Finals Flashcards

1
Q

The history of this period art covered almost ten centuries between “THE SACK OF ROME” and “THE EARLY ITALIAN RENAISSANCE”

A

MEDIEVAL PERIOD

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2
Q

The only institution to survived
Was centered in Rome and Constantinople

A

THE CHRISTIAN CHURCH

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3
Q

All works of art were commissioned by religious authorities (for churches/monasteries) or secular leaders (for public edification, and most were made by monks)

A

Medieval Period

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4
Q

3 Types of Architecture

A

Romanesque
Gothic
Byzantine structure

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5
Q

One of the most famous architecture

A

NOTRE DAME DE PARIS

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6
Q

This refers to the architectural styles in medieval Europe during the middle ages wherein, religious architectures such as cathedrals, were expressions of faith

A

MEDIEVAL ARCHITECTURE

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7
Q

Churches used large amounts of money for the beautifications and creation of these buildings

The church granted indulgences and pardons for those who desired to help the churches and the cathedrals

A

MEDIEVAL ARCHITECTURE

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8
Q

There were non-religious structures in this period which were:
Castles
Walls

A

MEDIEVAL PERIOD

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9
Q

Responsible for constructing and creating these structures

A

MASONS

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9
Q

Responsible for constructing and creating these structures

A

MASONS

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10
Q

One of the largest and best preserved ruins of the Cistercian monasteries in England

A

FOUNTAINS ABBEY MONASTERY

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11
Q

This architecture has two classifications:
CAROLINGIAN ARCHITECTURE & OTTONIAN CULTURE

A

ROMANESQUE ARCHITECTURE

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12
Q

used in very early middle ages wherein much developments were pioneered by the NORMANS (North men or vikings) who settled in NORMANDY, FRANCE

A

ROMANESQUE ARCHITECTURE

ROMAN ARCHITECTURE

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13
Q

These characteristics are from what architecture?
Massive quality
Thick walls
Round arches
Sturdy Pillars
Barrel vaults
Large towers
Decorative barricading

A

Characteristics of Romanesque Architecture

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14
Q

MARIA LAACH ABBEY, GERMANY

LESSAY ABBEY
are examples of what architecture?

A

ROMANESQUE ARCHITECTURE

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15
Q

This architecture started in the 12th century in France and referred as FRENCH STYLE

A

GOTHIC ARCHITECTURE

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16
Q

What architecture was light, graceful, and mostly spacious in nature?

A

GOTHIC ARCHITECTURE

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17
Q

T or F
Several inspirations in architectural techniques come from ARABS, copied during the time of the crusades that led to changes in Gothic styles

A

TRUE

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18
Q

What are the characteristic of Gothic Architecture?

A

Changes include the use of:
Pointed arc
Ribbed vaults
Buttresses

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19
Q

NOTRE DAME DE PARIS, FRANCE

REIMS CATHEDRAL, FRANCE
are examples of what architecture?

A

GOTHIC ARCHITECTURE

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20
Q

Also called as EASTERN ROMAN

A

BYZANTINE ARCHITECTURE

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21
Q

the architecture was characterized by:
Massive domes
Square bases
Rounded arches
Spire
Much use of glass mosaics

A

BYZANTINE ARCHITECTURE

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22
Q

This style began in the reign of EMPEROR JUSTINIAN and continued long after the FALL OF CONSTANTINOPLE (Formerly known as BYZANTIUM), when the GREEK ORTHODOX CHURCH

A

BYZANTINE ARCHITECTURE

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23
Q

HAGIA SOPHIA IN ISTANBUL, TURKEY

ST. MARK BASILICA IN VENICE, ITALY
are examples of what architecture?

A

BYZANTINE ARCHITECTURE

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24
Q

TYPES OF MEDIEVAL ART

A

ILLUMINATED MANUSCRIPTS

PAINTINGS
EMBROIDERY

CERAMICS

MOSAICS
SCULPTURES

HERALDRY

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25
Q

Most famous artists include:
DONATELLO
GIOTTO
LEON BAUTISTA ALBERTI
CIMABUE
FILIPPO BRUNELLESCHI
FRA ANGELICO
LORENZO GHIBERTI

A

idk

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26
Q

Produced in Paris in the early 15th century

A

ILLUMINATED MANUSCRIPTS

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27
Q

T or F
ILLUMINATED MANUSCRIPTS - Religious texts decorated with rich colors, which often featured the use of gold and silver

A

true

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28
Q

T or F
The word “illuminated” comes from the Latin word “illuminare,” meaning adorn or illuminate

A

TRUE

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29
Q

Artists who produced the artwork are called as ?

A

Artists who produced the artwork are called as “ILLUMINATORS”

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30
Q

Most popular book

Made by the lay people in the late middle ages and renaissance

The book contains sets of prayers to be performed throughout the hours of the day and the night

A

French Book of hours

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31
Q

T or F
Rubber with great luster were used as mediums in the creation of religious artifacts

A

FALSE
Metals with great luster were used as mediums in the creation of religious artifacts

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32
Q

The artists who used precious metals and produced new forms of jewelry were called as

A

“SILVERSMITHS” and “GOLDSMITHS”

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33
Q

Tradition required that only precious metals are used as vessels for divine service to God

A

METALWORK

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34
Q

Made of wood pleated with sheets of gold

A

STATUE OF SAINT FAITH

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35
Q

Refers to a type of painting commonly done on walls or ceilings applied with plaster

A

PAINTINGS: FRESCO

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36
Q

T or F
FRESCO were a common display of Italian churches

A

TRUE

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37
Q

Refers to a type of painting done on a single or several pieces of wood board known as a panel

A

PANEL PAINTING

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38
Q

Icons of Byzantine art were usually featured and done as panel paintings

A

PANEL PAINTING

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39
Q

One of the most celebrated historical events of the Medieval era

Shows the history of WILLIAM THE CONQUEROR, THE NORMAN INVASION OF ENGLAND, and THE BATTLE OF HASTINGS

A

BAYEUX TAPESTRY

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40
Q

Handmade and not wheel-turned during the early medieval period

Produced common cooking ware, such as pots, jars, pitchers, and crucibles

A

CERAMIC ART

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41
Q

It is the artful creation of pictures with the use of broken pieces of colored glass, rock, or any other material

Christian churches and cathedrals have used mosaics as wall and ceiling display

A

MOSAICS

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42
Q

Gothic sculptures emerged from the early rigid, inflexible, and elongated style of statues used in Romanesque art into a more naturalistic style in the late 12th and early 13th century

A

SCULPTURES

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43
Q

It makes use of fragmented pieces of glass set to look like an image or a picture. The pictures are joined together by strips of lead supported by a hard durable frame

A

STAINED GLASS

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44
Q

It was the art and custom of creating coats of arms and badges of the nobles

A

HERALDRY

45
Q

The usual materials for making coat of arms were parchment, paper, painted wood, embroidery, enamel, stonework, and stained glass

A

HERALDRY

46
Q

The period in European history, starting from the 14th to the 17th century

A

Renaissance Period

47
Q

Considered to be the link between the Middle Ages and modern history

A

Renaissance Period

48
Q

T or F
Renaissance is from the same french word meaning “rebirth”
Also means in Italian as Rinascimento,
“Re: means “again”
“Nascere” means “be born”

A

TRUE

49
Q

T or F
During the period math and music were very much mingled and interrelated wherein, HUMANISM was not a philosophy but rather a method in study and search for realism and human emotion in art

A

FALSE
During the period science and art were very much mingled and interrelated wherein, HUMANISM was not a philosophy but rather a method in study and search for realism and human emotion in art

50
Q

Began in Tuscany in the 14th century in the city of Florence

Revived ancient forms and content from spiritual content to subjects and from Roman history and mythology were borrowed

A

EARLY RENAISSANCE

51
Q

It represented the accepted peak or summit of Renaissance art.

Classic ideals of humanism were fully implemented in both paintings and sculpture

A

HIGH RENAISSANCE

52
Q

Painterly techniques such as the following were mastered:
(in renaissance)

A

Painterly techniques such as the following were mastered:
Linear perspective
Vanishing points
Foreshortening
Illusionistic devices
Chiaroscuro
Sfumato Shading

52
Q

Was a European art style that appeared in the later years of Italian High Renaissance

A

MANNERISM

53
Q

Mannerist paintings attributed characteristics like:

A

Mannerist paintings attributed characteristics like:
Unnatural display of emotions
Inappropriate human figures
Unnatural poses
Bright loud colors
And many more

54
Q

Also known as “ARTMAKING”

It is an alternative venue for knowing ourselves and looking into the depths and real meaning of what we are doing for our everyday life (Narciso, 2021)

A

SOULMAKING

55
Q

You can identify the innate skill in making an art, jt helps you to know yourself more

A

SOULMAKING

56
Q

It is a form of crafting stories or transforming brief moments into images or symbols

It is connecting with people, understanding culture, and embodying tolerance and peace.
Can be used to raise awareness

A

Soul making

57
Q

T or F
Traveling is an exploration and application of the imagination in an active way.

A

FALSE
Soulmaking is an exploration and application of the imagination in an active way.

58
Q

It refers to imaging or representing in any form, which may be through painting, sculpting, drawing, story telling, poetry, dancing, composing, or taking notes

A

CRAFTING IMAGES

59
Q

The moment we write, engrave, and inscribe our own thought, ideas, commentaries, criticisms, and positive and negative emotions, we are crafting stories

A

CRAFTING STORIES

60
Q

t OR f
Novelists, composers,etc. they usually use a pen and book to record their idea when they spontaneously thought of an idea

A

TRUE

61
Q

An instrument maker is a bridge toward the unknown because the instrument produces sounds that transcend our feelings, emotions, and sensation in another realm

A

CRAFTING INSTRUMENTS

62
Q

It is filled with various beats. Life is full of flowing images accompanied by flowing narratives
Life is a performance, we perform life.
Every movement can tell a story

A

CRAFTING MOVEMENTS

63
Q

T or F
Our life is full of movements

A

TRUE

64
Q

Anything can be crafted by using different evocative descriptions of experience and explorations, like photograph studies, puppets and masks, constructions, and notepad studies

A

CRAFTING TECHNIQUES

65
Q

T or F
BEING INSPIRED -means getting a stimulus that makes you start something
COPYING- means you are just imitating the original artwork

A

TRUE

66
Q

It refers to borrowing image that are recognizable from different sources and using these borrowed images to make a new art form
It refers to borrowing image that are recognizable from different sources and using these borrowed images to make a new art form

A

APPROPRIATION

67
Q

T or F
To appropriate means stealing or plagiarizing

It is not owning a particular work but just using the artwork in the artist’s new context

A

FALSE
To appropriate does not mean stealing or plagiarizing

It is not owning a particular work but just using the artwork in the artist’s new context

68
Q

Appropriation that occurs across the boundaries of culture (Young, 2008)

A

CULTURAL APPROPRIATION

69
Q

3 TYPES OF CULTURAL APPROPRIATION

A

OBJECT APPROPRIATION
CONTENT APPROPRIATION

SUBJECT APPROPRIATION

70
Q

Occurs when a subject manner from another culture is appropriated

There are some objects that have a deep meaning, if it is unintentionally offensive, it may cause misunderstandings. Be careful.

A

SUBJECT APPROPRIATION

71
Q

Refers to adoption of works of art that are intangible

This refers to ideas, storylines, lyrics, etc.

A

CONTENT APPROPRIATION

72
Q

Refers to the appropriation of concrete and noticeable works of art

Tangible work of arts that was borrowed

A

OBJECT APPROPRIATION

73
Q

Pertains to the general right of a person or an individual to control an object purchased pr in his possession

A

OWNERSHIP

74
Q

T or F
The owner is not allowed to modify the object however they like, however if the ownership is jointed they must both be in agreement

A

FALSE
The owner is allowed to modify the object however they like, however if the ownership is jointed they must both be in agreement

75
Q

T or F
If an artwork is commissioned, the copyright of that artwork would fall to the commissioner and not the artist

A

TRUE

76
Q

give the owner of the copyright - that is the person who created the artwork - exclusive rights to reproduce, to display publicly, to make and distribute copies, and to prepare derivative works based on the original artwork, as well as to authorize those mentioned above.

A

COPYRIGHT LAW

77
Q

T or F
Onewship is the intellectual property

A

FALse
Copyright is the intellectual property

78
Q

T or F
If there is a buyer and they want the artist to do something but the copyright and ownership differs when it is bought. Ownership goes to the buyer, but copyright goes to the artist

A

TRUE

79
Q

Is the art and act of improvising or of composing, uttering, executing, or arranging anything without previous preparation or producing something from whatever is existing or available.

A

IMPROVISATION

80
Q

Unrehearsed, unplanned, and unpracticed

A

IMPROVISATION

81
Q

T or F
To “EXTEMPORIZE” or “AD LIB” is an example of improvising

A

TRUE

82
Q

It is the creative activity of immediate musical composition, which combines performance with communication of emotions and while simultaneously playing instrumental, as well as spontaneous response to other musicians.

A

MUSIC IMPROVISATION

83
Q

Often called improv or improv, it is the form of theater, often comedy, in which most or all of what is performed is unplanned or unscripted; created spontaneously by the performers

A

IMPROVISATIONAL THEATER

84
Q

It is the process of spontaneously creating movement. It is also defined as freeing the body from habitual movement patterns.

A

DANCE IMPROVISATION

85
Q

Is a form of improvised dancing developed in 1972

Originated from the movement studies of STEVE PAXTON

A

CONTACT IMPROVISATION

86
Q

It involves the exploration of one’s body in relationship to others by using the fundamentals of sharing weight, touch, and movement awareness

A

CONTACT IMPROVISATION

87
Q

Gabrielle Roth introduces 5 Rhythms
5 RHYTHMS:

A

FLOWING
STACCATO
CHAOS
LYRICAL
STILLNESS

88
Q

THIRD WORLD IMPROV

A

It is the first school in the Philippines dedicated to teaching the art and craft of improvisational theater.

89
Q

T of F
GABE MERCADO - Founder of Second world improv

FERNANDO AMORSOLO - Third national artist for visual arts

A

FALSE
GABE MERCADO -Founder of Third world improv

FERNANDO AMORSOLO - First national artist for visual arts

90
Q

Arts produced in a certain specific location that express tradition and/or culture.

A

LOCAL ARTS

91
Q

The traditional arts in the Philippines include folk architecture, maritime transport, famous sculpture in the Philippines, weaving, carving, folk performing arts, folk (oral) literature, folk graphic and plastic arts, ornament, pottery, and other artistic expressions of traditional culture.

A

LOCAL ARTS

92
Q

called as the Fashion Center of the Philippines because of its affordable and unique textile

A

Kamuning Textile Market

93
Q

It is the term for geometric and flowing designs (often based on an elaborate leaf-and-vine pattern)

A

OKIR OR UKKIL

94
Q

The —- (motif) is an exclusive artistic cultural heritage of the Maranaos of Lanao, Philippines.

A

The Okir (motif) is an exclusive artistic cultural heritage of the Maranaos of Lanao, Philippines.

95
Q

It is an artistic design of the Maranao native inhabitants of southern Philippines beginning from the early 6th Century C.E. before the Islamization of the area.

A

OKIR OR UKKIL

96
Q

T or F
Okir is a design or pattern often rendered or straight in hardwood, brass, silver and wall painting in curvilinear lines and Arabic geometric figures.

A

FALSE
Okir is a design or pattern often rendered or curved in hardwood, brass, silver and wall painting in curvilinear lines and Arabic geometric figures.

97
Q

The ___ are proud to preserve their cultural heritage by way of keeping their artifacts permanently located in their households.

A

The Maranaos are proud to preserve their cultural heritage by way of keeping their artifacts permanently located in their households.

98
Q

OKIR OR UKKIL LEAF AND-VINE PATTERN

A

Dahun Putsul or Potiok
Dahun Kambangtuli
Dahun Andalan
Dahun Suwa
Dahun Angilan Dahun Paku-paku

99
Q

It could mean a continuous area or expanse that is free, available or unoccupied, which is either a piece of land or structures, like building.

A

SPACE

100
Q

It may refer to area that are set and planned for community planning as commercial, business, or residential.

A

SPACE

101
Q

Made of the ever-reliable bamboo or kawayan
and joined together by organic strings with dried
coconut leaves or cogon grass

A

KUBO (KAMALIG OR NIPA HUT)

102
Q

The houses are harmoniously located with the contour of the rice terraces

The ground-level posts have wooden discs, which are called oliang, to prevent rats from entering the house. The second level or the living area is accessible through a removable ladder.

A

IFUGAO HOUSE (Bale’)

103
Q

Its compact structure is divided into four areas: the main house, the cooking house, toilet, and bathhouse.
The houses of Ivatan are constructed and repaired through a cooperative system called kayvayvanaan or kamanyiduan.
Most of the Ivatan houses are built with limestone walls, reed and cogon roofs

A

BATANES HOUSE

104
Q

A torogan, literally means “a place for sleep,” is
the stately house of the elite members of the
Maranao tribe in the province of Lânao del Sur.

A

MARANAO HOUSE

105
Q

As the house of the datu or sultan, it is a symbol of status and leadership
o The only remaining habitable torogan, it was declared a National Cultural Treasure by the National Museum of the Philippines in 2008

A

MARANAO HOUSE

106
Q

A torogan is placed above the ground by columns
cut from trees with huge widths. It has walls
covered with plywood sticks and roof thatched
with dried coconut leaves. It has no division and
appears like a huge hall.

A

MARANAO HOUSE

107
Q

or pile dwellings are raised on piles
over the surface of the soil or a body of water. Stilt
houses are built primarily as a protection against
flooding, but they also serve to keep out vermin
or pest (nuisance animal). The shady space
under the house can be used for work or storage.

A

HOUSES ON STILTS

108
Q

Portable house built by the early Aetas or Negritos
The lean-to reflects the Agta hunting and gathering ways of life

A

LEAN-TO

109
Q

Sea gypsies of the Philippines, cruise along the islands in the Sulu archipelago
These range from 12-60 feet long but not more than 6 feet wide.

A

BADJAO HOUSEBOAT

110
Q

In the hinterlands of Agusan and Misamis
Oriental, the Higaonon build their tree houses of
lashed sapling nipa or cogon grass, split bamboo,
rattan, and bark of trees. The low roof, at times
also serve as walls. Wobbling catwalks connect
the smaller houses of about 6 feet by 8 feet wide
to a central communal room where a square box
of earth serves as fireplace and a kitchen. Such

A

HIGANON TREE HOUSE