Exploring your World - The Outsiders Flashcards

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1
Q

What is Context?

A

Context is the surroundings of events.

Example: Who, What, When, Where, How and Why?

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2
Q

What does Context do?

A

Context illuminates the meaning and relevance of the text, and may be something cultural, historical, social or political.

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3
Q

What is Context all about?

A

Context is all about providing a background or picture of the situation, and of who is involved.

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4
Q

What does Context help with?

A

Context helps readers understand the views and movements prevalent in society at the time of writing.

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5
Q

How to have a strong ‘voice’ in fiction?

A
  • The text shows personality. The writer has written the narrative to be read and enjoyed by an audience, not just as an assignment. There is a connection between the writer and the reader.
  • The language helps the reader “see” what is happening in the writing by including imagery and details that add authenticity.
  • The writer has created a real sense of the protagonist by showing feelings and emotions in the text. The use of evaluative comments is critical to voice.
  • The writer has used vocabulary / sentence structure and detail that evoke the culture and time being represented.
  • The reader gets a real sense of humour, sadness, happiness, suspense, excitement etc from the writing.
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6
Q

What is ‘Voice’?

A

The voice is the writer coming through the words, the sense that a real person is speaking to us and cares about the message. It is the heart and soul of the writing, the magic, the wit, the perspective.

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7
Q

What do good writers do with their ‘voice’?

A

Good writers can vary their voice depending on the purpose of the message. For instance, a love letter carries a different tone than a letter to one’s lawyer. A good writer also varies his or her voice with the form of writing being used at the time; expository, persuasive or descriptive &; and then within that category to set the correct mood. Correct voice is largely a factor of correct word choice, but other factors are involved, as well, such as length of the sentences and the flow of those sentences; the choice of detail to include; use of evaluative comments

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8
Q

What is Bildungsroman: The Coming of Age Story

A
  • A novel that focuses on “the moral, psychological, and intellectual development of a main character” (Buckley)
  • This main character is almost always a child
  • The reader follows this character as he/she gains a better understanding of the world
  • It’s a literary genre
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9
Q

How does Bildungsroman work?

A
  • A bildungsroman consists of four stages, stages that characters must face on their path to maturity
  • Because of these stages, the reader usually follows the character for a number of years.
  • Sometimes, the reader literally follows the protagonist from childhood to adulthood.
  • Other times, the reader follows the protagonist from child like thoughts/feelings to more mature understandings of the world around him/her
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10
Q

Step One of Bildungsroman:

A
  • The protagonist experiences an event that sets him/ her on a journey
  • This experience is usually a tragic loss or sense of unhappiness causes the character to leave his/her home or family. (Howe)
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11
Q

Step Two of Bildungsroman:

A
  • The character is almost always stuck in an “unbending social order” where society has strict rules that one is supposed to follow (Howe)
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12
Q

Step Three of Bildungsroman:

A
  • A majority of the character’s conflicts result from this social order, where the character struggles between his/her personal needs and “the judgments enforced by this unbending social order.” (Howe)
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13
Q

Step Four of Bildungsroman:

A
  • Eventually, the character learns how to fully enter society. The novel ends with the character evaluating himself/herself and his/her new place in society (Howe)
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14
Q

Outcome of Bildungsroman:

A
  • It typically ends on a positive note
  • The hero or heroine has made some mistakes and experienced painful disappointments, but he/she is able to move on and put those experiences behind him/her
  • End suggests a productive, happy future
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15
Q

How is a narrative and a story different?

A

NARRATIVE is a recount of events while STORY is the deliberate engaging of an audience through plot, character and voice.

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16
Q

Characteristics of First person?

A
  • Words “I”, “My” are used
  • Perspective of one character
  • In present or past tense
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17
Q

Pros of first person narrator:

A
  • It accommodates many different writing styles
  • It offers a factual, less ‘fictional’ presentation of the story
  • It follows one character through a growing experience
  • It can show a greater emotional depth
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18
Q

Characteristics of second person?

A
  • “You”
  • External narrator
  • Used in blog posts, non-fiction, Choose Your Own Adventure, and self-help books
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19
Q

Characteristics of third person?

A
  • He/She/They
  • Describing
  • External narrator
  • Logical level
  • Emotional level
  • Some distance
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20
Q

Advantages of the third person narrative

A
  • Robust character development.
  • Wider narrative scope
  • Gives the reader a 360 degree of the plot
  • Narrative flexibility.
  • Character flexibility because you can be everywhere, help your reader see everything, and switch between various characters’ stories.
  • This style gives you the ability to be inside a character’s thoughts, feelings, and sensations, which can give readers a deeper experience of character and scene.
  • An authoritative, trustworthy narrator.
  • The narrator above the action, creating a bird’s-eye-view of the story.
  • The character is reliable as they have nothing at stake
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21
Q

What is a Limited Point of View?

A

The ‘close third’ person is used to build interest and heighten suspense.

22
Q

What is a Omniscent Point of View?

A

The omniscient narrator knows everything about the story and its characters.

23
Q

Wit Definition:

A

the capacity for inventive thought and quick understanding; keen intelligence.

24
Q

What does the Purpose do for a story?

A

The purpose of narratives is to tell a story.
They can teach the reader a moral or a lesson.
They can be both informative and entertaining.

25
Q

What is Narrative Structure?

A

Narrative structure describes the way a story is composed. Narrative structure can be linear or non-linear.

This structure might also be used to give background information about characters and events, especially if the events occurred before story began.

Finally, flashbacks can be used to create parallels between past and present. Readers are better able to identify similarities between past and present when events are placed in close proximity to each other.

26
Q

What happens if a story has a linear narrative structure?

A

The events occur in chronological order.

27
Q

What happens if a story has a non-linear narrative structure?

A
  • Events are told out of chronological order and might employ flashbacks to jump back in time.
  • Authors might use a non-linear narrative structure to create suspense. When the reader does not have all the information, the story is more intriguing.
28
Q

How to Structure a narrative? (Letters)

A

OSCRC
O - Orientation
S - Series of Events
C - Complication
R - Resolution
C - Coda (optional)

29
Q

Purpose of Orientation:

A

A short introduction about the main characters and settings. Who, what, when, where, why?

The main purpose of your orientation is to ‘hook’ the readers’ interest and make them want to read on.

30
Q

Purpose of Series of Events:

A

Well structured, and sequenced events which tell the reader a story, and reveal more about the information presented in the orientation.

31
Q

Purpose of Complication:

A

This is embedded into the series of events. It is where a potential problem occurs and the whole narrative is based around this, and how it will be solved.

32
Q

Purpose of Resolution:

A

The complication is resolved and the narrative ends.

33
Q

Purpose of Coda:

A

Gives the audience some extra information in regards to how the character(s) were feeling, how they have changed, and what could be taken from this narrative.

34
Q

How to ‘hook’ readers and keep them engaged?

A

Action: Get straight to the point; begin your narrative in the heat of battle.
‘Charging at the old, abandoned door of the house, he used all his strength to force it open.’

Dialogue: Slightly less dramatic than full-blown action, but still gets into the story quickly.
‘“How on earth could that have possibly happened!” complained Andrew.’

Character: Immediately give the readers someone to connect with.
‘Her curls of golden hair fell across her face, catching the light from the glistening moon.’

Setting: Immediately give the readers somewhere to imagine.
‘The stale smell lingered in the air. The smell of rotting wood could be sensed from towns away. It had not been entered for years.’

35
Q

Should you raise questions in the Orientation to keep them engaged?

A

Action: Get straight to the point; begin your narrative in the heat of battle.

‘Charging at the old, abandoned door of the house, he used all his strength to force it open.’

*What’s behind the door? Is he running away from something? Does he want to get in or out?

Dialogue: Slightly less dramatic than full-blown action,
but still gets into the story quickly.

“How on earth could that have possibly happened!”
complained Andrew.’

*What has happened? Who is Andrew?

Character: Immediately give the readers someone to connect with.

‘Her curls of golden hair fell across her face, catching the light from the glistening moon.’

*Who is this girl? What is so great about her?

Setting: Immediately give the readers somewhere to imagine.
‘The stale smell lingered in the air. The smell of rotting wood
could be sensed from towns away. It had not been
entered for years.’

*Where do you think this place is?
Why do you think it has not been entered?
Why do you think rotting wood can be smelt?

36
Q

What types of forms can narratives be written with?

A

myths, fairy tales, fables, parables, science fictions, adventure, historical, romance, mystery, horror, humorous and fantasy stories.

37
Q

What character traits does Ponyboy have in the Outsiders?

A

Ponyboy is a reliable and earnest narrator, and the seriousness of his narration reflects the seriousness of his story. Moments of humor and levity are few and far between and are often provided by Two-Bit. Although the entire story is told from Ponyboy’s point of view, he is a deft enough storyteller that the reader doesn’t feel the absence of other perspectives. Specifically, Ponyboy’s use of dialogue allows the reader to hear different perspectives without changing the novel’s point of view. When Ponyboy and Randy are talking in the car before the rumble, we empathize with Randy’s decision not to fight because we are hearing the conversation from Ponyboy’s perspective, and we know that Ponyboy is truly attempting to understand the Socs point of view.

38
Q

How is The Outsiders written?

A

The Outsiders is written from the first-person point of view. Ponyboy is the protagonist and the narrator and refers to himself as “I” throughout the story. Additionally, the reader experiences the events from Ponyboy’s perspective. The use of the first-person point of view closes the distance between the reader and Ponyboy by creating a sense of intimacy in the reading experience. We see what Ponyboy sees, and we feel what he feels. Experiencing the events of the novel while perched on Ponyboy’s shoulder intensifies the reading experience because we become invested in the outcome of Ponyboy’s story.

39
Q

What things make it obvious that The Outsiders was written in first person?

A

Ponyboy is an articulate and sensitive narrator and immediately draws the reader into seeing things from his point of view. The first-person point of view also means that the reader becomes reliant on Ponyboy for information about the story, setting, and characters and focuses the reader’s attention on the important people in Ponyboy’s world. For example, we know from the first few pages that Darrell has cold blue eyes and is hard, physically and emotionally. Because the characters jump off the page so early in the book, we know immediately that the focus will be on Ponyboy and his friends.

40
Q

How does The Outsiders being written in first person make it suspenseful?

A

In other ways, however, being dependent on Ponyboy’s point of view can be limiting to the reader. For instance, we don’t learn until three-quarters of the way through the book that the story takes place in Oklahoma, when Two-Bit says, “I thought all the wild Indians in Oklahoma had been tamed.” From this statement, we can extrapolate that the story takes place in Tulsa since we know the story takes place in a medium-sized city. Puzzling out information about the book’s setting take a bit of work on the part of the reader. However, the author’s choice to relegate information about the setting to a mere aside reiterates that the focus of the book is the characters, and that is where the reader should invest their emotional energy.

41
Q

What is the positives about The Outsiders being written in first person?

A

Ponyboy’s first person focus on the characters rather than the setting also gives a sense of universality to the story. A reader doesn’t need to understand the culture of Tulsa to empathize with these characters. We may not know someone exactly like Johnny, but we have probably known someone who is vulnerable and sensitive. We might not have a Dallas in our lives, but we probably know someone who is wild and tough.

Interestingly, the first-person point of view sets limitations as the narrative stops completely due to Ponyboy falling asleep or fainting. There are large chunks of time that are lost to the reader due to Ponyboy’s being unconscious.

Experiencing the story through Ponyboy’s eyes creates an emotional attachment to and investment in the characters that is immediate and powerful from the first pages of the book.

42
Q

Rumble Definition:

A

to engage in a gang fight

43
Q

Mugged Definition:

A

Attacked with intent to rob

44
Q

Lynx Definition:

A

A wilcat with thick, soft fur, a short tail, and tufted ears

45
Q

Bawling Definition:

A

Crying or sobbing loudly

46
Q

Reckless Definition:

A

Without care for consequences or danger

47
Q

Vacant Definition:

A

Empty; unoccupied

48
Q

Nonchalantly Definition:

A

In an unconcerned manner

49
Q

Incredulous Definition:

A

Doubtful; disbelieving; skeptical

50
Q

Stocky Definition:

A

Solidly built; sturdy or chubby

51
Q

Roguishly Definition:

A

Deceitfully; mischievously