Exam 1 Key Terms Flashcards

1
Q

Rhythm

A

an organized pattern (arrangement of durations) of musical sounds occurring over time

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2
Q

Beat

A

a unit of musical time, often perceives as a regular, underlying pulse

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3
Q

Accent

A

the stressing of a note by playing it louder than the surrounding notes

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4
Q

Meter

A

a recurring pattern of strong and weak beats, in relation to which rhythm proceeds and is perceived

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5
Q

Tempo

A

the speed of music

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6
Q

Dynamics

A

the volume of sound, the loudness or softness of a musical passage (terms piano used for soft, forte for loud)

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7
Q

Pitch

A

the relative highness or lowness of a sound

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8
Q

Interval

A

the difference between two pitches, sounded either in succession or simultaneously

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9
Q

Melody

A

a musical pattern that combines a sequence of pitches and rhythms occurring over time

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10
Q

Motive

A

a short fragment of melody or rhythm used in constructing a long section of music (a short musical fragment reused in multiple ways)

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11
Q

Theme

A

a clearly defined longer melody that is developed or altered throughout a composition

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12
Q

Harmony

A

the simultaneous sounding of different pitches.

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13
Q

Chord

A

a grouping of pitches played and heard simultaneously

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14
Q

Consonance

A

intervals or chords that sound stable and free from tension

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15
Q

Dissonance

A

intervals or chords that sound relatively tense and unstable

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16
Q

Texture

A

blend of various sounds and melodic lines occurring simultaneously in a piece of music

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17
Q

Tone Color (Timbre)

A

The sound quality of a particular instrument, voice, or combination of instruments or voices

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18
Q

Audiovisual Contract

A

film viewers intuitively accept the notion that image and sound mutually influence one another

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19
Q

Synchronization

A

appropriate temporal linking of sound to image; aids the impression that sound emanates from the world of the screen, an effect that is essential to orienting our relation to the screen

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20
Q

Added Value

A

the additional information or aesthetic shaping that the sound track brings to the image track

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21
Q

3 Components of the soundtrack

A

Speech/Dialogue, Sound Effects, Music

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22
Q

Diegetic

A

music in the story of the world

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23
Q

Non Diegetic

A

music that is not part of the story world

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24
Q

Clarity

A

when the music helps the audience understand the story

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25
Q

Fidelity

A

helps preserve the nuances of the music

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26
Q

Source Music

A

music in the story of the world

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27
Q

Underscore

A

music that is not part of the story world

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28
Q

Fantastical Gap

A

the liminal space between the diegeis and the non diegetic

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29
Q

Empathetic Music

A

the mood of the music follows the emotions in the scene

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30
Q

Sweetening

A

a sound effect manipulated so that it seems to violate the conditions of reality

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31
Q

Synch Point

A

a very local temporal coordination of sound and image

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32
Q

Stinger

A

a sudden and sharp accent to emphasize an action; most often applied to music

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33
Q

Anempathetic Music

A

the mood of the music contradicts the emotions in the scene

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34
Q

General Definition of SF

A

considers humanity, science and the imagined results of their union

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35
Q

Novum

A

the scientifically plausible innovation at the center of a science fiction narrative

36
Q

Cognitive Estrangement

A

the sense that something in the fictional world is dissonant with the reader’s experienced world

37
Q

Science Fiction and Social Concern

A

the effects of technological advancement on humanity

38
Q

Sense of Wonder

A

a feeling of awe triggered by an expansion of one’s awareness of what is possible, brought on by science fiction

39
Q

Suture

A

the sewing together of the narrative and the film that creates a unified subject position

40
Q

Musical Topic

A

conventional musical figures that evoke, represent, or signify a particular mood, place, emotion, or some other character train in the narrative

41
Q

Responsibilities of Music In SF

A

Creating a familiar experience for the viewer, signifying the difference at play in the fictional world

42
Q

Leitmotif

A

a musical theme, developed within a film or franchise

43
Q

Nickelodeons

A

storefront theaters that showed a series of short reels with limited live musicians (usually just one or a few)

44
Q

Picture Palaces

A

Large theaters created for film showing with a large organ and place for orchestra

45
Q

Types of Musical Exoticism in SF

A

electronic, avant garde, exoticism based on appropriation

46
Q

“Playing the picture”

A

when musicians were encouraged to play music that supported the narrative of the film

47
Q

Inter title

A

slides within a film that have text to express an emotion/piece of dialogue

48
Q

Music cue

A

a short, discrete piece of music presented alongside other music cues to create a longer soundtrack

49
Q

Music Anthologies

A

books that contain the music for a specific moving picture

50
Q

Gottfried Huppertz

A

composer for Metropolis who used leitmotifs and musical topics and pre existing music

51
Q

Cue Sheet

A

lists of compositions, with their placements, sent out by studios or their agents as suggestions for theater musicians

52
Q

Special Score

A

scores distributed to theaters to play along films, for more ambitious films

53
Q

Fritz Lang

A

director of metropolis

54
Q

Vitaphone

A

phonograph (speaker) that is coupled to the projector

55
Q

Movietone

A

Optical sound recording on the film itself

56
Q

The 7 Roles of Music In Hollywood Cinema

A

invisibility, Inaudibility, Signifier of Emotion, Narrative Cueing, Referential Cueing, Connotative Cueing, Continuity

57
Q

Max Steiner

A

composer of king kong, used elements of classical hollywood style

58
Q

Mickey Mousing

A

close synchronization within a shot or short series of shots, where music closely mimics screen action, cartoon style, blurring the boundary between music and sound effects

59
Q

Compilation Scores

A

an underscore created from pre existing music or songs, instead of music composed specifically for the film

60
Q

Music Library

A

collection of generic recorded music cues for use in film and television

61
Q

Ed Wood

A

director of plan 9 from outer space

62
Q

Gordon Zahler

A

composer of plan 9 from outer space

63
Q

Theremin

A

instrument created by leon theremin that creates a UFO type sound

64
Q

Orchestrator

A

instrument created by leon theremin that creates a UFO type sound

65
Q

Louis and Bebe Barron

A

sound engineers who worked on creating avant garde modernist techniques

66
Q

Living Circuits

A

homemade circuits that were modified to manipulate the speed and order of music

67
Q

Electric Tonalities

A

what electronic music was legally called

68
Q

Gene Roddenberry

A

creator of star trek

69
Q

Alexander Courage

A

composer of star trek main theme

70
Q

Functions of TV Music

A

Reveille - announcing the show, Denoting form, Continuity, Setting, spectacle

71
Q

Tracking Scores

A

music cues that are re used within a series to create continuity across the program

72
Q

Tracked Scores

A

music composed specifically for the whole program

73
Q

Stock Music

A

generic topical music composed for the studio’s library, to be used across the studio’s programs as needed

74
Q

Cue Sheet (after silent film)

A

a list of music cues in a television program or film that also provides each cue’s composer, original episode, and the length used in the current episode; created for record keeping purposes

75
Q

Jerry Goldsmith

A

acclaimed composer who composed Planet of the Apes and employed a pseudo serialism approach

76
Q

Readerly

A

every piece of information is provided to the viewer

77
Q

Chromaticism

A

a musical style that employs all of many of the twelve notes of the chromatic scale much of the time. Remains in the tonal system

78
Q

Writerly

A

open to interpretation and reinterpretation

79
Q

Pseudo Serialism

A

imitates the angular and atonal characteristics but does not use all 12 pitches and or does not use them in a specified order

80
Q

Atonality

A

a musical system that treats all twelve notes of the chromatic scale equally with no tonal center

81
Q

Serialism

A

a musical style that places all twelve notes of the chromatic scale into a (non sequential) row

82
Q

Extended Techniques

A

musical techniques that involve playing with fists and palms inside a piano

83
Q

Anthology Series

A

a television series that presents a different story, usually with a different cast, in every episode

84
Q

Kaiju

A

genre of japanese monster movies with themes ranging from nuclear to environmental

85
Q

Ifukube Akira

A

composer of original gojira/godzilla film

86
Q

How Gojira’s roar was created

A

rubbing a leather glove coated in pine tar resin against the strings of a double bass

87
Q

Requiem

A

a musical service or composition in honor of the dead