Final: Readings Flashcards

1
Q

Cicero: after Caesar

A

has to spend a year governing a province though he tries to get out of it, returns to Italy in 50 on the eve of war
meets with Caesar, but eventually leaves Italy for Greece after Pompey
returns to Italy after the Battle of Pharsalus

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2
Q

Letter to Atticus

A

written by Cicero 12 March 49 - before Ides
basically philosophical questions like - is it right to stay in your country even if it is being ruled by a tyrant?
also more specific to Cicero: I’ve been through so much, can I be expected to stay? I keep giving so much to Rome but they don’t respect or appreciate me
lots of whining
doesn’t know if it’s worth fighting against Caesar

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3
Q

The Second Philippic

A

written by Cicero after Ides
attack against Mark Antony, which whom he has been squabbling since Caesar’s death
Antony gives a very hostile speech against Cicero, and the Second Philippic (written and distributed, not given) is the response
different from Verrine, because specificity/accuracy are no longer as important as creating outrage around Antony and trying to undermine him politically
similarities, though - he tries to frame Antony as an outcast of society
just as much time spent defending Cicero as attacking Antony
Cicero is risking it all - death a definite possibility
challenge to: Antony’s loyalty, honesty, sexual morality, intelligence, rhetorical ability, religious piety

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4
Q

C. Sallustius Crispus (Sallust)

A

c. 86-35
tribune 52 BCE, antagonized Cicero
50 BCE expelled from Senate
joined Caesar in 49; comes back from fighting in Africa charged with extortion but is protected by Caesar
then withdraws from public life, turns to writing about history

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5
Q

Sallust’s Writing

A

as with Latin poetry, Sallust’s work exploits a Greek model (like Thucydides)
outlook - vision of ambition leading human beings in a foreseeable but inexorable way to ruin, abuse of language in politics
language - difficult, obscure, uneven, unCiceronian (reflects and reinforces the outlook)

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6
Q

Sallust’s Turn to History

A

explains shift in career - in initial political ambitions, got carried away with general atmosphere of corruption
writing of history as alternative method of politics
nature of career is a consequence of the moral decline that Sallust’s history itself records

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7
Q

Sallust’s Theoretical Model

A

a “monograph” of events of part of one year
however, a year fit into a “from the beginning” vision of history
explains Roman history in moral terms: integrity vs corruption
divides history into clear periods, defined by Roman control of/direction of own desires

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8
Q

Sallust’s Periodization of Roman History

A

the monarchy:
-characterized by altruistic use of power
-power concentrated in the hands of a king, whose desire for power became too great
the zenith of Roman society (409-146 BCE):
-in absence of kings, desire for glory grew (jealous kings had suppressed it)
-accidental consequence of competitive desire for glory is empire
step one of collapse (146-78 BCE)
-after Carthage eliminated, Fortune takes over; ambition plagues Romans (bad desire #1)
step two of collapse (78 BCE - present)
-with Sulla, avarice appears

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9
Q

Parallel Between Catiline and Sallust

A

both formed by contemporary bad mores
both have political ambitions frustrated, and turn elsewhere - Sallust turns to writing, but Catiline turns to revolution
Catiline’s speech appealing to equity is very similar to Sallust’s analysis of Rome (moral decline, concentrated power in the hands of a few)

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10
Q

Sallust: The Figure of Catiline

A

a product of the atmosphere (morally decrepit Rome)
personification of unbounded desire
complicated character - on one hand, Sallust explicitly calls him wicked
but also evinces admirable qualities

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11
Q

Catiline’s Last Stand

A

Catiline performs in exemplary fashion in his last stand
striking image of conspirators fighting bravely
abrupt ending leaves us unsure how to feel

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12
Q

Caesar, Cato, and the Conspirators

A

end of Sallust’s Catiline’s War, Caesar and Cato are debating how best to deal with the conspirators
similar problem to that of ending:
1) both speakers earn Sallust’s praise
2) each speaker’s argument has appealing features
Caesar is against execution, Cato in favor

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13
Q

The Aeneid

A

title - “The Aeneas Tale”
picks up the legend that, upon capture of Troy by the Greeks, Trojan warrior Aeneas (son of Anchises and the goddess Venus) fled with a company of Trojans to establish a new home
wanderings brought them to Italy, where they joined with the Latins and found the town of Lativium
Aeneas’ son founds Alba Longa and is the ancestor for Romulus, Remus, and the Julian family (including Augustus!)

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14
Q

Aeneid: Books I-VI

A

Book I: Aeneas lands at Carthage and meets Dido, whom Venus bewitches via Cupid
Book II: at banquet, Aeneas tells the story of the destruction of Troy and his setting forth at divine behest to find the Trojans’ home
Book III: Aeneas’ tale continues, covering the several efforts of the Trojans to settle; at every place, divine signs that there is someplace else they are meant to be
Book IV: return to main timeline, Aeneas and Dido become romantically involved; Aeneas is prodded by the gods to keep moving, Dido commits suicide
Book V: Trojans arrive in Sicily, celebrate funeral games for Anchises
Book VI: as instructed by father’s ghost in book V, Aeneas visits Sibyl (priestess of Apollo) and visits the underworld, where he receives instruction from his father’s shade

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15
Q

Aeneid: Books VII-IX

A

Books VII: Aeneas and Latin king Latinus are ready to ally, but Juno summons the fury Allecto to madden Amata and Turnus
Book VIII: Aeneas allies with Greek Evander living on site of Rome, and receives gift of armor
Book IX: Trojans hemmed in, Nisus and Euryalus try to break through; Turnus breaks into Trojan camp, barely expelled

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16
Q

Aeneid: Books X-XII

A

Book X: in battle Turnus slays Pallas, son of Evander; Juno delays Turnus’ end by tricking him off the battlefield; Aeneas slays Lausus and his father, impious Mezentius
Book XI: funeral of Pallas; during truce, Latin opinion begins to turn toward peace, but Turnus resists; Camilla leads the Latins, but is killed
Book XII: Turnus agrees to settle the war via single combat with Aeneas; Trojans break truce; Juno ceases her resistance and is reconciled; Aeneas defeats and kills Turnus

17
Q

Aeneid: Rome’s Fate

A

all Aeneas’ duties revolve around the future Rome in some way:

  • his son’s foundation of Alba Longa enables the eventual foundation of Rome
  • the Trojans he brings with him are one of the two peoples who make the Latin people from which Rome will come
  • it is the decree of fate, and thus also the will of Jupiter, that Rome be founded and rule over the world
18
Q

“How Hard and Huge A Task”

A

2 sides to Aeneid’s outlook:
1. recounting a story that glorifies Rome and magnifies its origins
2. sense of immense pain and sacrifice exacted from those whose duty is to advance Rome’s destiny, and from those who would get in the way
effect is to make the pain of founding Rome accessible and familiar
Aeneas is “every Roman”
the cost of founding Rome is similarly difficult to the cost of upholding Rome, lots of pain/sacrifice

19
Q

The Battle of Actium on the Shield of Aeneas

A

example of continuity of Aeneid with Augustan ideology
remember Augustus’ problem re civil war
how he deals with the problem:
1) Antony is depicted, but far more attention is given to Cleopatra (turns civil war into foreign war)
2) Antony has been converted from Roman virtue to Eastern decadence - what could have happened to Rome, if not for Augustus
3) finally, locates everything Roman on Augustan side
elevates military engagement to moment of cosmic significance

20
Q

Furor impius

A

pointlessness of resistance underscored in narrator’s voice (indeed, pointlessness is what makes it mad)
example - Juno incensed by approaching easy, peaceful solution and sends down fury Allecto to mess things up and create disorder…ends up ruining everything and causing unnecessary war
spreads quickly –> suggestion that under the order people make for themselves, disorder ready to burst out
violence will beget violence

21
Q

Ascanius and the Stag

A

transformative force is “anger” or “fury” –> fury turns instruments of life and construction into tools of destruction
in a single narrative spurt, we’ve gone from a hunter’s arrow in a peaceful sylvan scene to a warrior’s arrow on a battlefield
landscape changes from countryside to battlefield

22
Q

Aeneas’ Rage

A

striking instance: Aeneas himself
Turnus’ slaying Pallas creates a wave of rage (reciprocal character is highlighted: this blood is for Pallas’ blood)
convergence of Aeneas and Turnus

23
Q

The Death of Turnus

A

Turnus submits and asks for his body to be returned to his family - he warns Aeneas about being caught up in violence “go no further / out of hatred”
same destructive force that has blocked fate now animates Aeneas
meaning of this act:
is this another side to violence, one that creates order and suppresses other violence?
ways of aligning with Roman history (history as a sequence of explosions of violence)

24
Q

P. Cornelius Tacitus

A

smooth rise through political offices; advanced under Vespasian, Titus, and Domitian
famed speaker in the law courts
held consulship under Nerva
Annals written c. 110-115?

25
Q

Features and Plot of Petronius’ Satyricon

A

1st person narrator: Encolpius
collection of misadventures
shifting pace, from summary to leisurely to elaborate
Encolpius has angered the god Priapus and is performing a rite for him
later - Trimalchio’s Dinner Party

26
Q

Satyricon: the Cena Trimalchionis

A

longest episode preserved almost whole
core characters attend the dinner party of a wealthy freedman:
Trimalchio as MC (theatrical presentation of courses, etc.)
depends on a social stereotype: wealthy freedman replicates this, but uses it to do more

27
Q

Satyricon: Free and Freed, Legitimacy Problem, Cultural Knowledge

A

from perspective of freedmen - slave status was “in the past”, can amass great amounts of wealth or cultural knowledge and fit into socially higher groups
from perspective of free elites - freedmen are fundamentally different because the idea of being “free” resides in something other than money (ingenium)
in Satyricon: the freedmen are aware they’re at a classy event and try to fit in, but ultimately the behavior that is supposed to allow them to belong just makes it very obvious that they don’t

28
Q

Ingenium

A

“nature”, “that which you’re born with”, “talent”
ingenium liberale = free nature
ingenium servile = slave nature
what about a freedman? free elites would say he is only legally free, but by nature is still servile

29
Q

Freedmen and the Cena

A

stereotypes present in Trimalchio and the freed guests:
obvious lack of sophistication and taste that signal lack of belonging (screws up literature, talks about his bowels, extravagantly destroys wealth but also counts/puts a price on everything)
but: Petronius is also messing with us, because Encolpius/Agamemnon/etc. respond to the freedmen with disdain but are themselves just there for the free food

30
Q

The Life of Agricola

A

Tacitus’ first literary effort, about 98 CE
shortly after coup and installation of new regime
year after Tacitus’ own consulship
subject is Tacitus’ father-in-law Agricola

31
Q

Cn. Julius Agricola

A

political and military career begins under Nero
consul in 76 under Vespasian, his daughter marries Tacitus
77 governor of Britain
83 recalled to Italy by Domitian
dies 93 at Rome while Domitian is princeps

32
Q

Cultural Phenomena Relevant to Agricola

A
  1. veneration of the ‘Stoic martyrs’
    tradition since Nero of men behaving in demonstrably “Republican” ways and ending up in conflict with the princeps, generally charged with treason and forced to commit suicide - end up famous and celebrated
  2. vilification of Domitian under the new regime
    generally tyrannous, envy/poor treatment of Agricola also highlighted
33
Q

Ideological Agenda of Tacitus’ Agricola

A

participation in broader vilification of Domitian
effort to demonstrate that there are moral, respectable ways of winning fame without courting death by ostentatious resistance (depending on point of view)
Agricola both contributes to legitimizing the new regime and justifies Tacitus and his family

34
Q

Agricola’s Glory

A

how does Tacitus put Agricola on par with the stoic martyrs?
Agricola’s glory comes from an external matter: conquest and the prosecution of the imperial project
but, because of Domitian’s jealousy, Agricola has to play it cool and his path to fame is suppressed

35
Q

Apuleius

A

rhetorician, Platonic philosopher
author of the Golden Ass
at one point, accused of having used magic to entice a wealthy older lady into marrying him

36
Q

The Golden Ass

A
only complete Latin novel from antiquity
flowery, playful, exuberant language
interlocking themes:
-narrative/storytelling
-curiosity/secrets
-desire/seduction/pleasure
-magic
-imagination
-transformation
37
Q

The Golden Ass: Diana and Actaeon

A

neither the narrator nor the characters specify any implications
seems in retrospect to have a relevant message to Lucius:
-like Lucius, Actaeon fell victim to his own curiosity
-came into contact with a supernatural power
-was transformed into an animal b/c of curiosity
-lost his social self b/c no one could see him

38
Q

The Golden Ass: Cupid and Psyche

A

told by old woman who cooks for robbers
competition between Venus and Cupid for Psyche
-soul torn between two sorts of desire
-Psyche not supposed to look at lover (curious!)
-story ends with daughter Joy (Voluptas)
obvious strong allegorical potential