A05 Rossetti vs Ibsen Flashcards

1
Q

Nora confronts

A

every convention and male prejudice that cages her - Kate Millett, 1971

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2
Q

Ibsen and marriage

A

he revealed it to be far from a divine institution - August Strindberg, 1880s

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3
Q

Ibsen review

A

Social Demokraten, 1879, said that Torvald fails to understand Nora’s value as a human being

-1000s of such doll-like house

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4
Q

resistance

A

Simon Avery - Rossetti’s speakers demonstrate a resistance to social expectations, which define the acceptable roles of women

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5
Q

sin

A

Lynda Palazzo - Rossetti hints that male gender oppression is a sin

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6
Q

word choice

A

Simon Avery says that the word choice is often “austere”

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7
Q

angels

A

Victorian women were seen as passionless angels in the home but Karen Armstrong argues that GM defies this

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8
Q

Simone de Beauvoir

A

stated that women are “objects” in patriarchal society

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9
Q

fallen women

A

Richard Gill - Rossetti is “thoughtfully aware” of the plight of fallen women

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10
Q

attitude to fallen women

A

unlike her contemporaries, like William Acton who published a report called “Prostitution”, Rossetti does not dismiss ‘fallen women’ with hasty judgement

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11
Q

Winter: My Secret

A

Simon Avery - she manipulates power so she is in control

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12
Q

“no”

A

No Thank you, John - asserts a woman’s right to say “no”

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13
Q

voice

A

Simon Mold - Rossetti gives a vibrant voice to the female experience, despite Victorian women being denied social, economic and political freedom

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14
Q

Hattie Morahan, 2013

A

the play is just as “relatable” now

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15
Q

it is women’s

A

confinement in the domestic sphere that correlates with the subordination of women’s rights - L Code, 2000

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16
Q

address

A

the restrictions placed on women and pulls down the ideological boundaries of femininity - Lesa Scholl

17
Q

women

A

are the creatures of the organised tyranny of men - Eleanor Marx, 1884

18
Q

‘woman’s qu’

A

in an era where the status of women was increasingly debated - ‘the woman’s question’ - Rossetti presents a “dark assessment” in the woman’s lot - Richard Gill

19
Q

feminist

A

Lisa Scholl - her writing seems to suggest and promote the belief that women are equal to men

however, Rossetti had said that she saw an “unalterable distinction” between men and women

20
Q

emancipation

A

Robert Brustein

Ibsen was “completely indifferent to (female emancipation) except as a metaphor for individual freedom”

21
Q

brotherhood

A

Alice Kirby sees the feminine world of GM as a response to her sibling’s exclusive ‘brotherhood’

22
Q

rigid

A

Rossetti could be suggesting in GM that society is so rigid that only a domestic sisterhood could exist - not an artistic one - Alice Kirby

23
Q

criticism of society

A

Laura described as a “restless brook” suggesting she is bored with the constraints of domestic life - Alice Kirby

24
Q

fruit

A

Laura’s interest in the Goblin’s “fruit globes” has been seen by critics as an allegory for her exploring her sexuality

25
Q

allegory of GM

A

poem can be read as an allegory for a woman trying to transcend the boundaries placed upon her by society - Alice Kirby

26
Q

GM and MC

A

linked as their punishments are indicative of Victorian society’s attitude towards fallen women - Alice Kirby

Laura is “writhing as one possessed”

27
Q

Rossetti’s women

A

challenge male authority, like MC and Sir Thomas

Rossetti lived an unconventional life within the confines of Victorian mores and her female characters act as a reflection of her experiences - Alice Kirby

28
Q

Nora is purely a

A

source of “enjoyment and pleasure” for Torvald - Baser, 2013

29
Q

interpretations of the tarantella

A

1) suggested that it expresses her sexual self
2) manifestation of her suicidal impulses
3) feminist critic, Toril Moi, has suggested that it displays the torment of her soul

30
Q

Mary Wollstonecraft

A

18th-century revolutionary writer, argues in her essay ‘A Vindication of the Rights of Women’ that women are taught “outward obedience” from infancy

31
Q

Wollstonecraft argues

A

that men try to secure the good conduct of women by reducing them to a state of innocence and childhood, seen with Nora and Torvald

32
Q

Ibsen has been seen as

A

“an apostle of the cause of women” - Louie Bennett

33
Q

a vindication of the rights of women

A

Mary Wollstonecraft - strengthen the female mind by enlarging it and there will be an end to blind obedience

Nora seems to reflect this attitude at the end - “I must educate myself”