Exam 1 Lecture Quizzes Flashcards

1
Q

When we talk about the primary “tune” of a piece of music, the part that we’re most likely to hum or sing along to, we’re talking about the…

A

Melody

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2
Q

When we talk about the simultaneous sounds of distinct musical pitches, as heard in chords or other musical accompaniment supporting a melody, we’re talking about…

A

Harmony

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3
Q

When we talk about how an instrument or voice sounds—how it sounds different than other instruments or voices—we’re talking about…

A

Tone Color/Timbre

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4
Q

The idea that images and sounds in a film often combine to create meanings that extend beyond the meanings conveyed by each of these two contributing factors alone is known as ________________.

A

Added Value

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5
Q

__________________ is when sound and visual action happen at the same time, giving the impression that sound emanates from the world of the screen.

A

Synchronization

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6
Q

When viewers intuitively accept the notion that image and sound mutually influence one another, they are entering into the ______________.

A

Audio Visual Contract

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7
Q

Which of the following is typically the more significant principle shaping a filmmakers’ approach to sound design?: Clarity or Fidelity

A

Clarity

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8
Q

If two film characters in a room are complaining to one another about the loud music they are hearing (and that film viewers can also hear) emanating from a neighboring apartment, that musical sound would be best classified as?

A

Diegetic/ Off-screen

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9
Q

What is the term used to describe a single take from a single film camera?

A

Shot

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10
Q

When the mood of a musical score seemingly contradicts the emotions or mood associated with the images and/or actions depicted on screen, we call it…

A

Anempathetic Music

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11
Q

What was the term first used by Hugo Gernsback to describe the narrative genre now known as science fiction?

A

Scientifiction

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12
Q

What is the term used by the scholar Darko Suvin to describe a scientifically plausible innovation, which, according to his definition, should remain firmly at the center of any science fiction narrative?

A

Novum

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13
Q

A musical theme or shorter motive, developed within a film or a franchise, and attached to a specific character, object, action, or idea, is a(n)…

A

Leitmotif

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14
Q

Conventional musical figures that evoke, represent, or signify a particular mood, place, emotion, or some other character trait in the narrative are called _____________________.

A

Musical Topics

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15
Q

Identify the individual(s) responsible for the first moving picture device, using celluloid film, that allowed for simultaneous viewing by a group.

A

The Lumiere Brothers

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16
Q

For an ambitious film like Metropolis, a studio might provide a(n) _________________, which provided the specific music, scored for orchestra, that should be played with the film. On road shows, these would be played night after night by a touring orchestra.

A

Special Score

17
Q

What is the first known SF film?

A

A trip to the moon

18
Q

What was was the name for the early sound-on-disk system of synchronized film sound?

19
Q

In King Kong, which term best describes the Classical Hollywood role that music plays in giving the viewer a sense of the strangeness of Skull Island and the ‘otherness’ of its inhabitants?

A

referential/connotative cueing

20
Q

The literary works of H.G. Wells, Jules Verne, and Mary Shelley are associated which of the following eras of science fiction?

A

Early Science Fiction

21
Q

Which term refers to science fiction films and television that compel the reader/viewer to offer their own interpretation or reinterpretation of the narrative.

22
Q

How was Godzilla’s roar created?

A

A resin-coated glove dragged along the strings of a contrabass, recorded and slowed down in playback.

23
Q

Who was the composer responsible for creating both the sound effects and underscoring used in Gojira.

A

Ifukube Akida

24
Q

What does the “5/4 March” used in Gojira help to signify?

A

The Japanese military’s uncoordinated and unsuccessful attempts to stop Gojira’s attack.

25
Q

The first science-fiction film to use the theremin was…

A

Rocketship X-M

26
Q

What was the term used by the producers of Forbidden Planet to credit the sound designs created for the film by Bebe and Louis Barron?

A

Electronic Tonalities

27
Q

The term “Extra-diegetic” refers to which of the following?

A

Music that is considered outside the show, used for commercial cuts and re-entries

28
Q

What term best describes narrative fiction that is left open for interpretation and reinterpretation, as seen with the New Wave science fiction of the 1950s-70s?

29
Q

Introduced in the 1950s, this technology made audio recording more portable and gave it better fidelity and dynamic range.

A

Magnetic Tape

30
Q

Which style of composition did Jerry Goldsmith use in Planet of the Apes?

A

Pseudo-serialism