Exam 3 Flashcards

1
Q

Is a sculptural technique where the sculpted elements remain attached to a solid background of the same material

A

Relief

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2
Q

Is a projecting image with a shallow or well depth, for example used on coins

A

Low relief

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3
Q

Are modeled forms that project from the background by at least half their depth.

A

High-relief

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4
Q

A type of sculpture in which the figures are presented in complete three-dimensional form and are not attached to a flat background

A

In the round

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5
Q

Is an additive process. This means a soft material is worked by the artist to build up a shape or form (rather than talking material away in carving). Also unlike carving, soft materials such as clay and wax can be changed and reworked

A

Modeling

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6
Q

Involves making a mold and then pouring a liquid material, such as molten metal, plastic, rubber or fiberglass into the mold. A cast is a form made by this process. Many sculptures are produced by the artist modeling a form (normally in clay, wax, or plaster). This is then used to create a mold to cast from. A mold can be cast more than once, allowing artists to create editions of an artwork.

A

Casting

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7
Q

A casting process for which a sculptor must first produce the sculpture in wax. This method of metal casting requires a molten metal to be poured into a mold that has been created by means of a wax model. Once the mold is made, the wax model is melted and drained away.

A

Lost-wax casting

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8
Q

Is a sculptural technique that involves using tools to shape a form by cutting or scraping away from solid material such as a stone, wood, ivory, or bone

A

Carving

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9
Q

Is an Italian term that means counter poise. It is used in the visual arts to describe a human figure standing with most of its weight on one foot so that its shoulders and arms twist off-axis from the hips and legs in the axial plane

A

Contraspposto

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10
Q

Is used to describe large-scale, mixed media constructions, often designed for a specific place or for a temporary period of time

A

Installation art

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11
Q

Is a form of pottery treatment in which the surface of the pot is polished, using a hard smooth surface such as a wooden or bone spatula, smooth stones, plastic, or even spoons, while it still is in a leathery ‘green’ state or moldable state, before firing. After firing, the surface is extremely shiny.

A

Burnishing

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12
Q

A ceramic made from mixing kaolin with porcelain stone

A

Porcelain

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13
Q

Made by cutting sheets of colored glass in various colors and fitting them together in a pattern; often the segments are joined by strips of lead

A

Stained glass

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14
Q

Is when metal is shaped by hammer blows

A

Metal forging

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15
Q

Is a wildly renewable, available, easy-to-work with material. It has been used throughout history for ritual and daily purposes. Because wood is organic and vulnerable to heat, cold, water, and fire, wooden objects from the past are rare to find

A

Wood

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16
Q

Is a pliable threadlike strand. Most naturally occurring fibers are either animal or vegetable in origin. Basket weaving is a traditional women’s art that has been used throughout the centuries

A

Fiber

17
Q

An art used to create the clothing we wear daily.

A

Textile

18
Q

Made from the sap of a tree originally only found in China.

A

Lacquer

19
Q

Is when an artist dips up a mass of molten glass at the end of a metal tube and blows into it creating an air bubble that can be shaped, hollowing the vessel

A

Glass blowing

20
Q

Refers to the amount of stretching stress a material can withstand before it breaks or bends

A

Tensile strength

21
Q

Is a building system where strong horizontal elements are held up by strong vertical elements with large spaces between them

A

Post and lintel

22
Q

Interior space whose roof rests on pillars or columns. Literally means “below columns”

A

Hypostyle

23
Q

The shaft of the column may be smooth or fluted; does not have a base; capital is rounded stone disk supporting a plain rectangular slab

A

Doric

24
Q

The shaft is fluted and rests on a stepped base; capital is carves in graceful scrolling forms called volutes

A

Ionic

25
Q

Shaft is fluted and rests on a more detailed stepped base; elaborate capital is carved with motifs based on stylized acanthus leaves

A

Corinthian

26
Q

In architecture, the decorative sculpted block surrounding a column

A

Capital

27
Q

Is a horizontal, continuous lintel on a classical building supported by columns or a wall, comprising the architrave, frieze, and cornice

A

Entablature

28
Q

The wide central section part of an entablature and may be plain in the ionic or Doric order, or decorated with bas-reliefs

A

Frieze

29
Q

The uppermost element of an entablature, which projects beyond the plane of the exterior wall; more generally, the overhanging molding atop any building

A

Cornice

30
Q

Lowest band of the entablature

A

Architrave

31
Q

The triangular upper part of the front of a building in classical style, typically surmounting a portico of columns

A

Pediment

32
Q

Curved structure usually wedge-shaped stones that serves to span an opening

A

Arch

33
Q

A wedge-shaped stone placed in the crown of an arch

A

Keystone

34
Q

A half-round arch extended in depth

A

Barrel vault

35
Q

Formed by the intersection of two barrel vaults of equal size at right angles

A

Groin vault

36
Q

A series of arches supported by piers or columns

A

Arcades

37
Q

Curved vault built to cover an interior space; takes form of shell

A

Dome

38
Q

A round opening at the center of a dome

A

Oculus

39
Q

Was an American architect, designer, writer, and educator. He designed more than 1,000 structures over a creative period of 70 years.

A

Frank Lloyd Wright