FINAL Flashcards
42nd Street
Directed/Choreographed by: Gower Champion (He died the night it opened)
It was the year’s biggest hit
Based on the classic movie which starred Ruby Keeler
Story: Understudy going for the star
Songs: We’re in the Money, Shuffle Off to Buffalo, Lullaby of Broadway
1980
Sophisticated Ladies
Story: Revue of Duke Ellington's music Retrospective of the 20s & 30s Small cast Starred Gregory Hines 1981
Forbidden Broadway
Cabaret revue in Palsson’s Supper Club
Story: Farce on musicals
1982
Joseph and the Amazing Technicolor Dreamcoat
Andrew Lloyd Webber musical with lyrics by Tim Rice
Started in Brooklyn in 1976
Story: Joseph in the Bible
1982
Little Shop of Horros
Started off-off Broadway
Story: Audrey II, a plant, eats everything
1982
Cats
Andrew Lloyd Webber musical Based on T.S. Elliott's Old Possum's Book of Practical Cats Rock opera style became popular Story: Cats in a junkyard Song: Memory sung by cat Grizabella 1982
La Cage Aux Folles
Won 6 Tony awards Depicts a gay couple who own a nightclub Based on the movie The Birdcage Not the first musicals about homosexuality, but the first show to make money 1983
The Tap Dance Kid
Story: Young boy wanting to follow in the footsteps of Astaire & Robinson, but his father holds him back
Song: Fabulous Feet–number at end where the chorus tapped in sneakers
1983
Singin’ in the Rain
Taken from the movie
Director/Choreographer: Twyla Tharp
Not a great success because it’s hard to make movies into musicals
1985
The Mystery of Edwin Drood
Started at Shakespeare in the Park as a musical Dickens
Story: A play within a place; a tacky English touring company
Interaction with the audience–audience picks the ending
1985
Les Miserables
Musical version of Victor Hugo’s novel
1987
Starlight Express
Andrew Lloyd Webber musical
Cost $8 million–most money to mount a show up to this point
Only ran 761 shows
Story: Child’s dream about an underdog story of a racing tournament on his model railway
Performed on roller skates
1987
Into the Woods
Music & Lyrics: Sondheim
Story: Childess baker and wife are hexed by the witch; they go into the woods to counteract the hex
While made up of fairytale characters, it is not really a children’s musical
Witch originally played by Bernadette Peters
1987
Phantom of the Opera
Andrew Lloyd Webber musical Story: Disfigured, masked nd murderous madman (Michael Crawford) haunts the Paris Opera and kidnaps Prima Donna (Sarah Brightman) Song: Music of the Night Set and lights were spectacular 1988
Black and Blue
Choreography: LeTang, Atkins, F. Nicholas, Frankie Manning
Story: Black show in the style of the 20s & 30s
Won a Tony for Best Musical, plus others
Songs by artists such as Armstrong, Ellington, Waller
Large cast, including Savion, Bunny Briggs, Jimmy Slyde
1989
Jerome Robbins Broadway
Retrospect of Robbins’ musical choreography
Brought in talent/technical dancers
1989
Grand Hotel
After the classic movie of the same name Director/Choreographer: Tommy Tune Set in Berlin Stories: A fading ballerina, an unscrupulous aristocrat, a dying Jew out for a last fling, and a wild young girl 1989
Miss Saigon
Ran for 10 years & had 4,264 performances
Adaptation of Puccini’s opera Madame Butterfly
Story: The doomed romance of an Asian woman and an American man in 1970s during Vietnam War
1991
The Will Rogers Follies
Director/Choreographer: Tommy Tune
Tony for Best Musical
Tells the story of performer Will Rogers using the Ziegfeld Follies as a backdrop
1991
Jelly’s Last Jam
Directed by George C. Wolfe
Starred Gregory Hines as composer Jelly Roll Morton, and Savion Glover
Controversy over Wolfe’s desire to portray Jelly as a racist
Ran for nearly 600 performances
Hines won a Tony for Best Actor
1992
Kiss of the Spider Woman
Music: John Kander Lyrics: Fred Ebb Choreography: Vincent Paterson and Rob Marshall Tony for Best Musical Starred Chita Rivera 1993
Beauty and the Beast
Opened at Palace Theatre to negative press, industry resentment, and huge ticket sales
In 2001, surpassed A Chorus Line as the longest-running musical
1994
Bring in Da Noise, Bring in Da Funk
Began in Public Theatre (like Hair & A Chorus Line)
Quickly transferred to the Broadway stage
George C. Wolfe collaborated with Savion Glover to translate the African-American experience into musical theatre, using history of tap dance as a narrative line
Brought an urban, hip-hop sound to Broadway
1995
Rent
Based on Puccini's La Boheme Composer/Concept by Jonathan Larson Based the characters on people he knew Was accepted for a series of readings and workshops at the New York Theatre Workshop in 1994, a not-for-profit theatre in the East Village and had its first preview on January 25, 1996 1996