Exam 2 (Part 2) Flashcards
proprietary algs may not match PT needs or audibility they need for soft and moderate sounds and the etra output for loud sounds makes it more linear and sounds more clearer
True
Less lf and mid energy, less audibility from 4-8 but bulk of the gain is right between 2-4 supporting the SII
na nl2
focused on loudness normalization and focuses more on sound quality
Add LF and mid frequency gain if sounds tinny
dsl
Your patient is desiring increased intelligibility?
choose nal nl2
Your patient is desiring increased comfort or their REUR is not average?
choose dsl 5
What does it mean when a prescriptive formula is proprietary?
It means that the formula was designed and is exclusively used by a hearing aid manufacturer.
how close the measured output is to the prescribed target.
root mean squared error
goals of verification
ensure that the measured output is as close as possible to those prescribed for the patient, and that the hearing aid provides adequate audibility of the important speech energy without feedback or loudness discomfort.
difference b/w the probe measured output and prescriptive targets (500 Hz, 1k HZ, 2k Hz, 4k Hz)
root mean squared error
An RMSE criterion of ____dB from prescriptive targets has been the precedent in academic research and is attainable for most mild to severe hearing losses.
5
Is it acceptable for an audiologist to change the prescription, applying gain that does not meet the “+/- 5 dB for target” criteria?
Following the +/- 5 dB rule is a good general guideline but it is okay to make further adjustments based on the patients loudness or sound quality perceptions as long as the output follows the recommended prescriptive contour
match the line and shape of the targets that are present
Loud speech signals are ____dB louder than the LTASS, therefore the top of the speech envelop represents loud sound
12
Soft speech signals are ____ dB softer than the LTSS, therefore the bottom of the speech envelope represents soft speech
18
SpeechMap input signal intensities are similar… soft= 50 to 55 dB; loud= 75-80 dB
true
for an input signal of 65 dB the loudest output arriving to the TM is around
77 dB SPL
for a 65 dB input signal the softest output arriving to the TM is about
47 dB SPL
When you adjust a band, you adjust
the entire speech envelope up and down
When you adjust a channel,
you either adjust bottom or the top of the speech envelope
how do we maintain balance bw the CR TKs
move bands, raise soft sounds, then raise loud sound
the upper intensities of the speech envelope may be audible when targets falls below a threshold
true
what are some programming pitfalls
disregarding targets falling below thresholds
only adjusting frequency shaping band for 1 input intensity
avoid adjustin moderate channel input for 65dB signal during initial fit
If you increase gain without observing an increase in REM, stop adding gain
Not realizing MPO headroom limitations can result in unintentionally high compression ratios
Using too small a frequency range when adjusting to target
what is acoustic transparency with probe module calibration
means that with the presence of the probe tube it doesn’t alter the sound that is being measured by the reference mic and allows us to still get an accurate measurement
So becuase the probe mic cannot physically go into the ear we use the probe tube to extend it but through the calibration protocol it adjusts the intensity differences removing the tube’s resonance effects, keeping the probe tube acoustically invisible so the measurements are not altered in the presence of the tube
what is the max power output of the HA
OSPL90
ehadroom
channel interaction
intending to make a change in one area but meet the limits of the change and you change CRs
Change a band up but you reach the MPO (black line), loud sounds wont get any louder but soft and mod will and instead of them being far apart with good CR, the lines squish together but didn’t intend to change CR