From the Antique Flashcards

1
Q

published

A

never published in Rossetti’s lifetime, possibly because of its unmistakable critique

1854

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2
Q

Simon Avery

A

calls the word choice “austere”, noting its cold, bleak language

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3
Q

weary

A

“it’s a weary life”

physical or emotional- could be a women from any class

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4
Q

unoccupied

A

“doubly blank”

just her or all women?

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5
Q

men

A

“I wish I were a man”

futility of her desire

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6
Q

extinction

A

“better than any being, were not”

desire for extinction - being a woman is worse than being nothing

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7
Q

religious reference

A

“grain of dust”

religious - dust to dust

no gender identity

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8
Q

dismissive

A

“the world would wag on the same”

seems dismissive

wag - little significance

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9
Q

natures indifference

A

“from pole to pole”

shows natures indifference about the lives of men

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10
Q

temporary beauty

A

“blossoms bloom” and “cherries ripen”

short lived, temporary - like women’s beauty?

nature reference comparable to Keats

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11
Q

life cycles

A

nature is more permanent than a human due to their repeated life cycles

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12
Q

collocation

A

“go and came”

inversion of usual collocation which allows a complete rhyme scheme

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13
Q

finality

A

she often uses modal “would” and “should” which seems more final than the subjunctive “were”

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14
Q

tone

A

despairing

stanzas 3-4 bitterness and sarcasm creep in “none would miss me”

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15
Q

structure and form

A

metrically unstable, with 8,9-10 syllable lines

it is set against the regularity and rhyme of the stanzas

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16
Q

Simone de Beauvoir

A

in patriarchal culture women become “objects”

17
Q

“doubly blank”

A

the metrical change at the beginning of this line places an increased emphasis on the words

18
Q

“i wish and I wish”

A

the repetition creates a sense of longing nad despondency

19
Q

from the antique and maude clare

A

both demonstrate women trapped by convention