Final Terms Flashcards

1
Q

Genre syntax

A

Genre grammar

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2
Q

Genre semantics

A

Genre vocabulary

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3
Q

Kuleshov effect

A

The tendency of the spectator to find a meaning in the editing of 2 shots

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4
Q

Montage

A

Meaning through editing where it doesn’t exist in individual shots

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5
Q

Sequence shot

A

Shooting an entire scene as a single long take

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6
Q

Tableau composition

A

The frame represents / replicates proscenium arch of theatre

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7
Q

Dialectical montage

A

Power of editing in collision of contrasting shots

Eisenstein

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8
Q

Sound track

A

All sonic elements in film
Dialogue
Environmental sounds
Non diegetic music
Voiceover

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9
Q

Voice of god

A

3rd person voiceover
Not visually represented

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10
Q

Sound design

A

Stylistic choices in layering/arranging sonic elements

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11
Q

Sonic flashback

A

Uses sound from a past tense over the present tense image

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12
Q

Sound Bridge

A

Transition in which past sounds will continue over an edit to a new shot
(Next shot sound before image)

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13
Q

Sound perspective

A

Adjusting volume, timbre, & pitch according to the distance of the camera

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14
Q

Timbre

A

Quality of sound

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15
Q

ADR

A

Automated Dialogue Replacement
Selectively dubs dialogue over footage to replace lines

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16
Q

Foley

A

Customs recorded sound effects

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17
Q

Sound effects

A

Assembled in a library of sounds to be dropped in

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18
Q

Scoring

A

Music written to support /accompany narrative

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19
Q

Spotting

A

Process of deciding where music should begin & end

20
Q

Leitmotif

A

The practice of repeating melodies in a musical piece to suggest an idea or character

21
Q

Diagetic sound

A

All sound emerging from the story world

22
Q

Nondiegetic sound

A

All sound from outside story world

23
Q

Romanticist scoring

A

Classical music from 19th century
Tempos express emotion
Experimental instrumentation
Emphasize melody > harmony

24
Q

Modernist Scoring

A

Compositions which resist western tonal scales
Lack of melody
Non traditional instrumentation
Contrast w/ emotion of scene

25
Q

Actuality footage

A

Indexically records an event but the footage alone is meaningless
(Requires greater structure)

26
Q

Shooting ratio

A

Documentaries require more footage than needed

27
Q

Talking head interviews

A

Testimonials

28
Q

Indexicality

A

Having a direct imprint of external reality
(Cinema)

29
Q

Icon

A

Having a resemblance to external reality
(Animation)

30
Q

Symbol

A

Having only an arbitrary & codified relation to external reality
(Written story)

31
Q

Documentary ethics

A

Relationship between documentarist & social actors

32
Q

Conceptualism

A

Fine art requires previous knowledge of fine art
Intellectual/theoretical art

33
Q

Surrealism

A

Protests experience & inner life in abstract form

34
Q

De familiarization

A

Poetry should make the overly familiar strange; defamiliarize the world/reality
Shklovsky

35
Q

Avant Garde

A

Implies a cultural rebellion

36
Q

Abstract film

A

Non narrative, no acting, doesn’t attempt to reference reality

37
Q

Structural /Materialist film

A

Time, perception, or the shot can form basis of film

38
Q

Episodic structure

A

Conflict resolved each episode

39
Q

Anthology structure

A

Characters, settings, & events don’t carry over episode to episode
Twilight zone

40
Q

Serial structure

A

Narratives built on multiple parts, often w/cliff hangers @ end
Narrative is linear

41
Q

Episodic/Serial structure

A

Resolves main conflict each episode, but Carries storylines & development throughout series

42
Q

A/B narrative form

A

Alternates subplots based on different characters & complementary conflicts

43
Q

Long-form narrative

A

Monster of the week
Alternates A/B/C/D… plots with equal emphasis

44
Q

National cinema

A

An approach that groups films by origin or place of production
Context of location allows greater understanding of film

45
Q

Star persona

A

Examines multiple films
Personality traits = ideas

46
Q

Auteurism

A

Critics read films by directorial style