 3 5 or R 3 5 5 (rare)
second inversion I64, IV64, V64 doublings
R 3 5 5
root position V7 doublings
R 3 5 7 or R R 3 7
root position ii7 doublings
R 3 5 7, R R 3 7 or R 3 3 7
first inversion V65 doublings
R 3 5 7
first inversion ii65 doublings
R 3 5 7
second inversion V43 doublings
R 3 5 7
second inversion ii43 doublings
R 3 5 7
third inversion V42 doublings
R 3 5 7
third inversion ii42 doublings
R 3 5 7
passing tone label, approach, departure, and metrical position
pt, step, step (same direction), weak
neighbor tone label, approach, departure, and metrical position
nt, step, returns to previous pitch, weak
appoggiatura label, approach, departure, and metrical position
app, free, step, strong
suspension label, approach, departure, and metrical position
sus, prepared, step (usually downward), strong
échappée label, approach, departure, and metrical position
éch, step, 3rd (with change of direction), weak
anticipation label, approach, departure, and metrical position
ant, free, repeated note, weak
accented passing tone label, approach, departure, and metrical position
ap, step, step (same direction), strong
accented neighbor tone label, approach, departure, and metrical position
an, step, returns to previous pitch, strong
incomplete neighbor tone label, approach, departure, and metrical position
in, leap, step, weak
changing tones (pair of non-chord tones) label, approach, departure, and metrical position
ct, step, skip in opposite direction (then step back to original chord tone), variable
double neighbor tones label, approach, departure, and metrical positio
dn, step, skip in opposite direction (then step back to original chord tone), variable
