Final Flashcards

1
Q

disabitato

A

Who: n/a
What: unoccupied or abandoned part of town, historical name in Rome to the zone between the urbanized center and ancient boundary of the aurelian wall, ruins and empty space where people used to live
Where: In Rome
When: 18th century
Larger significance/importance: the vast majority of the city is abandoned so these become open-air quarries

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2
Q

greek cross

A

Who: Bramante, hired to help build St Peter Basilica, he had the idea of the Greek cross design, Michelangelo returned to this design even though Rafael changed the plan to a Latin cross
What: cross with the bar directly in the center, arms at equal length
Where: seen St. Peter’s Basilica
When: 14th century when Bramante came up with the design for st peters,
Why: Different type of cross compared to the Latin cross, different architects had different plans when it came to designing a building based on the cross
Larger significance/importance:

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3
Q

church militant

A

Who: Christians on earth make up this part of the church
What: one of the 2 major modes of the church, is the church in struggle mode, this is when the church is fighting, which signifies our life on earth, church in militant mode when protestants began their reformation under martin luther in 1517, counter reformation began in retaliation to this, show cased their power by setting up grand and beautiful churches
Where: St. Peters Basilica (had to do with the design plans here, the new seat of power
When: 16th century
Larger significance/importance: the “box” at the bottom of the church is considered militant and the top would be triumphant, considered a metaphor for heaven and earth, example is during reformation and counter reformation church show cased their power during the counter reformation by setting up grand and beautiful churches

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4
Q

obelisk

A

Who: Caligula brought one, somewhere the ones brought by Augustus from Egypt, Bernini designed the one in St. Peters square
What: some obelisks resurrected during the renaissance, obelisk brought by Caligula to dedicate to the sun god it is in the center at st peters square (this is the only intact one left in Rome, only one not knocked down) 13 ancient obelisk in Rome, 8 are egyptian and 5 are roman,
Where: one outside lateran (was found outside circus maximus, brought in as last obelisk added to city of rome by Constantious 2nd) one in st peters square
When: existed in first century bc, during renaissance moved around and resurrected ?
Larger significance/importance: existed in rome but are resurrected, move to new locations during this rebirth of rome, signifies conquest or an important battle

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5
Q

possesso

A

Who: Popes
What: triumphal procession when pope dies and a new one starts, means taking possession of something, pope leaves Vatican and comes to the lateran which is his seat of power, where he is crowned
Where: Via papalis, papal rode, travels in front of roman community to his throne and back to Vatican
When: dates back to 6th century?
Why: pope didn’t need a triumph like in ancient Rome but they created there own type of triumph different the original
Larger significance/importance: he was close to the ultimate predecessor Peter when at the Vatican but the pope holds power as bishop of Rome at the lateran basilica where he holds his spiritual power so the pope goes here to be invested with full powers

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6
Q

latin cross

A

Who: Rafael wanted this to be the design of St. Peters
What: cross where the bar is a little bit higher up, used as an architectural design, originally designed for crucifixion in rome, used as a sign of chirsts resurrection for catholics
Where: seen inside catholic churches, also part of some floor plans of churches, example seen in the shape of Saint Ignatios Loyola Church
When: probably seen in 2nd century but wasn’t used in art until after Constantine
Larger significance/importance: represents Christianity

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7
Q

cosmatesque

A

Who: made by the cosmatti family
What: the style of flooring in church floors, style of decorative stone work, more and more of this seen during the counter reformation
Where: current version of St. Clement and many other church floorings
When: 12th century
Larger significance/importance:

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8
Q

church triumphant

A

Who: Members of Christianity in heaven
What: church victorious, one of 2 major modes of the church, enemy is defeated
Where: St. Peters Basilica (had to do with the design plans here)
When: renaissance, 14th century?? Around the time of designing new st peters
Larger significance/importance: metaphor of heaven and earth, dome of the church is triumphant, represents heaven, church will again become triumphant after the second coming of christ

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9
Q

castel sant angelo

A

Who: Hadrian original commissioner, popes converted into a castle
What: Hadrian’s mausoleum, made of travertine, became a papal fortress in the middle ages, circular drum shape, based off of Augustus mausoleum, wanted a place for his remains and his successors remains, Pope Nicolas III connected it to St. Peters
Where: west bank of the Tiber
When: 2nd century
Larger Significance: There is fortress surrounding it, could protect the pope since close to st peters basilica, the pope had rooms in here for protection. Existed already but renewed as part of the renaissance

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10
Q

pantheon

A

Who: Hadrian (rebuilt multiple times but hadrian was the last one)
What: eastern Roman emperors property, pope turns it into a church, now it is for mary and all the martyrs, huge dome, open at the center,
Where: campus martius
When: 2nd century
Larger Significance: influential design in architecture history, many different uses over the years, largest concrete dome in the world

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11
Q

lateran complex

A

Who: Built by Constantine, owned by Laternus Family
What: where pope holds his power as bishop of rome, oldest catholic church, walls of rome right next to it, in a very bad position, it was dedicated to Jesus upper balcony for papal blessings, obelisk stands outside of it, last obelisk added to the city of Rome by Constantious 2nd, includes a baptisty next to it, symbols of papal sponsorship on top, baptismal font for adults to be baptized, paintings with scenes of constantines conversion
Where: right along the walls of Rome
When: 4th century
Larger Significance: pope holds power here but in a very bad position, unsafe

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12
Q

via papalis

A

Who: Popes
What: the papal road the pope takes for the triumph procession when one pope dies and a new one starts
Where: road from st peters basilica in roman community to his throne and back
When: 16th century ??
Larger Significance: pope lives in one place but he holds certain power in another so this was a way to signify a new pope and where he gets his power

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13
Q

st peters basilica

A

Who: Constantine originally built it, Bramante and Michelangelo, Julius requested it be rebuilt
What: shrine to St. peter, new basilica, arms equal in length each ending with an apse, source of the popes authority, The basilicas in Rome were the first public places for Christian worship. Eventually a new basilica was made because the left wall was leaning a bit. Julius the 2nd decided to tear it down section by section and replaced it that way so that they could still make money from tourism. The architect for the new basilica was Bramante. Also the new basilica was bigger than the old one so they had to move the obelisk by leaning it, dragging it and then putting it back up in the new spot. He makes a new square plan with a Greek cross. He also wanted to put the dome of the Panthenon on top. The project took 150 years to complete and Rafelli eventually took over. He decided to change the plan to have a Latin cross instead. The colonnade symbolizes the embrace of the church around the world.
Where: Vatican City, over the tomb of st peter
When: 4th century by Constantine,14th century is when michealangelo changes the plan back to Greek cross and completes the design?
Larger Significance: Peter is special because he is given control of the church by jesus, building is old but no one wants to destroy the shrine of st peter, Julius 2nd take the challanege and decides to replace it a little bit at a time, major project of the renaissance in Rome, Julius wanted to gain control of Italy and felt the rebuilding of this was a start

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14
Q

column of trajan

A

Who: Trajan
What: column that has a statue of St. Paul on top, built for Trajan when he was emperor, a product of warfare, a symbol of victory, Trajan buried inside, 128 ft tall, topped with statue of the emperor at one point, statue of st peter replaced it, reliefs all down the column, repackaged as a christian vicotry monument
Where: Roman Forum
When: 2nd century
Larger Significance: Most people buried outside of town, big deal that trajan was buried here, reliefs covering the column, low reliefs here showing the war, symbolizes warefare and victory

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15
Q

counter reformation

A

Who: Pope Paul III
What: period of Catholic Revival or resurgence following the protestant reformation after Martin Luther nailed his 95 thesis to the door, problems and abuses elinanted during this time such as indulgences
Where: Rome
When: 16th-17th century
Larger Significance: spent this time to solidify doctrines that the protestants were opposed to, catholic churches rebuttal to the protestant reformation by building grand and beautiful churches

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16
Q

donation of constantine

A

Who: Pope Sylvester
What: Constantine is told to pray to peter and paul, they appear and tell hi to see the pope, Sylvester baptizes constatine and he springs back and his healthy, the story is fabricated, papacy makes deal with Frankish kingsom pope is given land in northern and central italy, pope takes this story and uses it to make it look like Constantine gave him the crown,
Where: Hall of constantine, oratory of saint sylvester
When: 8th century story was made up in early middle ages
Larger Significance: story that makes it look like constatnine gave his crown to the papacy

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17
Q

baroque

A

Who: Urban VIII, Innocent X, Alexander VII, Bernini considered father of this art
What: increase in religious art, upsurge in Roman Catholic Church, highly elaborate and decorative style of architecture
Where: Rome
When: 1600-1750, 17th-18th century
Larger Significance: art was being used as a type of propaganda, cultural movement but rome was at the center of it

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18
Q

early middle ages

A

Who:
What: religion rendered illegal by edicts of the emperor other than Christianity, late antiquity period or the dark ages
Where: Rome
When: 600-1000 AD
Larger Significance: became illegal to be a pagan, marks the beginning of the decline of the of the western Roman empire

19
Q

avignon papacy

A

Who: king of England and kind of France (they get in fight with pope about collecting taxes)
What: when Vatican gets moved to France, remains for 7 decades, popes elected who are loyal to the king of France, eventullay get an Italian pope elected who brings papacy back to rome, makes rome safe again and has restoration of the papacy
Where: France
When: 14th century
Larger Significance: monarchs were able to defeat the pope, papacy is removed for a time beginning and this remained for 7 decades

20
Q

thirty years war

A

Who: Ferdinand II (became holy roman emperor)
What: religious war, protestants vs catholics
Where: Rome
When:17th century
Larger Significance: following the war relgious freedom was more accepted, influence of the church declined

21
Q

protestant reformation

A

Who: Martin Luther sparked this
What: started when Martin Luther a catholic monk in Germany nailed his 95 thesis to a cathedral door
Where: Rome
When: 16th-17th century
Larger Significance: challenges the power of the papacy

22
Q

sack of rome

A

Who: Charles V ruled at this time, protestants attacked
What: protestant soldiers hate ctholics and attack rome since Charles V doesnt pay his army and lookses control of them, this was a sad time for Rome
Where: Rome
When: 1527, 16th century
Larger Significance: population of Rome shrank immensely

23
Q

renaissance

A

Who:
What: classical art is being valued during this time, obsession with nature, revival/rebirth, values of ancient literature, humanism (rediscovering human nature through writings of classical poet), ancient monuments given new life in the renaissance, rebirth of spirit and human condition, term coined by renaissance men, rediscovery of temples and architecture of ancient rome, key theemsa re rhythm, symmetry and harmony
Where: Rome
When: 15th-16th century
Larger Significance: rebirth of ancient things in rome, given new life

24
Q

d. bramante

A

What: architect, hired to help build St Peters Basilica, nickname stood for “the guy smoldering”, first in the distinguished line of architects of the new saint peters, he developed the high renaissance form of the central plan-church
When: 1444-1514, 15rd to 16th century
Larger Significance: trained by as a painter, eventually abandoned painting to become a renowened architect of his generation, his plan is the main idea of st peters, his architectural styles was consistant with humanistic values of the day based on ancient roman models

25
Q

caravaggio

A

What: distinctive personal style, outspoken disdain for classical masters drew him bitter criticism from many painters, one denounced him as “the anti-christ” of painting, he had a troubled life, received many public and private commissions, many painters ended up borrowing from his innovations immense influence on artists outside of italy, signals transition from renaissance to baroque through paintings that feature dramatic lighting and shadows
When: 16th-17th century
Larger Significance: very criticized yet ended up influencing many artists

26
Q

jesuits

A

What: specific group of Christians, catholic faith superior, male religious order, led by ignatious loyola, foundation approved by Paul III
Where: Church of il jesu, headquarter of the Jesuits
When: 14th century founded
Larger Significance: saw themselves as a catholic faith superior, played an important role in the counterreformation, converted many around the world

27
Q

G.L. Bernini

A

What: worked on vatican projects including the colonaded piazza and the stairway in the papal palace, as well as a bronze baladacchino in st peters basilica, he created the David in the Villa Borghese, made this statue show movement, making the marble look flexible
When: 16th-17th century
Larger Significance: was able to make marble look flexible

28
Q

Michelangelo

A

What: become an architect for st peters, not paid for this work, he struggled to carry out bramantes original plan, but retained most of it for his own design, michealnagelo was a sculptor at heart, commissioned by Pope Paul III for multiple projects, designed Capitoline hill,
When: 1475-1564,15th-16th centurty
Larger Significance: amazing at what he did, trusted by the pope for many commissions during his time, known famously for the Sistine chapel ceiling painting

29
Q

pepin iii

A

What: king of the franks, known as pepin the short, had the title patrician of rome, strong supporter of the roman church
When: 8th century
Larger Significance:

30
Q

pope paul iii

A

What: became pope after the sack of rome, he had the piazza del campidoglio improved, council of trent was during his time as pope, called in response to protestantism wars with Charles V military campaigns, recognized new catholic religious orders such as the jesuits, patron of Michelangelo, used him for many projects during his papacy, militant pope
When: 15th-16th century
Larger Significance: initiated the catholic reformation during his papacy, ruled after a really dark time in rome

31
Q

pope julius ii

A

What: thought of himself as another julius caesar, actively fought other powers in europe, he has a loggia he built in Castle Sant Angelo, warrier pope, “peace through war”
When: 15th-16th century
Larger Significance: put himself in the same category as Julius caesar,

32
Q

normans

A

What: northern men are half frank and half viking, known for beating up people and taking stuff, some leave normandy in northern france and some sail around france and spain into the mediterranean, they trash large parts of Rome including the basilica of San Clemente, responsible for the Norman Sack of Rome
When: 11th century
Larger Significance: Destroyed parts of Rome, not from Italy but involved in conflict due to leader disputes

33
Q

the rape of prosperina

A

Who: Bernini
What: Statue showing Hades bringing Prosperina back down to the underworld for 6 months of the year. She ate 6 seeds of a pomegranate which banishes her to the underworld. The other 6 months she can be with her mother. 6 months with her mom represents spring and summer because they are happy and the 6 in the underworld represent fall and winter. Saber depicted next to the statue as a sign of the udnerworld
When: 17th century
Where: Borghese Gallery
Larger Significance: Conflict among the Gods, story descirbes difference in seasons

34
Q

passesto di borgo

A

Who: Pope Nicolas III
What: passageway from vatican to the castle, high enough wall to walk through without being a target, rooms in the castle for pope to live if under attack, passeto means lttle passage, armed corrdior, pope never exposed to danger
When: 13th century
Where: Connects Vatican to Castle Sant Angelo
Larger Significance: Protection for the pope, better location then the lattern defensively

35
Q

apollo roome

A

Who:
What: covered with grotesque paintings due to its unrealistic and weird figures, Paul shown as apollo
When:
Where: Castle Sant Angelo
Larger Significance: celebrates the pope as a kind of apollo to his people

36
Q

saint agnese in agone basilica dome

A

Who: Ciro Ferri
What: Dome supported by 8 columns in a basilica, fresco depicts the apotheosis of St. Agnese
Where: in Piazza Navona in Saint Agnese in Agone Basilica
When: 17th century
Larger Significance: there was a miracle of St. Agnese when her hair grew to cover her nakedness and an angel protected her so this fresco is representing this

37
Q

sant ivo alla sapienza

A

Who: Borromini
What: chapel dedicated to Saint Ives patron saint of jursits, Roman Catholic Church, baroque architecture, originally where the university of Rome was located,
When: 17th century
Where: courtyard of Sapienza
Larger Significance: Borromini played concave vs convex in the upper level, carried unification of the interior space ??

38
Q

palazzo spada

A

Who: Borromini
What: Council of State and Spada Gallery are here today, bought by Cardinal Bernardino Spada, commissioned Borromini to update it in accordance with the baroque style, optical illusion created at the entrance, what a appears to be a life size statue at one end but it is actually only 60 cm high,
When: 17th century
Where: Piazza Capo di Ferro
Larger Significance:

39
Q

piazza navona

A

Who: Innocent X
What: was originally the Stadium of Domitian, at the center has the Four Riveres fountain created by bernini in the 17th century, church of sant agnese in agone, palazzo pamphilji also here, transformed in baroque roman architecture during pontificate of Innocent X
When: 16th-17th century
Where: Campus Martius
Larger Significance: highly significant example of roman baroque architecture

40
Q

Borghese Gallery and Museum

A

Who: Ponzio
What: Art gallery, houses paintings and sculptures started by Cardinal Scipione, has been used as a national museum since the early 1900s, not originally for art museum but for the Scipione family
When: 17th century
Where: Villa Borghese
Larger Significance: houses some of the greatest works of art in italy

41
Q

Two Busts of Cardinal Scipione

A

Who: Bernini
What: 2 marble identical sculptures, movement in lips and in the clothing, he was a cardinal for the roman church, orignal bust had a crack so bernini created another, both edned up being saved to be put on display, made of carrara marble,
When: 17th century
Where: Villa Borghese
Larger Significance: Cardinal Scipione established this place so it was in recognition of him

42
Q

ponte sisto

A

Who: Pope Sixtus V
What: Bridge built on old Roman foundation (original destroyed in early Middle Ages)
Where: Trastevere
When: 1473-1479, 15th century
Why: reconnected the two sides of the Tiber River
How: Built with blocks from the Colosseum
Larger Significance: One of the first Roman bridges to be reconstructed after the Middle Ages

43
Q

oratory of saint sylvester

A

Who: Stefano Conti
What: Inside the basilica shows the Donation of Constantine story on the walls,
Where: Basilica of SS Quatro Coronati
When: 1250, 13th century
Larger Significance: use this fabricated story to make it look like the pope was given the crown