Exam 3 Flashcards

1
Q

Dorothea Lange

A

Influential American Documentary Photographer/PhotoJournalist

Social Realism Period

Best Known for Depression Era Work for the Farm Security Administration and Resettlement Administration.

This agency oversaw loans, migrant camps and agricultural education. Stryker hired other photographers Walker Evans, Berenice Abbott…

Dorothea Lange cared about social justice and how photography could reveal inequality. She focused on the plight of migrant farmworkers.

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2
Q

Walker Evans

A

Photographed for the Farm Security Administration. He was the bad boy.

Social Realism Period

He saw Eugene Atget’s photographs and liked the recording of historical buildings and streets.

He believed in finding scenes and objects whose appearance implied a story or acted as a metaphor for an attitude toward life.

Desire to record handmade advertising signs, austere domestic interiors, and lifted poverty and the economic effects of the Depression into picturesque. He continued with artful documentary pics of the subways.

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3
Q

James Van Der Zee

A

Popular Portraitist/Street Photographer

African American/ Leading Figure in Harlem Resistance

Photographed Middle Class African American life–post war mass movement of blacks from the south to take factory jobs in northern cities–in idealistic images

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4
Q

Henri Cartier Bresson

A

French Photographer/Father of PhotoJournalism

Captured and imprisoned by Germans in the war but escaped to join the French Resistance and recorded the reaction of French people to those who aided the Nazis.

He sought the decisive moment that told the story of the denunciation of a French Gestapo informer…

Eye-Witness documentary style during World War II

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5
Q

Robert Frank

A

Photographer and Documentary Filmmaker

1958 Book “The Americans” captured the sense of unfulfilled lives and spiritually vacant environments of the post-World War 2 Period

Mentor/Friend was Walker Evans

He saw a soul damaged population, full of violence, ignorance and despair.

“The only mobile person in Robert Frank’s The Americans is the artist himself” There were sometimes American Flags.

Shoots gritty, tilted and blurred. Fragmented Indecisive Moments.

Frank said “Photography is a solitary journey for creative photographers and only few accept this fact”

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6
Q

W. Eugene Smith

A

Photojournalist
(Specialized in Photo Essay)
Political Related Photographs

Brutally Vivid World War 2 Images- pictures centered on the physical and emotional experiences of soldiers on the front line

War Correspondent for America against Japanese and got injured

Refused to use medium format cameras

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7
Q

Robert Capa

A

“If you’re pictures aren’t good enough, you aren’t close enough”

War Photographer and PhotoJournalist (D-Day, Russian Ruins)

Worked for Life Magazine

Speculation over the legitimacy of “Death of a Loyalist Soldier” which was taken before World War 2 during the Spanish Civil War

Action Shots that weren’t in true focus

Friends with Henri Cartier Bresson

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8
Q

John Baldessari

A

Conceptual Artist

Burned his easel works and turned to photography and video “I will not make anymore boring art”

200

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9
Q

Roy DeCarava

A

African American Photographer
Harlem Renaissance Times
Published book The Sweet Flypaper of Life

He didn’t want to make a sociological report or advocate reform measures, just wanted to render Harlem artistically

Thick shadows or blurred images, sharp light and shade

In 1963, he formed Kamoinge, a forum for African American photographers. He felt black people weren’t being portrayed in a serious or artistic way.

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10
Q

Minor White

A

Photographer/Spiritual Activist

He sought spiritual insights in poetry, psychological theory, myth, and religion. He was seen as a mystic, “your photographs are still mirrors of yourself, raw, naked..”

He admired Stieglitz, Edward Weston and Ansel Adams
Founded Aperture along with Dorothea Lange and Ansel Adams

Surrealism, Abstraction, Pictorialism

White’s influence on photography endures in the meditative fine printing and his spiritualism had a lasting impact on photography

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11
Q

Garry Winogrand

A

Street Photographer

Social Landscape Image Maker/ Social Landscape Photography had a big influential impact in the 1960s

Known for his portrayal of American Life, social issues and Mid-20th Century

Toured America in 1964 to photograph the United States in the wake of the 1963 assassination of President JFK.

“I photograph to find out what the world looks like photographed”

Pictures shows interpersonal tension and inner turmoil. He does this by cropping his images or tilting his camera.

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12
Q

Diane Arbus

A

Photographs deviant or marginal people or people whose normality seems ugly or surreal. She made the ordinary seem bizarre and naturalized the unusual. She considered marginal people to be symbols of her own psychological fragility and trauma. Student of photographer/ art freelancer Lisette Model

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13
Q

Uta Barth

A

Contemporary Photographer
Creates fragmentary, fuzzy pictures that depict light and color, seemingly out of focus approach. Her photographs express the impossibility of intelligible experience or certain definition and repressed desire to seek pleasure in looking.

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14
Q

Cindy Sherman

A

Series of Black and White Photographs called Untitled Film Stills (Late 70’s Early 80’s)

Seemed like they came from 1950’s B-movie melodramas and they exaggerated movie-born gender stereotypes like “frightened heroine”

She photographed herself in makeup, wigs, and costumes. Her poses and set ups look like the repeated scenes of women in films so its hard to place them.

Exposed the shallowness of gender stereotyping and the titillating pleasure of looking.

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15
Q

Hiroshi Sugimoto

A

Photographer
Has regard for the fragile beauty of uncertainty, expressed in grainy atmospheric effects.
Traveled the world to seek high vantage points to aim his camera at the pint where the sky and ocean meet at the horizon
Work falls between Visual Pleasure and Cold Comfort of human systems of measurements.

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16
Q

Andres Gursky

A

Photographer known for his large format architecture and landscape color photographs, often from high viewpoints
Presented his images on a large scale

17
Q

Nan Goldin

A

She photographed intensely personal, spontaneous, sexual, and transgressive images of her family, friends, and lovers

Sound and slide show “The Ballad of Sexual Dependency” Sexually Charged Work, characterized by a revealing flash and a palette of strong colors, has been internationally influential in validating use of photography as a diary of her life. Started photographing domestic violence.

Friends with Nobuyoshi Araki

18
Q

Bernd/Hilla Becher

A

Photographed Industrial Constructions
Together they developed a documentary approach to photographing their industrial surroundings that introduced new kinds of social, cultural and aesthetic questions about the increasing destruction of many late 19th-century buildings. They systematically photographed half-timbered houses, cooling towers, water towers, blast furnaces and derricks of the same or similar design, forcing the viewer to compare and judge the buildings from unfamiliar aesthetic standpoints. Desired to share their social and political views

19
Q

Thomas Struth

A

Best known for his family portraits and 1970’s large format black and white photographs of the streets
Created detailed yet huge studies of people contemplating art in museums.

20
Q

Jeff Wall

A

best known for his large-scale back-lit cibachrome photographs and art history writing

He filled a lightbox-illuminated transparency with a harsh winter battlefield, sensational gore, and implausible heroism.

21
Q

Roland Barthe

A

The studium- designated photographic content that interests the intellect
The Punctum- the sudden arresting effect that the photographic image can have over the viewer.