Focus on the canon, literary theories Flashcards

1
Q

What does literary communication/institutions of literary mediation consist of?

A
  • Author
  • Medium & Code
  • Reader
  • Reference to societal/historical Context
  • literary context
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2
Q

What are the approaches to Literary Criticism?

A
  • Author-centred approaches
  • Text-centred approaches
  • Reader-centred approach
  • Context-centred approaches: Discursive & Historical
  • Approaches centering on the literary context
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3
Q

What are types of author-centred approaches in Literary Criticism?

A
  • Biographical approach
  • Psychoanalytical approach
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4
Q

What are types of text-centred approaches in Literary Criticism?

A
  • New Criticism/Close Reading/Narratology
  • Formalism/Structuralism
  • Poststructuralism/Deconstruction
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5
Q

What are types of reader-centred approaches in Literary Criticism?

A
  • Reader-Response Criticism
  • Cognitive Poetics
  • Empirical Reception Studies
  • History of Reception and Effect of Works
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6
Q

What are types of approaches centering on the literary context in Literary Criticism?

A
  • Studies on literary sources and influences
  • Literary sociology
  • Studies on intertextuality & intermediality
  • History of the book
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7
Q

What are types of context-centred approaches (focus on discursive power) in Literary Criticism?

A
  • Feminist literary criticism
  • Marxist literary criticism
  • Post-colonial theory
  • Cultural Studies
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8
Q

What are types of context-centred approaches (focus on contemporary historical context) in Literary Criticism?

A
  • Mentalitätsgeschichte
  • History of ideas
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9
Q

Why did they start printing texts?

A

durable storage of memory/info
-> lead to mass production & mass dissemination (accessibility), democratisation, standardisation of language & literature

reading & debating public -> civil society

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10
Q

How is a Theme defined?

A
  • semantic focal point
  • content-related ‘red thread’ in text
  • abstract concept repeatedly dealt within a text
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11
Q

What describes the term ‘story’?

A
  • WHAT is narrated
  • Who does what, in which order, where, when and why?
  • all elements are discussed as if they are real -> stays only on the story level
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12
Q

What describes the term ‘Discourse’?

A
  • How it is narrated
  • How does the text look like? What devices are used in the text?
  • acknowledges the inventiveness and the choices the author made -> level of presentation
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13
Q

How to analyse the discourse level?

A
  • analyse each textual level in isolation
  • level to consider: typography, phonetic level, communicative situation
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14
Q

How to describe the story level?

A
  • only chronology & causality (like eyewitness)
  • restrict yourself to naming actions, characters, temporal and local setting
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15
Q

What is the central analytical distinction between story & discourse?

A
  • Non-professional readers concentrate on story-level, they tend to treat characters and events of novels/plays/films as if they were real
  • Professional readers distinguish between story and discourse, they appreciate the madeness of the artefact, acknowledge the aesthetic choices the author made
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16
Q

What is a theory?

A

explicit, detailed, organised systems of categories which investigate, describe and explain a subject-matter of a respected field

also: approach, direction, frames of analysis

17
Q

What is a method?

A

‘the way towards something’
-> well-defined, planned verifiable procedures for dealing with something

also: procedures

18
Q

What is a model?

A

formal or graphic representations of a theory to reduce its complexitivity

19
Q

What do didactic functions do?

A

they facilitate learning and teaching procedures and enable the transferall of analytical procedures

20
Q

What do typological functions do?

A

they enable a systematic classification of texts and their respective characteristics

21
Q

What are the two types of reading?

A
  • intentional reading: what is the author trying to tell us through the text?
  • symptomatic reading: what does the text tell us about the author (and society)?
22
Q

What are the two main components of Literary Criticism?

A
  • Analysis (how does the text work, what are its features?)
  • Interpretation (what is the meaning of the text, what is its effect?)
23
Q

What is meaning?

A
  • function or effect of text in relation to its context
  • distinguishable between meaning of textual element vs. meaning of the entire text
  • dynamic meaning (cognitive change while reading) vs. static meaning (retroactive look at what happened)
24
Q

What is a motif?

A

idea that is repeated in a text

so a theme

25
Q

What concepts is a text about?

A
  • red thread in a text: repetition
  • broader than message
26
Q

What are the five analytical levels for all genres?

A
  1. Story
  2. Discourse
  3. Themes (motifs)
  4. Norms: ideology, world-view, value system, ..
  5. functions: questions about functions/effects apply to all levels