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British American Poems > Finals > Flashcards

Finals Flashcards

1
Q

Does the road wind up-hill all the way?

A

Christina Rossetti’s “Up-Hill”

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2
Q

Yes, to the very end.

A

Christina Rossetti’s “Up-Hill”

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3
Q

Will the day’s journey take the whole long day?

A

Christina Rossetti’s “Up-Hill”

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4
Q

From morn to night, my friend.

A

Christina Rossetti’s “Up-Hill”

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5
Q

But is there for the night a resting-place?

A

Christina Rossetti’s “Up-Hill”

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6
Q

A roof for when the slow dark hours begin

A

Christina Rossetti’s “Up-Hill”

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7
Q

May not the darkness hide it from my face?

A

Christina Rossetti’s “Up-Hill”

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8
Q

You cannot miss that inn.

A

Christina Rossetti’s “Up-Hill”

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9
Q

Shall I meet other wayfarers at night?

A

Christina Rossetti’s “Up-Hill”

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10
Q

Those who have gone before.

A

Christina Rossetti’s “Up-Hill”

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11
Q

Then must I knock, or call when just in sight?

A

Christina Rossetti’s “Up-Hill”

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12
Q

They will not keep you standing at that door.

A

Christina Rossetti’s “Up-Hill”

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13
Q

Shall I find comfort, travel-sore and weak?

A

Christina Rossetti’s “Up-Hill”

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14
Q

Of labour you shall find the sum.

A

Christina Rossetti’s “Up-Hill”

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15
Q

Will there be beds for me and all who seek?

A

Christina Rossetti’s “Up-Hill”

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16
Q

Yea, beds for all who come.

A

Christina Rossetti’s “Up-Hill”

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17
Q

Christina Rossetti’s “Up-Hill” theme

A

인간이 살아있는 동안 그 길에 끝을 볼 수는 없고 지속적인 영적 술래가 이어진다./ 안탱에서 죽음까지 계속해서 고난을 반복해서 겪는다.

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18
Q

Rhyme uphill

A

abab cdcd efef gege

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19
Q

Meter uphill

A

question in iambic pentameter, answer in mix of iambic trimeter/tetra/pentameter.

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20
Q

structure of up-hill

A

4Stanza and 4 lines

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21
Q

“Hope” is the thing with feathers -

A

Emily Dickinson’s “Hope,”

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22
Q

That perches in the soul -

A

Emily Dickinson’s “Hope,”

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23
Q

And sings the tune without the words -

A

Emily Dickinson’s “Hope,”

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23
Q

And sings the tune without the words -

A

Emily Dickinson’s “Hope,”

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24
Q

And never stops - at all -

A

Emily Dickinson’s “Hope,”

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25
Q

And sweetest - in the Gale - is heard -

A

Emily Dickinson’s “Hope,”

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26
Q

And sore must be the storm -

A

Emily Dickinson’s “Hope,”

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27
Q

That could abash the little Bird

A

Emily Dickinson’s “Hope,”

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28
Q

That kept so many warm -

A

Emily Dickinson’s “Hope,”

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29
Q

I’ve heard it in the chillest land -

A

Emily Dickinson’s “Hope,”

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30
Q

And on the strangest Sea -

A

Emily Dickinson’s “Hope,”

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31
Q

Yet - never - in Extremity,

A

Emily Dickinson’s “Hope,”

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32
Q

It asked a crumb - of me.

A

Emily Dickinson’s “Hope,”

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33
Q

Emily Dickinson’s “Hope,” theme

A

1) Helps to overcome harsh moments
2) Hope is inside of us
3) Doesn’t require payment

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34
Q

Emily Dickinson’s “Hope,” rhyme

A

abcb

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35
Q

Emily Dickinson’s “Hope,” meter

A

ballad meter

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36
Q

A Bird, came down the Walk -

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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37
Q

He did not know I saw -

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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38
Q

He bit an Angle Worm in halves

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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39
Q

And ate the fellow, raw,

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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40
Q

And then, he drank a Dew

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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41
Q

From a convenient Grass -

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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42
Q

And then hopped sidewise to the Wall

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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43
Q

To let a Beetle pass -

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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44
Q

He glanced with rapid eyes,

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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45
Q

That hurried all abroad -

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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46
Q

They looked like frightened Beads, I thought,

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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47
Q

He stirred his Velvet Head. -

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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48
Q

Like one in danger, Cautious,

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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49
Q

I offered him a Crumb,

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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50
Q

And he unrolled his feathers,

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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51
Q

And rowed him softer Home -

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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52
Q

Than Oars divide the Ocean,

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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53
Q

Too silver for a seam,

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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54
Q

Or Butterflies, off Banks of Noon,

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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55
Q

Leap, plashless as they swim.

A

Emily Dickinson’s “A Bird Came Down the Walk,”

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56
Q

Emily Dickinson’s “A Bird Came Down the Walk,” Theme

A

인간은 자연을 갈망하지만 자연은 이를 주지 않음. 자연을 그 자연대로 둬라.

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57
Q

Emily Dickinson’s “A Bird Came Down the Walk,” Rhyme

A

abcb

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58
Q

Emily Dickinson’s “A Bird Came Down the Walk,” structure

A

5 stanza and 4 lines

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59
Q

Emily Dickinson’s “I Heard a Fly Buzz When I Died” theme

A

어떠한 것도 죽음을 맞지 못한다. 죽음 이후의 일은 인간이 알 수 없다.

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59
Q

I heard a Fly buzz - when I died -

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

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60
Q

Was like the Stillness in the Air -

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

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60
Q

Emily Dickinson’s “I Heard a Fly Buzz When I Died” rhyme

A

abcb

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61
Q

Between the Heaves of Storm -

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

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62
Q

The Eyes around - had wrung them dry -

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

63
Q

And Breaths were gathering firm

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

63
Q

And Breaths were gathering firm

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

64
Q

For that last Onset - when the King

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

65
Q

Be witnessed - in the Room -

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

66
Q

Assignable - and then it was

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

66
Q

I willed my Keepsakes - Signed away

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

67
Q

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

A
68
Q

There interposed a Fly -

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

69
Q

With Blue - uncertain - stumbling Buzz

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

70
Q

Between the light - and me -

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

71
Q

I could not see to see -

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

71
Q

And then the Windows failed - and then

A

Emily Dickinson’s “I Heard a Fly Buzz When I Died”

72
Q

Emily Dickinson’s “I Heard a Fly Buzz When I Died” meter

A

iambic tetramemter and iambic trimeter

73
Q

I CELEBRATE myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

A

Walt Whitman’s “Song of Myself” section 1

74
Q

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

A

Walt Whitman’s “Song of Myself” section 1

75
Q

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

A

Walt Whitman’s “Song of Myself” section 1

76
Q

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

A

Walt Whitman’s “Song of Myself” section 1

77
Q

A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more than he.

A

Walt Whitman’s “Song of Myself” section 6

78
Q

I guess it must be the flag of my disposition, out of hopeful green stuff woven.

A

Walt Whitman’s “Song of Myself” section 6

79
Q

About Walt Whitman:

A

“자유시의 아버지”, “미국에서 가장 위대한 시인”
- 초월주의에서 사실주의로의 과도기를 대표하는 인물
- 미국의 시인, 수필가이자 기자
- 미국적인 특성을 가장 잘 구현한 시인이라고 평가받음.
- 민주주의, 물질주의적 경향 비판
- 모든 사람, 종교 등이 대등하다고 생각(노예제도 비판)
- 시집: Leaves of grass (처음에는 12개의 시로 이루어졌다가 마지막에는 400개의 시를 포함함)
- 정기적은 교육 없이 자수성가한 사람. 스스로 배우고 터득한 것을 예술이라는 관습적 틀을 고려하지 않고 자신의 사상을 드러내는 툴로 사용함.
> 자유시, 정형화된 pentameter x, rhyme x
> 단순한 언어, 일상 언어에 대한 찬양과 함께 은어 토속어 등을 함게 씀.
“시란 생명체처럼 자연스럽게 발생하여 스스로 제 모습으로 성장해 나가는 것”

79
Q

Theme of song of myself

A

자연과 인간의 동일함 (grass처럼 사람은 끈질기고, 밀집되어 있고, 죽음이 죽음에서 는 것이 아니라 새로운 명으로 연결된다)

79
Q

초월주의:

A

인간을 양도할 수 없는 가치를 지니고 있는 존엄한 존재로 봄. 자아의 초월적 본성을 강조함.

80
Q

사실주의:

A

경험적인 현실 외의 이상적, 초월적 세계의 존재 증거가 없다고 보는 일원론적 세계관에서 진리나 진실, 미학적 가치, 예술창작의 방법 등을 뭉뚱그려 통칭.

81
Q

And a small cabin build there, of clay and wattles made;

A

W. B. Yeats’s “The Lake Isle of Innisfree”

82
Q

Nine bean-rows will I have there, a hive for the honey-bee,

A

W. B. Yeats’s “The Lake Isle of Innisfree”

83
Q

And live alone in the bee-loud glade.

A

W. B. Yeats’s “The Lake Isle of Innisfree”

84
Q

And I shall have some peace there, for peace comes dropping slow,

A

W. B. Yeats’s “The Lake Isle of Innisfree”

85
Q

Dropping from the veils of the morning to where the cricket sings;

A

W. B. Yeats’s “The Lake Isle of Innisfree”

86
Q

There midnight’s all a glimmer, and noon a purple glow

A

W. B. Yeats’s “The Lake Isle of Innisfree”

87
Q

There midnight’s all a glimmer, and noon a purple glow

A

W. B. Yeats’s “The Lake Isle of Innisfree”

88
Q

And evening full of the linnet’s wings.

A

W. B. Yeats’s “The Lake Isle of Innisfree”

89
Q

I will arise and go now, for always night and day

A

W. B. Yeats’s “The Lake Isle of Innisfree”

90
Q

I hear lake water lapping with low sounds by the shore;

A

W. B. Yeats’s “The Lake Isle of Innisfree”

91
Q

I hear lake water lapping with low sounds by the shore;

A

W. B. Yeats’s “The Lake Isle of Innisfree”

92
Q

While I stand on the roadway, or on the pavements grey,

A

W. B. Yeats’s “The Lake Isle of Innisfree”

93
Q

I hear it in the deep heart’s core.

A

W. B. Yeats’s “The Lake Isle of Innisfree”

94
Q

W. B. Yeats’s “The Lake Isle of Innisfree” theme

A

이니스프리에 가고 싶어하는 화자의 마음과 동경
- 이니스프리 섬은 자연 그대로의 상태, 자연이 사람에게 제공하는 내면의 평화, 평온함, 아일랜드에 대한 향수 등을 나타냄.

95
Q

W. B. Yeats’s “The Lake Isle of Innisfree” meter

A

IAMbichexameter

96
Q

W. B. Yeats’s “The Lake Isle of Innisfree” rhyme

A

abab, cdcd, efef

97
Q

W. B. Yeats’s

A
  • Poet and playwright
  • 민족주의 정신이 높았음.
  • 아일랜드의 정치적 독립뿐 아니라 문학적 부활을 위해 노력했음.
  • 초월주의에 대한 갈망 (아일랜드가 오랜시간 영국에 억압되어 있었기 때문에 영웅에 대한 갈망이 있었음)
  • 아일랜드 전설과 심령론에 관심이 많이 초기 작품들은 이와 관련
98
Q

W. B. Yeats’s “The Lake Isle of Innisfree” techniques

A
  • 상징시, 반복기법, 끊어짐없는 운율
  • 다른 모더니즘 작가들과 달리 자유시를 시도하지 않고 기존 문학의 양식을 지킴.
  • 이 시에서는 공강감적 심상이 풍부함.
99
Q

Let us go then, you and I,

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

100
Q

When the evening is spread out against the sky

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

101
Q

Like a patient etherized upon a table;

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

102
Q

Let us go, through certain half-deserted streets,

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

103
Q

The muttering retreats

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

104
Q

Of restless nights in one-night cheap hotels

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

105
Q

And sawdust restaurants with oyster-shells:

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

106
Q

Streets that follow like a tedious argument

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

107
Q

Of insidious intent

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

108
Q

To lead you to an overwhelming question …

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

109
Q

Oh, do not ask, “What is it?”

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

110
Q

Let us go and make our visit.

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

111
Q

In the room the women come and go

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

112
Q

Talking of Michelangelo.

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

113
Q

The yellow fog that rubs its back upon the window-panes,

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

114
Q

The yellow smoke that rubs its muzzle on the window-panes,

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

115
Q

Licked its tongue into the corners of the evening,

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

116
Q

Lingered upon the pools that stand in drains,

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

117
Q

Let fall upon its back the soot that falls from chimneys,

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

118
Q

Slipped by the terrace, made a sudden leap,

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

119
Q

And seeing that it was a soft October night,

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

119
Q

Curled once about the house, and fell asleep.

A

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

120
Q

And indeed there will be time

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

121
Q

For the yellow smoke that slides along the street,

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

122
Q

Rubbing its back upon the window-panes;

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

122
Q

Rubbing its back upon the window-panes;

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

123
Q

There will be time, there will be time

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

124
Q

To prepare a face to meet the faces that you meet;

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

125
Q

There will be time to murder and create,

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

126
Q

And time for all the works and days of hands

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

127
Q

That lift and drop a question on your plate;

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

128
Q

Time for you and time for me,

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

129
Q

And time yet for a hundred indecisions,

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

130
Q

And for a hundred visions and revisions,

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T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

131
Q

Before the taking of a toast and tea.

A

. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

131
Q

Before the taking of a toast and tea.

A

. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)

132
Q

모더니즘:

A
  • 유래없는 대 재난이었던 제 1차 세계대전을 겪으면서 생겨남.산산조각이 난 유럽사회는 사회를 지탱하던 가치와 윤리, 종교를 다시 생각하게 되고, 그 폐허가 된 상태에서 그들이 앞으로 지탱해 나가야하는 가치가 무엇인지 찾아감.
  • Individualism, loss of humanity
133
Q

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄) 작품의 특징:

A

and bible. Create context without the need of explanation. 과거와 현재의 연결성을 만들어줌.
- Dramatic monologue
- 중년 남성의 내면의 풍경으로 작품을 봄. 이 중년 남성은 교육을 잘 받았고, neurotic, self-conscious, indecisive, obsessive of his aging 하는 특징이 있음.
- Prufrock이 시의 화자임.
- Epigraph:제명: 본문 이전에 짧게 쓴 글. 유명한 작품의 연상을 통해 비교하고, 특정 문맥을 작품속에 형성시켜 줌. 현 시에서는 단테의 divine comedy 지옥편에서 인용함.
- Fragmentation: 파편의 짜집기가 되면서 그 안에서 의미가 나타나는 방식으로 구성되어 있음.

134
Q

T. S. Eliot’s “The Love Song of J. Alfred Prufrock”(33줄)Theme:

A
  • Tortured psyche of the modern man,
135
Q

T. S. Eliot’s

A
  • 모더니즘 시인, 낭만주의에 반대 (Classicism- imitation)
  • 보수주의적
  • 주로 다루는 주제: frustrated masculinity, decadence of modern civilization, religion, etc.
  • Objective correlative: the only way of expressing emotion in the form of art is by finding an objective correlative => depersonalization of emotion.
  • Theory of impersonality: “poetry is not a turning loose of emoitions but an escape from emotion, it is not an expression of personality but an escape from personality.” (William Wordsworth와 반대의 견해)
135
Q

Whose woods these are I think I know.

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

136
Q

His house is in the village though;

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Robert Frost’s “Stopping by Woods on a Snowy Evening,”

137
Q

His house is in the village though;

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

138
Q

He will not see me stopping here

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

139
Q

To watch his woods fill up with snow.

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

140
Q

My little horse must think it queer

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

141
Q

To stop without a farmhouse near

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

142
Q

Between the woods and frozen lake

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

143
Q

The darkest evening of the year.

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

144
Q

He gives his harness bells a shake

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Robert Frost’s “Stopping by Woods on a Snowy Evening,”

145
Q

To ask if there is some mistake.

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

146
Q

The only other sound’s the sweep

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Robert Frost’s “Stopping by Woods on a Snowy Evening,”

147
Q

Of easy wind and downy flake.

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

148
Q

The woods are lovely, dark and deep,

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

149
Q

But I have promises to keep,

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

150
Q

And miles to go before I sleep,

A

Robert Frost’s “Stopping by Woods on a Snowy Evening,”

British American Poems (2 decks)

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