Final Exam Flashcards

1
Q
A

Masjid-i Ja’mi, Isfahan, Iran (9th, 11th, 12th, 16th c), Safavid

  • Iranian architecture
    • Glazed tiles, soaring portals, bulbous domes, slender minarets
  • Composition based on addition and symmetry
  • Little structural innovation
  • Colorful tile revetments conceal structural banality
  • Built and decorated vast structures in a short time
  • Urban ensemble encompasses commerical, religious and political functions
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2
Q
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Grand National Assembly, Ankara (1938)

  • Architect = Clemens Holzmeister
  • Turkey changed language and assembly post-Ottomans
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3
Q
A

Frere Hall, Karachi, Pakistan (1865)

  • Architect = H. St. Clair Wilkins
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4
Q
A

Fatih Complex, Istanbul (1459-70), Ottoman

  • Architect was Usta Sinan
  • Located on the fourth hill of Istanbul, formerly occupied by the Church of the Holy Apostles
  • Plan of the complex was rigidly symmetrical
  • Mosque in the center of court
  • Court sides lined with eight madrasas
  • Contained a primary school, hospital, soup kitchen, market with 400 shops
  • “…to repair and fill with light the house of knowledge and to convert the imperial capital into a realm of learning”
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5
Q
A

Khedival (Royal) Opera House, Cairo, Egypt (1869, no longer existent)

  • Architect = Pietro Avoscani
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6
Q
A

Imam Reza, Mashhad (9th, 15th, 17th c), Safavid

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7
Q
A

Wazir Khan Mosque, Lahore (1635), Mughal

  • Persian kishi-kari tile work
  • Motifs of star-shaped flowers and grapevines
  • Portal features Quran’ic inscriptions
  • Interior frescos depict trees, wine, fruit = allusions to paradise
  • Iwan features muquarnas
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8
Q
A

Amir Juffali Mosque, Jeddah (1986)

  • Architect = Abdel Wahed El-Wakil
  • Aniconic
  • Fortess-like in its extrustion
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9
Q
A

Al Fahidi Fort, Dubai (1799)

Dubai Museum, Dubai (1997)

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10
Q
A

Saadiyat (Happiness) Island Cultural District, Abu Dhai (ongoing)

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11
Q
A

Tomb of Nur Jahan, Lahore (1632), Mughal

  • Constructed for empress
  • Red sandstone mausoleum
  • Vaulted ceilings covered with marble and flower mosaics
  • Epitaph: ‘On the grave of this poor stranger, let there be neither lamp nor rose. Let neither butterfly’s wing burn nor nightingale sing’
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12
Q
A

Masjid-i Shah (Mosque of the Shah), Isfahan, Iran (1612-30), Safavid

  • Central court surrounded by arcades
  • Iwan in the middle of each side
  • Domed sanctuary beyond iwan on qibla side
  • Domed sanctuary flanked by rectangular chambers covered by eight domes
    • Served as winter prayer halls
  • Twin minarets extruded from portal and iwan
  • Marble dado with upper surfaces of polychrome glazed tiles (mainly blue)
  • Double-shelled dome
  • Edge of iwan inscribed with relgious text written in white thuluth script
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13
Q
A

Dubai National Bank, Dubai (1997)

  • Architect = Carlos Ott and NOR
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14
Q
A

Great Mosque of Xian, China (1368-98)

  • Arabic and Chinese inscriptions
  • Combines indigenous architecture with Islamic functionality
  • 3-tiered octagonal pagoda may have served as minaret
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15
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A

Red Fort, Delhi, India (c. 1638-48), Mughal

  • Diwan-i Am (Hall of Public Audience)
  • Place for complaints or public affairs
  • Ornate interior
  • Throne halls become important
    • Where king sat, was attended to and made appearances
    • King sat on mosaic marble throne
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16
Q
A

Red Fort, Agra, India (completed in 1571), Mughal

  • Fort is symbolic of military strength
  • Mughals felt like a minority, surrounded by Hindus, Christians and Jews
  • 500 buildings within the fort
  • Made of red sandstone
  • Palace as a paradisal space
  • The river provides access - ready for seige

The Jahangiri Mahal

  • Palace as a paradisal space
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17
Q
A

Empress Market, Karachi, Pakistan

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18
Q
A

Mayo College, Ajmer, India (1879)

  • Architect = Robert Chisholm
  • 20th century British take on imperial identity
  • Architecture mix of Britain and Mughal
  • Clocktower on every municipal building
  • Clock tower topped with a crown
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19
Q
A

Tawhidkhana (Hall of Unity), Isfahan, Iran, Safavid

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20
Q
A

Central Post Office, Casablanca, Morocco (1920)

  • Architect = Laforgue
  • Metonymic features of Islamic architecture = arches
  • Without arches it appears international
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21
Q
A

65, Rue Foucauld, Tangier, Morocco (1910-30)

  • Naming of cities (imposes colonial culture onto colony)
  • Photography a tool to capture Islamic urbanism
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22
Q
A

Government Secretariat Buildings, Islamabad, Pakistan (1966)

  • Architect = G. Ponti
  • Secure military space
  • Italian source
  • Replica of corbusier’s functional style
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23
Q
A

Great Mosque, Huangzhou, China (1314-20)

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24
Q
A

Burj Khalifa, Dubai (2010)

  • Architect = SOM
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25
Q
A

Uaddan Hotel and Casino, Tripoli, Libya (1935)

  • Architect = Di Fausto
  • Trained western architects brough out to colonies
  • Proximity between Italy and North African produced familiar architecture
  • The colony was a space of experimentation
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26
Q
A

Allahverdi Khan Bridge, Isfahan, Iran (1602), Safavid

  • Across the Zayandeh river
  • 2 rows of 33 arches on either side
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27
Q
A

Qaysariya Bazaar (Imperial Bazaar), Isfahan, Iran (1590-5, 1600-5), Safavid

  • 2km bazaar that connected the old maydan to Maydan-i Naqsh-i Jahan
  • Illuminated by 50000 lamps at night
  • Spandrels revetted with tile mosaix depicting Sagitarius (Isfahan was founded under Sagitarius)
  • Interior facades = frescos of Abbas’ victories over Shibanids
  • Portal has high iwan flanked by arched galleries
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28
Q
A

Guggenheim Abu Dhabi

  • Architect = Frank Gehry
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29
Q
A

Taj Mahal, Agra, India (1631-47), Mughal

  • Built by Shah Jahan for his wife
  • Intended to build a second for himself
  • Along the river
  • Endowment = income of 30 villages
  • Anniversary of the queen, huge celebration
  • White marble is now distressed
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30
Q
A

Tomb of Humayun, Delhi, India (1571), Mughal

  • Sandstone, highlighted with marble
  • Ornamental pavillions derived from Hindu architecture
  • 6-point star represents Solomon
  • Solomon considered the epitome of kingship
  • Endowment used to distribute food on holidays
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31
Q
A

Badshahi Mosque, Lahore (1673-4), Mughal

  • Red standstone with white marble inlay
  • Hallway with 3 primary domes
  • Congregation gathered outside on Friday
  • Typical white marble domes
  • Interior clad in marble
  • Apex = upturned lotus
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32
Q
A

Jami al-Jadid (New Mosque), Algiers, Algeria (1910-30)

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33
Q
A

Port Office, Basra, Iraq (c. 1927)

  • Architect = J. M. Wilson
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34
Q
A

Jumeirah Mosque, Dubai (1979)

  • Architect = Hegazy Engineers
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35
Q
A

Tomb of Babur, Kabul, Afghanistan (c. 1530), Mughal

  • Built in white marble
  • Open-air tomb = sign of piety and orthodoxy
    • Orthodox believe covered tomb is idolatrous
    • Worshipping space or person
  • Funerary headstone mentions descendant’s true right to rule
  • Built by his son (tombs often built by sons)
    • Appropriates the authority of a sacred space
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36
Q
A

King Faisal Mosque, Islamabad (1986)

  • Architect = Vedat Dalokay
  • Replace Ottoman dome with Saudi ‘tent’
  • Isolated and surrounded by landscaped garden
  • Often empty, used as a commerative structure
  • Mihrab as an open book
  • Large scale hinders sense of community
37
Q
A

Amjadiyeh Public Pool, Tehran (c. 1942)

  • City in response to the needs of the people
  • Art deco changing room
38
Q
A

Villa Salvi, Tripoli, Libya (1936)

  • Architect = Pelligrini and Agujari
  • Domestic architecture under explored
  • Colonizer being domesticated
39
Q
A

Selimiyye Mosque, Edirne (1569-75)

  • Orhan Pamuk said central dome = centralizing political and economic changes
  • Designed by Sinan
  • Four identical minarets placed around the court
  • Light filtered in to decorate the interior
40
Q
A

Mosque of Shaykh Lutfullah, Isfahan, Iran (1602-19), Safavid

  • East facade of Maydan-i Naqsh-i Jahan
  • Single domed room surrounded by service areas
  • Covered with low vaults resting on four octagonal piers
  • Lack standard accoutrements of mosques
    • Courtyard, iwans, minarets
  • More similar to domed mausoleum
  • Dome covered with ocher-colored arabesques
41
Q
A

Tomb of Jahangir, Lahore (1627-37), Mughal

  • Built by his wife
  • Near the river Ravi
  • Rivers provide irrigaton lending itself to gardens
  • Porcelain motifs on the exterior
  • Red sandstone inlaid with white marble
  • Simple roof to appease Sunni tradition
42
Q
A

National Museum of Iran, Tehran (1936 -39)

  • Architect = Andre Goddard
  • Iranians are francophiles
  • Import foreign artists (westernization of architecture)
  • Blank, geometric, modernist interior - museum vernacular
43
Q
A

Plan for Greater Baghdad, Baghdad (1957-58)

  • Architect = Frank Lloyd Wright
  • Cultural center, opera house, and university
  • Fake island on Tigris
44
Q
A

Dar al-‘Adiyel, Fez, Morocco (restored 1920)

  • Conserving a past
  • Built into the image of locality and simplicity
  • Stucco of Moroccan craftsmen
  • Colonial period was something to be erased
  • Nows post-independents states consider it part of history
45
Q
A

Anit Kabir of Mustafa Kemal, Ankara (1942-53)

  • Architect = Emin Onat and Orhan Arda
46
Q
A

Shrine of Fatima Masuma, Qum (9th c, 1519), Safavid

47
Q
A

Yesil Camii (Green Mosque), Bursa (1412-20), Ottoman

  • Zaviye-type mosque
  • Complex built by Bayezid I’s son, Mehmed I Celebi
  • Known as green mosque due to splendid green tile revetment
  • Richly decorated interior = unusual for the time
  • Iwans on either of central fountain with ribbed domes
  • Royal balcony overlooks central hall
  • Royal balcony paneled with cuerda seca tiles with a gilded ceiling and pierced tile balustrade
48
Q
A

Chihil Sutun (Forty Columns) Pavilion, Isfahan, Iran

  • Built in 1647 by ‘Abbas II and rebuilt in 1705
49
Q
A

Baghdad Gymnasium, Baghdad, Iraq (1982)

  • Architect = Le Corbusier, completed by Rifat Chadirji
  • Concrete/steel
    • Mobile
    • Created on site
    • Universal materiality
  • In light of Baghdad’s olympic bid
  • Functionalism of modern architecture
50
Q
A

Great Mosque of Djenné, Mali (begun in 1906)

  • Originally mud architecture
  • Indigenous architecture of mud houses
  • Curvature of mudhouses translated onto mosque
  • Recovered in mud every year by the community
    • Both maintenance and celebration
51
Q

x

A

Karamanli House, Tripoli, Libya (c. 18th c)

52
Q
A

Tomb of Akbar, Sikandra, India (1613), Mughal

  • Completed by Jahangir, Akbar’s son
  • Removes references to Timurids
  • Four-tiered pyramid surmounted by a marble pavilion
53
Q
A

Sheikh Zayed bin Sultan al Nahyan Mosque, Abu Dhabi (2007)

54
Q
A

Shrine of Shaykh Salim Chishti, the Imperial City, India (1581), Mughal

  • Constructed by Akbar
  • Symbolic and practical use of water
  • Water irrigates the garden
  • King depicted simply but directorially
  • Use of quarried stone
  • Originally built with red sandstones
  • Re-constructed as a white marble mausoleum
  • Marble eaves resemble a temple
55
Q
A

Tomb of Ayatollah Khomeini, Tehran (1989)

56
Q
A

Baburi Mosque, Ayodhya, India (1524-7), Mughal

57
Q
A

Beylerbeyi Palace, Istanbul, 1829-32

  • Architect = Balyan brothers
58
Q
A

Masdar City (begun 2007-8)

  • Architect = Foster and Partners
59
Q
A

Topkapi Palace (Yeni Saray), Istanbul (1478-19th c.), Ottoman

  • Built by Mehmed II as a sign of self-confidence
  • Represents an accretion of styles, as it was constantly remodeled and renovated
  • Functioned as a royal residence, adminstrative center, dormitories and artistic center
  • Extruded towers on either side of the gate
  • Hierachical plan as only Sultan and his intimates enjoyed the innermost court
60
Q
A

Hasht Bihist (Eight Paradises) Pavilion, Isfahan, Iran, Safavid

  • Represents Muslim eight levels of paradise
  • 8 chambers surrounding a central room
61
Q
A

Shalimar Gardens, Lahore (1637), Mughal

  • Consists of three terrace levels
  • Contains over 400 fountains
  • Garden pavillions
  • King would sit in a garden pagoda
  • Nocturnal spaces decorated with light and water art
62
Q
A

Victoria Terminus, Bombay, India (1880)

  • Architect = A. M. Haig
  • India seen as the land of resources
63
Q
A

Shrine of Shaykh Safi, Ardabil (14th c, renovated in 16th and 17th c), Safavid

  • Dynastic shrine of the Safavid rulers
  • Hall of readers
  • Dome with qu’ranic verses
  • Epigraphic band is not a verse - venerates shi’ism
  • Safi was originally sun’i
    • Changes his lineage to descend from propher Muhammed
    • Become shi’ite
64
Q
A

Great Mosque of Guangzhou, China (7th c, rebuilt in 1350)

  • Based on the model of the Chinese courtyard house
  • Indigenous architecture of the city
  • Directed passage through thresholds until reaching prayer hall
  • Constructed mostly in timber
  • Initially merchant traders congregated in hosues
    • Mosque constructed in the same style
  • Minaret was one of the first freestanding cylindrical structures in China
    • Doubled as a lighthouse
65
Q
A

Hilton Hotel, Istanbul, Turkey (1955)

  • Architect = Gordon Bunshaft and Natalie De Blois (Skidmore, Owings and Merrill) and Sedad Hakki Eldem
66
Q
A

Tomb of Itimad al-Daula, near Agra, India (c. 1628), Mughal

  • Queen is a huge patron and authority
  • Engaged minaret-like structures
  • Pietro duro - hard stone technique brought by Italian craftsmen
    • Used semi-precious stones like jasper
    • Laid within white marble
    • Dome = translation of thatched roof
67
Q
A

Zayed Museum

  • Architect = Foster and Associates
68
Q
A

Suleymaniyye Mosque, Istanbul (1550-7), Ottoman

  • Only Sultanic mosque had four minarets
  • Taller pair of minarets at the junction of mosque and court have 3 balconies
  • Pair of minarets at the north end have 2 balconies
  • 10 balconies = 10th Ottoman sultan
  • Colonnaded peristyle courtyard with columns of marble, granite and porphyry
  • Complex had four madrasa, hospital, public bath and soup kitchen
69
Q
A

Orhan Gazi Camii, Bursa (1339), Ottoman

  • Constructed with limestone and marble
  • Inverse T plan = Zaviye-type mosque
  • 5 bay porch preceding a domed vestibule and the central hall
  • Main iwan covered with an elliptical vault
  • Central hall sandwiched by raised and vaulted iwans
  • Pencil-like minaret added later
70
Q
A

The Revenue Board Building, Madras, India (1871)

  • Architect = Robert Chisholm
71
Q
A

Fatehpur Sikri, the Imperial City, India (1574-89), Mughal

  • Attempt to move court from Delhi
  • Imperial City has no infrastructure
72
Q
A

Yeni Valide Mosque, Istanbul (1597-1665)

73
Q
A

Harun-i Velayet Shrine, Isfahan, Iran (1513), Safavid

  • Architect Mirza Shah Husayn
  • Accentuated with turqouise and lapis
74
Q
A

Grand National Assembly Mosque, Ankara, 1989

  • Architect = Behruz Cinici
  • Built by father and son
  • Deconstruction of traditional Ottoman plan
    • Prayer hall, courtyard retained
    • No dome
    • Truncated minarets
75
Q
A

Ulu Camii (Great Mosque) of Bayezid I, Bursa (1396-1400), Ottoman

  • Multi-domed hypostyle mosque
  • Funded with booty from the defeat of Sigismund of Hungary
  • 12 piers divide the interior into 20 domed bays in a 4x5 grid
  • 2nd bay along the axis from portal to mihrab is a vestigal court
  • Vestigal court is two steps lower than the rest of the mosque
  • Vestigal court is paved with marble with open oculus over the pool
  • Main doorway is opulent and decorated
76
Q
A

Ministry of Foreign Affairs, Tehran (c. 1939)

  • Pre-Islamic motifs
  • Metonymic approach to Islamic architecture
  • 3D figurations
77
Q
A

Royal College of Medicine, Baghdad, Iraq (c. 1932)

  • Architect = H. C. Mason
78
Q
A

‘Ali Qapu Gatehouse and Palace, Isfahan, Iran, Safavid

  • Intended as modest atrium for the royal gardens
  • Changed and expanded over 60 years
79
Q
A

Viceroy’s House, Delhi, India (1912)

  • Architect = E. Lutyens
80
Q
A

Louvre Abu Dhabi

  • Architect = Jean Nouvel
81
Q
A

Dubai Creek Golf and Yacht Club, Dubai, 1993

  • Architect = Godwin Austen Johnson
82
Q
A

Cinili Kiosk, Istanbul (1472), Ottoman

  • Built by Sultan Mehmed II in the outer gardens of the New Palace
  • Persianate pavilion
  • One of three pavilions erected around a maydan
  • Veranda supported by slender stones columns
  • The porch was originally constructed in wood
  • Interior tile revetment glazed turquoise, blue and white
  • Banna’i used to decorate the facade and iwan
83
Q
A

Corniche Mosque, Jeddah (1988)

  • Architect = Abdel Wahed El-Wakil
  • On the island of corniche
84
Q
A

Kocateppe Mosque (1967)

  • Architect = Vedat Dalokay
  • 1967 competition winner
  • Not structurally sound
85
Q
A

Maydan-i Naqsh-i Jahan (‘Image of the Universe’ Plaza), Isfahan, Iran (1590-5, 1600-5), Safavid

  • Connected to old maydan by Qaysariyya bazaar
  • Originally for state ceremonies and sport
  • Redevloped for commercial purposes
  • Facades of polychrome glazed tiles
  • Perimeter of low-rent shops to attract merchants
  • 4 main portals on each side
    • North = Qaysariya Bazaar
    • East = Mosque of Shaykh Lutfallah
    • South = Masjid’i Shah
    • West = ‘Ali Qapu to the palace complex
86
Q
A

Red Fort, Lahore (Pakistan) (c. 1580, 1617), Mughal

  • Nomadic capital
  • Huge fortress
  • Quartered gardens
  • Raised palace complex
  • Imitates thatched roof of bangladeshi architcture in marble
  • Ceiling decorated with angel figures
  • King presented with halo
87
Q
A

Plan Obus, Algiers (1933)

  • Architect = Le Corbusier
  • Grandeur honors city architecture
  • Finds his ideas for new urbangism in Algiers and Buenos Aires
  • Network of roads segregate city
88
Q
A

Kocateppe Mosque, Ankara (1967-87)

Architect = Husrev Tayla and M. Fatin Uluengin 1987 renovation