Final Flashcards

1
Q

Once known as the Algonquin school, they were a group of Canadian painters in the 1920’s and 1930’s who developed bold techniques in their landscape works. Their works inspired by Canadian landscapes

A

group of seven

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2
Q

A period of aesthetic innovation driven by the desire to break away from the romantic nationalism that characterized the confederation period

A

Canadian modernism

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3
Q

A late 20th century style and concept in the arts architecture and criticism that represents a departure from modernism and has at its heart a general distrust of grand theories and ideologies as well as a problematical relationship with any nation of “art”

A

Post modernism

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4
Q

A Quebec artist whom works as a painter, dancer, choreographer, and sculptor. She was a contributor to the “refus global”, as artists manifesto that was instrumental in the quiet revolution. She created “danse dans la neige” as a response to a particular site in sainthilair Quebec

A

francoise Sullivan

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5
Q

Created by Rebecca believe, an anishinaabe artist. Considered to be participatory and activist as a response to the Ola crisis in the region it was originally installed in

A

Speaking to their mother

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6
Q

Members of the Mohawk nation and their supporters launched a protest against plans to build a golf course on Mohawk ceremonial an a burial ground in Quebec. Was met with armed forces creating the weeks long protest

A

Oka crisis (1990)

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7
Q

An anishinaabe artist who is associated with her works surrounding indigenous activism and feminist activism within her artistic practice

A

Rebecca belmore

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8
Q

Artwork that is made from pure shapes or forms that do not purposefully refer to the real world. No definitely recognizable subject matter

A

Non-representational

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9
Q
  1. The nation of a national school
  2. The academic tradition
  3. The representational
A

3 forms of Canadian avant garde

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10
Q

Group of 7 painter, painted North shore, Lake Superior - also known for surrealist paintings and ideals

A

Lawren Harris

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11
Q

The avoidance of conscious intention in producing works of art, especially by using mechanical techniques or subconscious associations

A

Automatism

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12
Q

A simplified representation of something more complex. Allows you to hide details to help you manage complexity, focus on relevant concepts, and reason about problems at a higher level

A

Abstraction

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13
Q

The use of pre-existing objects or images with little to no transformation applied to them

A

Appropriation

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14
Q

An early 20th century artistic movement which was attracted to the directness, instinctiveness and exoticism non urban cultures

A

Primitivism (modernism)

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15
Q

Les refuse global originated from a group called les automatistes, the group created abstract art by French surrealists. Their manifesto was launched at a Montreal bookstore well known for selling banned books. They called for anarchy, they were the base for Quebec’s quiet revolution.

A

Refuse global

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16
Q

A period of intense social, political, and economic change is Quebec During this period, which lasted from about 1960 - 1966, quebecois began to assert their rights and affirm and promote their language and culture

A

The quiet revolution

17
Q

something that serves as a reminder of something else - especially a building or statue

A

monument

18
Q

a monument erected to the memory of the dead, with the dead human body not present

A

cenotaph

19
Q

the physical character of place; what is found at the location and why it is significant

A

site

20
Q

“to throw far or extend”, acclaimed by koto as a means of art. was popularized by artists as affordable way of displaying video on a 3D surface

A

projection

21
Q

the description of the customs of different individuals, peoples, and cultures.

A

enthography

22
Q

display consisting of a device that takes signals from a computer and displays them on a CRT screen

A

monitor

23
Q

a video work with two separate video feeds or displays

A

two channel video

24
Q

the style of simultaneously combing a number of parts, each forming an individual melody and harmonizing with each other

A

polyphony

25
Q

a form of film that tries to show the function of film itself

A

structural film

26
Q

reprocessed contained state in a gallery, for example rocks in a bin in a museum

A

non-site

27
Q

all of the activities that prepare the site for construction of the art piece or installation

A

site construction

28
Q

the mathematical rile that surrounds the construction of site specific pieces

A

axiomatic structure

29
Q

also called an expanded field, Krause defines marked sites as a combination of landscape and non-landscape

A

marked site

30
Q

a measure of disorder or randomness within a piece.

A

entropy

31
Q

carl beams, and indigenous artist, created a media based piece in which he buries a wooden ruler in soft dirt. as a pun and narrative to colonialism and asks the question of “whose land is this?”

A

burying the ruler (1989)

32
Q

the belief that artists should utilize all facets of themselves. making an impression on the world using yourself

A

expressionism art

33
Q

emerges after the fall of the German monarchy and the signing of the treaty of versailles. this was the emergence of the cabaret scene during this time.

A

Weimar Republic

34
Q

describes the way in which women become objects of sexual objectification in films and other media. to look at and judge someones appearance is active and therefore masculine, but not to be the object of the gaze and judgement is passive, and therefore feminine

A

male gaze

35
Q

dramatic presentation by visual artists in front of an audience usually apart from a formal theatrical setting

A

performance art

36
Q

the belief that women should have economic, political and social equality with men

A

feminism