Exam 3, Part 1 Flashcards

1
Q

Camera obscura

A

Creat pics in darkroom, upside down, was used as daring aid

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2
Q

Daguerreotype

A
  • invented by Louis Daguerre
  • First photographic process (1839)
  • Copper plates
  • One copy
  • most popular in early days due to its sharpness
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3
Q

Calotype

A
  • Invented by Talbot
  • Announced shortly after Daguerreotype
  • Negative on paper
  • Less popular due to less sharp
  • benefit: can make copies
  • Were printed using “salted pater process”
  • some people the lack of details made in more artistic
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4
Q

Salted paper process

A

A way to print calotype

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5
Q

Wet-collodion

A
  • Invented by F. Scott Archer (1851)
  • Produced a negative image on glass
  • made the sharpness of daguerreotype and the copy ability of calotype
  • most popular by photographers
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6
Q

Autochromes

A
  • invented by Lumiere brothers
  • First color photographic process
  • Image on glass
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7
Q

Leica

A
  • First 35mm camera (1925)

- Fast, portable, and good quality

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8
Q

Joseph Nicephore Niepce

A
  • Invented Heliograph
  • partnered with Daguerre
  • First known photograph of rooftops and windows: “View from the Window at Gras”
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9
Q

Louis Daguerre

A
  • invented Daguerreotype and diorama

- began as a painter

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10
Q

W. H. Fox Talbot

A
  • Invented Calotype (talbottype)
  • salted paper printing process
  • Origins of neg/pos process
  • when he trie to enforce patents it resulted in less use of calotype
  • Published 6 volume set of his work: “the pencil of nature”
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11
Q

Hippolyte Bayard

A
  • invented direct positive prints on paper process
  • His experiments got rejected by French governments in favor to daguerreotype
  • most famous photo: “Drowned man” - first photo to express an idea
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12
Q

D. O. Hill and Robert Adamson

A
  • Made calotype s in Scotland
  • mostly portraits of fishermen and their families, and scenic views
  • Making striking use of light and shadows outdoors,
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13
Q

Historic Monuments Commision

A
  • Formed by French government

- purpose to make record of all monument and historic buildings in France

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14
Q

John Mayall

A

He said - “Ideality is unattainable and imagination supplanted by the presence of fact”

  • was critical to photography
  • only records of fact, and no imagination needed
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15
Q

Eugene Disderi

A
  • Invented “Carte de visite”
  • Ran fashionable studio in Paris
  • effects from carte de Visite was a further reduction in standards of mass-production
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16
Q

George Eastman

A
  • invented Kodak box camera
  • “you push the button, we do the rest”
  • the company became Eastman Kodak
17
Q

Nadar

A
  • Real name: Gaspard Felix Tournachon
  • ran portrait studios in Paris
  • believed that light was the key to photography
18
Q

Edward Steichen

A
  • Made cityscapes and natural landscapes
  • used gumbichromate process to achieve painterly effect
  • Most memorably pic is the Flatiron Building in NYC
19
Q

Alfred Stieglitz

A
  • 30 years of pics of NYC
  • Many sharp photos of constructions and changes in the city
  • inspiration for others of taking pics of clouds and emotional state of mind
20
Q

Eugene Atget

A
  • 20 years of photos in paris (morning light)

- became famous after his death

21
Q

Garry Winogrand

A
  • street photographer
  • daily life photos, random style
  • thousands of films prompted criticism
  • he believed: “a camera neither lies nor tells truth, rather transforms the world”
22
Q

Maxime Du Camp

A
  • French photographer
  • Went to take pictures of Egypt
  • used Calotype process
23
Q

Picturesque

A
  • a term used to describe photographs of natural scenes

- “stirred fine thoughts and feelings in the viewer”

24
Q

Ansel Adams

A
  • Grand Views of the West
  • Invented zone system, ideas of pre-visualization
  • one of the founders of group f64 (whose members believed that good photograph should be sharply focused from front to back
25
Q

F64

A

A group who thought good photographs should always be focused from front to back
- founded by Ansel Adams, and more

26
Q

Edward Weston

A
  • pcs of nude in different approaches

- Stark, sensual, in nature

27
Q

Minor White

A
  • believed photography could be used a path to mystical experiences and spiritual growth
  • Both abstract and representational images
28
Q

William Jenkins

A
  • curated “New Topographics” (centering the views of “man-altered landscape”)
  • inspired by the work of American landscape photographers
29
Q

Robert Adams

A
  • new Topographer
  • Developed a neutral style, in contrast to Ansel Adams
  • influenced by Particularly T. O’Sullivan
  • Wanted to show mans impact on the landscape
  • Often included signs if people in his pics
30
Q

Hippolyte Bayard

A

Self portraits, ‘Drowned Man’