Final Study Guide Flashcards

1
Q

Picasso’s styles & Periods

A
  • Academic (earliest works
  • Blue Period
  • Rose Period
  • Cubism (Analytical & Synthetic)
  • Black or African Period
  • Classical

*Late in life he returned to the masters w/his own spin.

*He also experimented in sculpture & ceramics

*African Art influence

*Born in Malaga, Spain

*He takes his moms last name

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2
Q
A

Picasso

“The Dream”

Cubism

Subject: Marie Therese

  • most peaceful image of a woman
  • sold for $139mill, after Steve Young left a whole by accident.
  • was his lover & had a daughter named Maya
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3
Q
A

Picasso

“Portrait of Dora Maar”

Neoclassicist & Surrealist Period

  • Surrealism style
  • artist lover, photographer, poet & painter
  • model/subject of his art in his late years
  • she was sterile, & was his “private muse”
  • subject of the The Weeping Woman, she was his “woman in tears” in many aspects.
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4
Q
A

Picasso

“Portrait of Olga in an Armchair”

Representational/Classical/Academic Style

  • Olga was his 1st wife, she was a dancer
  • She wanted to be painted in representational style.
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5
Q
A

Picasso

“Girl with a Mandolin”

Analytical Cubism (1st face of cubism, 1907-1912)

  • colors are taupes, grays, browns
  • nearly monochromatic
  • basic geometric patterns
  • reconciled 3D parts w/ 2D plane
  • color subdued
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6
Q
A

Picasso

“Three Musicians”

Synthetic Cubism (2nd face of cubism)

  • brighter/bold colors, such primary colors
  • three figures:
    • Pierrot=Apollinaire, poet & critic (with a recorder)
    • Harlequin=Picasso (playing a violin)
    • the Friar=Max Jacob, poet (holds an accordion)
  • three masked musicians in painting represent comic figures from the tradition of popular theater in Italy.
  • a nostalgic elegy to a trio of friends.
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7
Q

Cubism

A
  • most influential artm movement (1907-1914)
  • discovered by Picasso & George Braque in 1907. Also both developed collage (papier colle).
  • inspired by African sculpture
  • by painters Paul Cezanne & George Seurat and by teh Fauves
  • subject matter is broken up, analyzed & reassembled in an abstracted form.
  • begin after Cezanned in 1904 told artist to treat nature in terms of the Cylinder, the sphere, and the cone.
  • 3phases:
    • Facet Cubism
    • Analitic Cubism
    • Synthetic Cubism
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8
Q

Analytic & Synthetic Cubism

A

Analytic Cubism

  • 1st face of cubism
  • color are monochromatic, taupes, grays, browns
  • color subdued
  • basic geometric parts & reconciled 3Dparts w/2D plane.
  • natural forms in terms of the cylinder, sphere & the cone

Synthetic Cubism

  • 2nd phase of cubism
  • brighter colors such primary colors
  • many objects together, incorporate musical instruments embedded in the painting
  • collage materials & mixed media
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9
Q
A

Picasso

“First Communion”

Academic Period

  • reminescent of Courbet’s work
  • very classical
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10
Q
A

Picasso

“Life”

Blue Period

  • Despair over loss of friend Casagemas
  • shows Casegemas w/lover & a woman holding a baby away from the couple-loss of hope, a future.
  • loss of hope, dreams & a future
  • idea of loss of Casagemas family line.
  • monochromatic
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11
Q
A

Picasso

“A boy with Pipe”

Rose Period

  • period associated w/circus, carnival themes
  • lighter palette, happier
  • painted circus performers
  • representational, rose background
  • boy in cusp of adulthood
  • a child acting like a man
  • Picasso was 24, when he made this painting
  • sold for $104million.
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12
Q
A

Picasso

“Gertrude Stein Portrait”

Rose Period

  • Expressionism style
  • rose background
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13
Q
A

Picasso

“Les Desmoiselles d’Avignon”

Cubism

  • 1st Cubist work
  • some consider a pre-cubist work
  • initially not well received
  • Iberian heads influence “savage beauty”
  • a turning point to introduce ideas of cubism
  • 700 prep drawings (preoccupation w/subject matter)-ladies from a brothel
  • African art influence, tribal, cubism
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14
Q
A

Picasso

“Seated Bather”

Classical Period

  • More classical art, but still experimenting w/cubism
  • large sculptural, heavy contour lines
  • art more (+) at this time
  • experimented w/sculpture & ceramics
  • images of motherhood, solid, sculptural quality to women.

Late work:

  • he returns to the masters
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15
Q

FAUVES artists

A
  • Matisse
  • Andre Derain
  • Constantin Brancusi

all influenced by African art objects

FAUVISM:

  • early 20th c. art movement & style of painting in France.
  • Fauves, French for “Wild Beasts”
  • intense colors in violent, uncontrolled way.
  • the leader of Fauves was Henri Matisse
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16
Q
A

Matisse

“Blue Nude”

Fauvism

  • painterly
  • African influence
  • “savage”
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17
Q
A

Andre Derain

“London Bridge”

Fauvism

  • bright, wild colors
  • enthusiam for explosive color of Fauvism, but was attracted to more ordered & traditional concept of painting.
  • painterly variation of brushstrokes
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18
Q

African Art Influenced?

A
  • Picasso
  • Matisse
  • Brancusi
  • others
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19
Q
A

Brancusi

“Sleeping Muse” 1909

Expressionism

  • sculpture
  • work often features the egg, the sphere, organic natural forms
  • Constantine Brancusi
  • expressionism-simplifies the forms
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20
Q
A

Brancusi

“Torso of a Young Man”

Expressionism

Bronze Sculpture

  • non-representational work
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21
Q
A

Brancusi

“The Kiss”

Expressionism

Stone Sculpture

  • non-representational
  • influence by Rodin’s famous marble sculpture The Kiss
  • influence by Cubist sculpture, works of primitivist vein such as carved wooden or sonte figures of Derain
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22
Q

German Expressionism

A

Die Brucke

  • a group of German Expressionist artists based in Dresden & Berlin bet. 1905-1913
  • mostly painters, they depicted landscapes, nudes, and carnival performers in strong colors and broad forms.
  • revived the German woodcut tradition, but as a form of personal expression
  • Die Brucke is German for “The Bridge”, not intended as a style, but as a bridge toward a better future.
  • Interest in German & French philosophy
  • Develop the humanistic, expressive aspects of art.

Hitler was against these “degenerates”

  • 6 out of 112 artists represented in the exhibit were Jewish.
  • German expressionists were subject to intense, negative verbal attacks from the Nazis.
  • Hitler supported academic, highly-representational-more academic painting styles.
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23
Q
A

Ernst Ludwig Kirchner

“Street, Dresden”

German Expressionism

  • famous for Berlin street paintings
  • co-founder of early expressionist group Die Breche
  • flat, distinctive faces
  • Work was included in Degenerate Art Exhition, w/purpose to humiliate & end the art in Germany by Hitler.
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24
Q
A

Kirchner

“Berlin Street Scene” 1913-1914

German Expressionism

  • famous for Berlin street scenes
  • sold in 2007 for $38 million
  • reminescent of Picasso’s 1901 Absinthe Drinker
  • people look distinctive
  • some of his paintings destroyed by Nazis
  • distrustful & introvert personality, sensitive, & did not easily forgive
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25
Max Beckman "Portrait in Tuxedo" 1927 German Expressionism * known for intense self-portraits * looked back at print-making, woodcuts * sophisticated, elegant, roaring 1920s.
26
Beckman "The Night" German Expressionism * haunting, sadistic, disturbing * twisted contorted figures * sharp, angular forms, pressed violently against each other * linear & aerial persperctive is mission * sadomasochist * subject matter very edgy * many of his horrendous images were influenced by war
27
Der Blaue Reiter (Blue Rider) Group
* Der Blaue Reiter named for founding member Franz Marc's love of horses & Wassily Kandinsky's fondness & use of color blue. * An artist group that believed in symbolic color, esp. in Blue-a spiritual color. * interest in color symbolism & semiotics (study of signs & symbols & their use/interpretation). * Goal was to obtain spiritual truths via their art. * promoted modern art & the connection of art & music Artists: * Franz **Marc** (German Expressionist) * Wassily **Kandinsky** (Russian Expressionist) * Alexej von **Jawlensky** (Russian Expressionist)
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Franz Marc "Blue Horses" 1911 German Expressionism Der Blaue Reiter (Blue Rider) member * believed in symbolic color, semionistics (signs & symbols), esp. blue-spiritual color * loved animals, liked their innocense * preferred animals over people, mainly painted animals-horses * palette primary colors * pantheistic vision of nature-believed animals possessed a God-likeness * Fauvism influence, "Arcadian" life. * gender stereotypes: * blue-masculine, spiritual * yellow-femenine, gentle * red-violence, materiality
29
Wassily Kandinsky "Improvisation 30" 1913 Der Blaue Rider member, Russian Expressionist * sometimes referred to as "Cannons", a war like theme * **"father of abstraction"** * idea of not having to look at anything * non-objective art * connection of art & music * wrote: *Concerning the Spiritual in Art*
30
Alexej von Jawlensky "Abstract Heads" 1910 Der Blaue Reiter member, Russian Expressionist * famous for distinctive abstract portrait heads * remarkably modern & before his time (in 1910s).
31
Dadaism
* Developed in **Zurich** * anti-art movement * associated with babytalk, nonsensical * first rule- there are no rules. * developed **"ready made" art** * reaction to WWI & a kind of protest art * rejected "isms" or organized art * interest in **found objects** * officially not a movement & its artist were not artist & their art was not art * Dadais a state of mind, is artistic free-thinking, gives itself to nothing. Artists: **Hans/Arp, Duchamp, Man Ray**
32
Jean Hans/Arp "Collage Arranged According to the Laws of Chance" Dada * founding Dada member * he is also associated w/surrealism * abstract artist/sculptor * his sculpute resemples smooshed gummy bears, biomorphic feel
33
Marcel Duchamp "Nude Descending a Staircase" Dada * kinetic, active * cubist influence * ridiculed @ NY Armony Show in 1913 * Highly influential artist today
34
Marcel Duchamp "The Bride Sripped Bare by her Bachelors" Dada * symbolic painting * empowering the "artist" * sexualized machinery * kinetic art * fascinated by machinery/mechanical age * included dust accumulated * broke during transit & he said it was done
35
Man Ray "Le Violin d'Ingres" 1920 Dada * rayograph processing of photograph, a cameraless technique * model KIKI * musical Fstops, sound wholes on her back * woman as an instrument to be played * sexualized * Inspired by Ingres' "Bather", neoclassical work
36
Man Ray "Glass Tears" 1932 Dada * gelatin silver print * created after the artist's break-up w/his assistant and lover Lee Miller * model is a fashion mannequin w/glass bead tears on the cheeks * explores the real and unreal * emotive expression, plaintive upward glance intended to invoke wonder at the cause of her distress.
37
Amedeo Modigliani "Jeanne Hebuterne Portrait" Expressionism * model is his live-in girlfriend * Tragic tale: artist dies of tuberculosis & alcoholism, 8 month girlfriend commits suicide after his death. * intense stereotype of the "artistic persona": avant-gard/bohemian/temperament artist * modernist, romantic cliche * known for his beautiful women faces, elongated necks & blank gaze
38
Amedeo Modigliani "Head" Limestone Sculpture * African influence * abstractead, geometricized features * characteristics: long nose, almond eyes & columnar necks * didn't continue sculpture bec. of his health & expense of teh materials.
39
De Stijl
De Stijl * **art movement** advocating **pure abstraction & simplicity** form **reduced to rectangular & other geometric shapes,** & color to the **primary colors with black & white.** * Devaluation of tradition, need for abstraction/simplification. * Piet **Mondrian** (Dutch, 1872-1944), group **leader,** he **published manifesto titled Neo-Plasticism** * Theo Van Doesberg (Dutch), started a journal name *De Stijl* (about their theories) * This work influenced the Bauhaus & the International Style. Artists: **Mondrian**
40
Piet Mondrain "Composition" De Stijl / Neoplasticism * used primary colors, black & white * de Stijl, art movement advocating to pure abstraction * neoplasticism, emphasis on formal structure of a work of art, restriction of space or linear relations to vertical & horizontal movements, as well as restriction of the artists palette. * interest in infinite line & infinite shape * abstract painting
41
Piet Mondrian "Broadway Boogie Woogie" De Stijl / Neoplasticism * de Stijl art movement advocated to pure abstraction * Abstract * Dutch painter * influenced by pulse of NY & de Stijl (art movement advocating to pure abstraction) * neoplasticism, emphasis on formal structure, restriction of space & linear relations to vertical & horizontal movement & restriction of artists palette.
42
Piet Mondrian "Tableau 2" De Stijl / Neoplasticism * abstract * lines stop short of the picture's edges (implying that it is a self-contained unit) * artist studio looked like a lab, more of a scientist or priest than an artist studio. * remembered for his reduced linear forms
43
Surrealism?
Surrealism * **20th c. avant-garde art movement ** * originated in the nihilistc ideas of the Dadaist & French literaray figures, esp. of its **founder, French writer Andre Breton**. * Andre Breton wrote three manisfestos about Surrealism * **influenced by psychoanalysis theories of Sigmund Freud. ** * Surrealist work can have a **realistic, irrational style, describing dreamlike fantasies.** * **most active in 1920s -1930s/40s** artists: * **Magritte, Dali, Tanguy, Openheim, Kahlo** * inspired partly by symbolism & methaphysical painting of de Chirico.
44
Andre Breton, Manisfesto Surrealism
Andre Breton, Manifesto Surrealism * based on belief in superior reality of certain forms, in the omnipotence of the dream & in the disinterested play of thought * dream & reality, seemingly so contradictory, into a kind of absolute reality, a surreality. * a quest of surreality * central significance of dreams & the unconscious, as well as the use of free association (allow words/images to suggest other words/images w/out imposing rational connections/structures)
45
Joan Miro "Carnival of Harlequin" 1925 Surrealism * biomorphic shapes (resembleling natural living organisms) * ameba-like & organic forms * imaginative & childlike, whimsical * genre scenes-referes to everyday life * Catalan, Spain painter
46
Salvador Dali "Accommodations of Desire" 1929 Surrealism * "paranoiac-critical" method: the creation of a visionary reality from elements of visions, dreams, memories, & psychological or pathological distortions. * used trompe l'oeil technique, to make his dream-world more tangibly real than observed nature * referred to his paintings as "hand-painted dream photographs" * used familiar objects: watches, insects, pianos, telephones, old prints/photographs * this painting incl collage, using lions' heads, desolate landscape, army of ants * painted during hi courtship to Gala (while still married to Eluard), depicts his intense sexual anxiety
47
Salvador Dali "Persistence of Memory" 1931 Surrealism * miniaturist technique goes back to 15th c. flemish art * sour greens & yellows recall 19th c. chromolithographs * infinite space * recognizable objects in unusual context w/unnatural attributes & unexpected scale * morphology of hard & soft (melting objects)
48
Salvador Dali "Soft Construction with Boiled Beans" 1936 Surrealism * perception of war * typical Dali "wasteland" in blue/yellow colors * stretching/rubbery quality * ambiguous, disturbing
49
Trompe l-oeuil technique
Trompe L-oeuil technique * style of painting in which objects are depicted w/photographically realistic detail * fools the eye- something that misleads or deceives the senses: Illusion
50
Rene Magritte "This is not a pipe" 1948 Surrealism * Belgium artist * his mother was fished out of the water with her dress over her head. * trompe l'oeuil, fools the eye * hiper realist * pre-occupied w/cloud images & women w/head cut-off/covered. * painte in Paris & later moved back to Brussels after quarrel w/Surrealist
51
Rene Magritte "The Lovers" 1928 Surrealism * shadowed heads * poss. related to his mother's death, his art often reflects subjects head covered.
52
Rene Magritte "Human Condition" 1935 & 1933 Surrealism * picture w/in a picture * reality is what??
53
Rene Magritte "Son of Man" 1964 Surrealism * Thomas Crown Affair movie featured the painting as part of its story.
54
Rene Magritte "Great War" 1964 Surrealism * title of art has nothing to do w/subject * his work often depict subjects face covered, poss. related to his mother's death.
55
Meret Oppenheim "Object" or "Luncheon in Fur" 1936 Surrealism * inspired by discussion w/Picasso that almost anything can be covered in fur, even a teacup. * transformed gentle items assoc. w/feminine into sensuous sexualized work * swiss painter & sculptor & model for Manray * influenced by Bauhaus exhibit * assoc. w/Surrealist & Dadas
56
Frida Kahlo "Self-Portrait on the Border between Mexio & the US" 1932 Surrealism * symbol of "mexicanness" * icon of feminism * torn bet her individualized & traditional world * represents different aspects of her life. * mexican painter
57
Frida Kahlo "Self Portrait with Thorn Necklace" Naive Art (Privitivism) * Indiginous painting * self-portraits, was introspective * pre-occupied w/self-image * had auto accident, left her in pain/anguish over 30 surgeries. * role of martyr, documents her grief * remarried Diego Rivera (artist), love/hate relationship.
58
Frida Kahlo "Broken Column" 1944 Surrealism / Naive Art (Primitivism) * documents her pain/anguish * over 30 surgeries due to auto accident * autobiography through self-portraits * extremely injured, a rod replaced/held her spine.
59
Abstract Expressionism
Abstract Expressionism * painting movement which artist applied paint rapidly, w/force to huge canvases in an effort to show feelings, emotions * painting gesturally * non-geometically * using large brushes or dripping/throwing paint * abstract art, no effort to represent subject
60
Jackson Pollock "Mural" 1943 Abstract Expressionism * uses enamel household/garage paint * paints on the floor, driping paint as he moves around * active, gestural painting, individual connection to his work/creation. * original, innovative, new work * supported by patrons-Peggy Guggenheim & critic-Clement Greenberg. "Lavender Mist" Abstract expressionism * Action painting * Drip period * many untitled artwork
61
Rothko "Magenta, Black, Green on Orange) Color Field Painting * Abstract * vertically aligned rectangular forms set w/in color field * large scale, open structure & thin layers of color combined to convey the impression of shallow pictorial space * color assoc. w/ emotions * broad bands of color * art flourished after WWII
62
Rothko Chapel, what is significant about this paintings?
Rothko "Rothko Chapel" 1967 Minimalism, Installation * artist commited suicide * **connect w/depth, spirituality** * before suicide his palette was gray & black * did not frame his work, believed it would separate the reality of the painting
63
Willem de Kooning "Woman I" 1952 Abstract Expressionism * gestural, active, slashing * deep cuts in the heavy paint * mouth looks dangerous * Dutch painter "Woman & Bycycle" * high stileto shoes * in a dress * two mouths also dis collage work
64
Robert Motherwell "Elegy to the Spanish Republic No.34", 1954 Abstract Expressionist * life & death in its most abstract form * reaction to the rally on the Spanish Civil War * Black is death, White is life (artist statement) * felt humanity was regressing; represented tragedy & death
65
Helen Frankenthaler "Mountains and Sea" Abstract Expressionism * color staining on raw canvas to create an integration where color & ground cease to exist. * pouring technique & staining technique (merges some ideas of Pollock & Rothko) * distinctive stains, free flowing
66
Minimalism?
Minimalism * 20th c. art movement * style stress the idea of reducing work of art to a minimum number of colors, values, shapes, lines & textures * no attempt is made to represent or symbolize any object or experience * sometimes called ABC art, minimal art, rejective art * 60-70s to present
67
Donald Judd "Concrete box" Minimalism * all his work is about the BOX * Judd, box stacked
68
Frank Stella "Black Paintings" or Black Moods Minimalism * typical in black series * repetion of forms/lines * some works in color
69
Chrysler Building, NY Art Deco Architect William Van Alen * * special steel facing * escentric crescent-shaped * steps of the spire made of stainless steel * steel gargoyles & eagle heads * hub caps * sun-burst style * art deco-sharp edges, papirus motifs
70
Sagrada Familia Barcelona, Spain Architect: Gaudi Art Nouveau * whimsical, imaginative * influenced by midieval ages * Gothic revival art style * mix of many styles
71
Frank Lloyd Wright architect * Prairie houses * interest in circles & spirals in later work
72
Guggenheim Museum Frank Lloyd Wright * circle & spiral design * worke s/Sullivan
73
Bauhaus * influential German School of art & design * the Bauhaus aesthetic was utopianism, ideals of simplified forms, unadorned functionalism * believe machine economy delivered elegantly designed for the masses, using techniques & material in industrial fabrication & manufacture-steel, concret, chrome, glass, etc.
74
Walter Gropious?
Bauhaus artist radical artist in Berlin developed new & innovative artistic ideas * simplistic housing
75
International Style
International Style * a major architectural style * emerged in the 1920s & 1930s * the formative decades of modern architecture * no ornamentation, truth to materials, form follow function, houses as machines for living * follows Bauhaus designs Int
76
Prairie Style Architecture?
Frank Lloyd inspiration for an indigenous architecture * distinguished by horizontal line emphasize on the exterior * low pitched hipped roof, long bands of windows * wide ovehanging eves & brick courses or wood bands * Inside: open floor plan, furnishure is secondary, natural finishes & simplistic
77
Hannah Wilke "Curlers Chewing gum" 1974 Feminist * documents her proces w/her body * gave a face to breast cancer * her mother died of cancer * questions vanity of women * femenist & iconic image