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Art Appreciation > Exam 2 > Flashcards

Exam 2 Flashcards

1
Q

Focused on drawings and prints-etchings and woodcuts early on; lithographs when her eyesight grew weaker. She was known for is a stone memorial she carved for the cemetery

A

Käthe Kollwitz

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2
Q

July 28, 1914-November 11, 1918

A

World War I

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3
Q

Permanent image

A

1826

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4
Q

Photo of a person

A

1839

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5
Q

When did the first process for photomechanical reproduction-high speed printing of photographs along with type-came into being, and with it a new concept, photojournalism

A

1900

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6
Q

Is a black crumbly drawing material made of carbon and often used for sketching and under drawings for paintings, although can also be used to create more finished drawings

A

Charcoal

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7
Q

A spray of shellac or plastic polymer used in charcoal and pastel drawings to ensure a permanent bond to the paper

A

Fixative

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8
Q

Is a soft powdery white or off-white writing or drawing material in crayon form, generally used on blackboard or other dark surface

A

Chalk

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9
Q

Colored chalks in sticks that are a combination of loose dry pigment and a binder of paste or methylcellulose

Edgar Degas used this for the singer in green

A

Pastels

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10
Q

A glue-like substance that holds pigment together, the type of which determines the nature of the medium; for example, oil is the binder in oil paint. Used in all the colored media

A

Binder

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11
Q

A colored drawing medium with a waxy or oily binder that adheres to paper; does not require fixative

A

Crayons

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12
Q

A versatile drawing crayon developed in the late 1700s. It comes in a variety of degrees of hardness and can be used to create both subtle tones and dense blacks

Bill Ward used this for surprises at Dinner

A

Conté Crayons

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13
Q

Descendants of the stylus of classical times and ancestor of the modern pencil, a small, sharpened metal rod used for drawing precise compositions on paper or parchment. Also known as Silverpoint

Filippino Lippi used this

A

Metal point

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14
Q

Collage describes both the technique and the resulting work of art in which pieces of paper, photographs, fabric and other ephemera are arranged and stuck down onto a supporting surface

Romare Bearden Mysteries

A

Collage

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15
Q

Is the coloring component of paint. Derived from either natural or synthetic sources. When mixed with binders it becomes paint, ink, or crayon, etc

A

Pigment

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16
Q

The visual Plane where art elements or figures are organized. When elements are added to the ground, it becomes, and it’s self, a shape called the negative form, and must be consciously dealt with. The surface of a two dimensional work apart. A wax coating that resist acid use an etching

A

Ground

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17
Q

Is a painting medium that is at least 7000 years old. It is created by mixing color pigments with hot beeswax and then painting the mixture on a surface before it cools. After it hardens, the wax service is remarkably permanent, and the painted Colors can retain their brilliance for thousands of years

Young women with gold pectoral

A

Encaustic

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18
Q

A permanent wall painting technique in use since ancient times. Pigment water is brushed directly into fresh, wet plaster. As a plaster dries, the pigment is bound into it and literally becomes part of the wall itself

Raphael, school of Athens

A

Fresco

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19
Q

A painting medium in which pigments are mixed with egg yolks sometimes called egg tempera

Girolamo dai Libra used this

A

Tempera

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20
Q

A thick paste of gypsum and animal glue, it produces a bright white surface that paint adheres to

Andrew Wyeth

A

Gesso

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21
Q

Is a form of a slow drying pain that consist of particles of pigment suspended in a trying oil that forms a tough colored film on exposure to ai

Petrus Christus

A

Oil paint

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22
Q

Paint diluted and made transparent. Often built up in layers on top of underpainting to create the illusion of three-dimensional forms

A

Glaze

23
Q

Thick paint that reveals the action of brushstrokes

JMW Turner

A

Impasto

24
Q

Is an impression made by any method involving transfer from one surface to another

Käthe Kollwitz

A

Print

25
Q

Is a copy or replica of a work of art made from the master. A commonly refers to a series of identical impressions or prints made from the same printing surface

Käthe Kollwitz

A

Edition

26
Q

Means of making prints by creating a raised design on a flat surface. The design is inked or covered with color and stamped on paper or another surface

A

Relief Print

27
Q

A method of relief printing from a block of wood cut along in the grain

Käthe Wollitz

A

Woodcut

28
Q

A printmaking method the state from wood cut in that the line is incised into the wood block rather than background being cut away to leave a line in relief

José Guadalupe Posada

A

Wood Engraving

29
Q

A linocut is a relief print produced in a manner similar to a wood cut but that uses linoleum as a surface into which the design is cut and printed from

John Muafangejo

A

Linoleum cut

30
Q

Describes any printmaking technique in which the image is produced by incising into the printing plate the incise line or area holds the ink and creates the image

A

Intaglio

31
Q

Is a printmaking technique that involves making incisions into a metal plate which retain the ink in form the printed image

Albert Dürer

A

Engraving

32
Q

Is a print making process in which a design is John on a plate with a sharp pointed needle like instrument

Käthe Wollitz

A

Drypoint

33
Q

Is an engraving technique developed in the 17th century which allows for the creation of prince with soft creations of tone and rich and velvety blacks

John Martin

A

Mezzotints

34
Q

Is it print making a technique that uses chemical action to produce in size lines in a metal printing plate which then hold the applied ink and form the image

Käthe Wollitz

A

Etching

35
Q

Is a printmaking technique that produces tonal effects by using acid to eat into the printing plate creating sunken areas which hold the ink

Francisco de Goya

A

Aquatint

36
Q

Print making process in which a photographic negative is transferred onto a copper plate

Alfred Stieglitz

A

Photogravure

37
Q

Is a printing process that uses a flat stone or metal plate on which the image areas are worked using a greasy substance so that the ink would hear to them by while the non-image areas or made ink repellent

Käthe Wollitz

A

Lithography

38
Q

A variety of stencil printing using a screen made from fabric stretched highly over a frame

Shepard Fairey

A

Screenprinting

39
Q

Is a form of printmaking where the image can only be made once unlike most part making which allows from multiple originals

Nichole Eisenman

A

Monotype

40
Q

Is an object upon which a design has been formed in which is then used to make an impression on a piece of paper does creating a print

A

Matrix

41
Q

Is the method of correlating overlapping colors on one single image. There are many different styles and types of registration, many of which employ the alignment of specific marks

A

Registration

42
Q

“Silk-writing”

A

Serigraphy

43
Q

Printing for my flat surface, as opposed to a raise surface or incised surface. Lithography and offset lithography or planographic processes that rely on the property that water will not mix with oil

A

Planographic

44
Q

Refers to the process or practice of creating a photograph an image produced by the action of light on a light sensitive material

The art or process of producing images by the action of radiant energy and especially light on a sensitive surface

Ansel Adams

A

Photography

45
Q
  • Latin for dark room
  • an optical device that projects an image of its surroundings
  • One of the inventions that led to photography
  • Consist of a box or a room with a hole in one side light from an external seen passes through the hole and strikes the surface inside where it is reproduced upside down
A

Camera Obscura

46
Q

Took the first permanent image

A

Joseph Nicéphore Niépce

47
Q

Created Daguerreotype

A

Louis Daguerre

48
Q

Took the first selfie

A

Robert Cornelius

49
Q

Took the Migrant Mother

A

Dorothea Lange

50
Q

Horse Galloping; calotype

A

Eadweard Muybridge

51
Q

Who developed the brownie

A

George Eastman

52
Q

Albumen print from glass negative

A

Emulsion Plates

53
Q

Was the subject of the migrant mother

A

Florence Owens Thompson

Art Appreciation (5 decks)

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