Final Liatiening Quix Flashcards
Concerto in A minor, op 8. No 3. 1st movement (1711)
Vivaldi. Concerto grosso
Concerto grosso in F major, op 6. No 2. (1685
Archangelo Corelli. Concerto grossi
Concerto grosso in F major, op 6. No 2. (1685)
Archangelo Corelli. Concerto grossi. 2 violins, viola and baso continuo.may be performed without concert grosso as tio sonata basso continuo. 1. vivace 2. allegro 3. grave 4. allegro
Pieces de Clavecin, bk 1, 2 on dare, “1st courante, “La prude””
Francouis Couperin. Harspchord suite
Toccata IX il secundo libro di toccate ( 1627)
Giralmo Frecobaldi. Keyboard toccata
Praladium in G minor, buxWV 149 (1675-1689
Dietrich Frecobaldi Organ prelude measures 1-20 no temp given. 21-56 alla breve imitative 57-80 allegro free; running bass against chords. 80-143 largo imitative; triple meter 57-80 largo imitative; triple meter 144-161 largo free; quasi improvisatory
Well tempered klavier: “ prelude and fugue in c Major” (1722)
Bach. Prelude and fugue
“Magnificant peregrini Toni”
Johann pacabel. Chorale prelude. adopted from ninth psalm tone of catholic liturgy. chages recitation ones in second half. choral is in long notes in upper voice
Well tempered klavier: “ prelude and fugue in c Major” (1722)
Bach. Prelude and fugue style brisee ( broken style) based upong lute style
Wtk 1: “prelude And fügue in c Sharp makpr (1722)
Bach. Prelude and fügue from of a sarabande
“Golderg Variations” aria (1741)
Bach keyboard variations. bass line used for all movements “goldberg ground” binary form
“Goldberg varations” v. 1 (1741)
Bach. Keyboard variations. goldberg ground. binary form
“Goldberg variations” v. 2 (1741)
Bach. Keyboard variations. three part invention. similar characteristics of variation 1
“Goldberg variations” v. 3
Bach. Keyboard variations. canon at unison
“Goldberg variations” v. 4
Bach. Keyboard variations. “Rustic Dance”
Jesu, Der my Miene Seele, BWV 78 (1724) I
Bach sacred cantata. Choral fantasia. uses ground bass known as lament bass. dotted note figure serves as ritornello.horn doubles soprano. organ is also used.
Jesu, Der my Miene Seele, BWV 78 (1724) II Wir eilen mit schwachen, doch emsigen Schritten
Bach sacred cantata. Aria Duetto (soprano, alto) 1724 for Advent based on hymn by Johann Rist. word painting. ritornello used. da capo section at the end
Jesu, Der my Miene Seele, BWV 78 (1724) V Die Wunden, Nagal, kron und Grab
Bach sacred cantata. recitativo accompagnato (bass, strings) sharp dissonance on Wunden (wounds), nagel (nails, kron (crown)
Jesu, Der my Miene Seele, BWV 78 (1724) VI Nur du wirst mein Gewissen stillen
Bach sacred cantata. aria duet between bass and oboe. c minor. short ritornello separting each section
Jesu, Der my Miene Seele, BWV 78 (1724) VII Herr, ich glaube, hilf mir schwachen
Bach sacred cantata. recitativo (bass, strings) concludes with four-voice harmonized setting of the chorale tune. intruments double the voices.
St Matthew passion: Chorus “kommt, ihr Töchter” (1727) BWV 244
Bach. sacred Oratorio. solo voices, double choir and double orchestra, with libretto by Picander. performed for Good Friday. recitatives often set the mood
Jesu, Der my Miene Seele, BWV 78
Choral SATB soloists and choir. 1724 for Advent based on hymn by Johann Rist. SATB soloists and choir, flauto traverso, 2 oboes, strings, organ and horn in the opening chorus
Water music: minuet and trio
Handel orchestra suite
Water music: hornpipe
Handel orchestra suite