Exam 2 - Terms Flashcards
Oratorio
Opera based, Virtuoso singing, religious setting, sang in concert form
Ritornello
Idea presented at the beginning of a piece, repeated throughout
Dance suite
(Baroque) group of dances in the same key
Sonata form
l:A:l l:B A’:lpg 185 in the
A = exposition
B = development
A’ = Recapitulation
Exposition
first presentation of the themes, 1st, and 2nd, ends with cadence theme
Cadence theme
final conclusive theme
Bridge
transition between first and second themes, modulates
Development
develop themes, break them down
Recapitulation
review of what was presented
rondo form
resents a theme and restates it with “episodes” in between – ABACADA, usually 6/8
Minuet form
(classical)
Minuet l:a:l l:b a’:l
Trio l:c:l l:d c’:l
Minuet aba’
Concerto grosso
a concerto with 2+ soloists
theme & variations
a theme is presented, then varied by extension, ornamentation etc
Opera seria
(Late Baroque) opera designed to stir emotions, story from ancient history, sang by solo sopranos, castrati
Coloratura
fast runs, high notes, cadenzas, virtuoso singing for the sake of it
String quartet
chamber music, made of 2 violins, 1 viola and 1 cello, more intimate
Castrato
Man who was castrated before puberty so he could sing high, seen as unnatural by some
Passacaglia
set of variations on a short theme in the bass
ciaccona / chaconne
like passacaglia, variations in the bass
basso continuo
set of chords played continuously in the bass (Baroque)
trio sonata
sonata for three instruments plus continuo
symphony
large orchestral piece with several movements
accompanied vs. “dry” recitative
dry is accompanied by only a continuo
form
the “shape” of a piece of music
opera buffa
Italian comic opera
Singspiel
popular form of opera, known in England as Ballad opera
fugue subject
main theme of the fugue
Classical concerto
a Piece written for a soloist with orchestral accompaniment
solo sonata
sonata for one soloist plus continuo
counter-subject
the second counter-idea in a fugue
cadenza
solo virtuosic phrase, usually non metered, only soloist
movement
a section of a symphony, sometimes in a different key or with a different form
da capo aria
set up by a recitative, “from the top” ABA’ with second A improvised
buffo bass
comical character in an opera buffa, usually a commoner or parental figure
stretto
(fugue) overlapping entrances of the subject in different voices simultaneously
cantata
made of several movements for solo voices, maybe chorus, Categorized as secular or church
operatic ensemble
a number sang by one or more people, allowed composers to show off more than one person and give each character more emotion
double exposition form
exposition played by entire orchestra, then repeated with soloist
rounded binary form
ABA’
binary form
ABA