extra study guide Flashcards

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1
Q

baroque musicians frequently had to obtain the permission of their employers in order to move to a new position

A

True

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2
Q

the greatest oratorio by JS Bach was the Messiah

A

False it was composed by handel

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3
Q

the well tempered clavier contains 48 preludes and fugues

A

true

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4
Q

bach achieved great fame as a composer in his ;ofe

A

false he was known for keyboard

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5
Q

opera had its origins during the baroque period

A

true

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6
Q

one melody supported by chordal accompaniment

A

homophonic texture

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7
Q

reinforcment of the bass line by harpsichord and cello

A

basso continuo

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8
Q

features a group of soloist with orchestra accompaniment

A

concerto grosso

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9
Q

monologue/ dialogue of the opera

A

recitative

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10
Q

aria

A

lyrical song from an opera

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11
Q

castrati

A

male sopranos and altos

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12
Q

a work based on the event surrounding the crucifixion of christ is called the

A

passion

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13
Q

which of the following would not appear in a baroque suite

A

concerto

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14
Q

a method of music al shorthand frequently used during the Barque period was called

A

fingered bass

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15
Q

dynamics in the baroque period were

A

terraced

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16
Q

rhythmic vitality melodic angularity and stress of major minor toneality features of that period in the music history known as the

A

baroque period

17
Q

which composition would not be considered an instrumental piece

A

oratorio

18
Q

the _____is basically a small scale orotorio

A

cantata

19
Q

the small group of solo performers in a concerto gross is called the ____ while the larger ensemble is called the ________

A

concertino principale; tutti/ripieno

20
Q

the _____was basically a large three part from ABA in which the singer was expected to embellish the return of the A section

A

de capo aria

21
Q

the keyboard instrument commonly utilized during the baroque period for playing the basso continuo line was the _____

A

organ or harpsichord

22
Q

the imitative form of the baroque period frequently coupled with a prelude or toccata was the

A

fugue

23
Q

a form consisting of a number movements which were most often dances was the baroque

A

baroque dance suite

24
Q

not a vocal composition

A

fugue

25
Q

which of these composers helped to perfect the use of the imitative counterpoint

A

josquin des prez

26
Q

what name is given to the period of history from 1450-1600

A

Renaissance

27
Q

leonin and perotin contributed such invention as the staff and do re mi syllables which helped in the development of

A

notation

28
Q

type- oratorio
performance medium: choir orchestra
texture- uses all 3 textures
most famous choral work

A

messiah hallelujah chorus

29
Q
type- plain chant
medium- vocal
texture - monophonic
sacred
middle ages
A

play of virtues

30
Q

type: concerto grosso
form: ritornello
medium: orchestra

A

bradenberg concerto no 2 BACH

31
Q

medium: vocal
type:madrical
word painting
renaissance

A

since robin hood

32
Q

form ritornello
medium violin
type solo concerto
soloist violin

A

winter vivaldi

33
Q

fomr fugue texture polyphinc medium organ

A

fugue in Gm

34
Q

the characteristic texture of the renaissance with four or more equally prominent voices

A

polyphonics