Final Liatiening Quix

Question 0

Concerto in A minor, op 8. No 3. 1st movement (1711)

Answer 0

Vivaldi. Concerto grosso

Question 1

Concerto grosso in F major, op 6. No 2. (1685

Answer 1

Archangelo Corelli. Concerto grossi

Question 2

Concerto grosso in F major, op 6. No 2. (1685)

Answer 2

Archangelo Corelli. Concerto grossi. 2 violins, viola and baso continuo.may be performed without concert grosso as tio sonata basso continuo. 1. vivace 2. allegro 3. grave 4. allegro

Question 4

Pieces de Clavecin, bk 1, 2 on dare, “1st courante, “La prude””

Answer 4

Francouis Couperin. Harspchord suite

Question 4

Toccata IX il secundo libro di toccate ( 1627)

Answer 4

Giralmo Frecobaldi. Keyboard toccata

Question 5

Praladium in G minor, buxWV 149 (1675-1689

Answer 5

Dietrich Frecobaldi Organ prelude measures 1-20 no temp given. 21-56 alla breve imitative 57-80 allegro free; running bass against chords. 80-143 largo imitative; triple meter 57-80 largo imitative; triple meter 144-161 largo free; quasi improvisatory

Question 6

Well tempered klavier: “ prelude and fugue in c Major” (1722)

Answer 6

Bach. Prelude and fugue

Question 7

“Magnificant peregrini Toni”

Answer 7

Johann pacabel. Chorale prelude. adopted from ninth psalm tone of catholic liturgy. chages recitation ones in second half. choral is in long notes in upper voice

Question 9

Well tempered klavier: “ prelude and fugue in c Major” (1722)

Answer 9

Bach. Prelude and fugue style brisee ( broken style) based upong lute style

Question 10

Wtk 1: “prelude And fügue in c Sharp makpr (1722)

Answer 10

Bach. Prelude and fügue from of a sarabande

Question 11

“Golderg Variations” aria (1741)

Answer 11

Bach keyboard variations. bass line used for all movements “goldberg ground” binary form

Question 12

“Goldberg varations” v. 1 (1741)

Answer 12

Bach. Keyboard variations. goldberg ground. binary form

Question 13

“Goldberg variations” v. 2 (1741)

Answer 13

Bach. Keyboard variations. three part invention. similar characteristics of variation 1

Question 14

“Goldberg variations” v. 3

Answer 14

Bach. Keyboard variations. canon at unison

Question 15

“Goldberg variations” v. 4

Answer 15

Bach. Keyboard variations. “Rustic Dance”

Question 16

Jesu, Der my Miene Seele, BWV 78 (1724) I

Answer 16

Bach sacred cantata. Choral fantasia. uses ground bass known as lament bass. dotted note figure serves as ritornello.horn doubles soprano. organ is also used.

Question 17

Jesu, Der my Miene Seele, BWV 78 (1724) II Wir eilen mit schwachen, doch emsigen Schritten

Answer 17

Bach sacred cantata. Aria Duetto (soprano, alto) 1724 for Advent based on hymn by Johann Rist. word painting. ritornello used. da capo section at the end

Question 18

Jesu, Der my Miene Seele, BWV 78 (1724) V Die Wunden, Nagal, kron und Grab

Answer 18

Bach sacred cantata. recitativo accompagnato (bass, strings) sharp dissonance on Wunden (wounds), nagel (nails, kron (crown)

Question 19

Jesu, Der my Miene Seele, BWV 78 (1724) VI Nur du wirst mein Gewissen stillen

Answer 19

Bach sacred cantata. aria duet between bass and oboe. c minor. short ritornello separting each section

Question 20

Jesu, Der my Miene Seele, BWV 78 (1724) VII Herr, ich glaube, hilf mir schwachen

Answer 20

Bach sacred cantata. recitativo (bass, strings) concludes with four-voice harmonized setting of the chorale tune. intruments double the voices.

Question 21

St Matthew passion: Chorus “kommt, ihr Töchter” (1727) BWV 244

Answer 21

Bach. sacred Oratorio. solo voices, double choir and double orchestra, with libretto by Picander. performed for Good Friday. recitatives often set the mood

Question 22

Jesu, Der my Miene Seele, BWV 78

Answer 22

Choral SATB soloists and choir. 1724 for Advent based on hymn by Johann Rist. SATB soloists and choir, flauto traverso, 2 oboes, strings, organ and horn in the opening chorus

Question 23

Water music: minuet and trio

Answer 23

Handel orchestra suite

Question 24

Water music: hornpipe

Answer 24

Handel orchestra suite