Exam 1 Flashcards

1
Q

Artifact

A
  1. Charged with a widely shared meaning, 2. Perceived as a whole
  2. Manifesting a group
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2
Q

Sign

A

Something that induces you to think about something other than itself.

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3
Q

Text

A

A set of signs relating to each other in so far as the meanings of all contribute to the same effects or functions

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4
Q

Culture

A

Make up a group of artifacts anchored in group identifications.

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5
Q

Popular Culture

A

System of artifacts people share and that most people know about

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6
Q

Relationship between group identity and artifacts including objects

A

Artifacts are the material signs of abstract groups. The final clause in the definition of a cultural artifact identifies all artifacts as signs of group identification

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7
Q

Rhetoric

A

How the meanings that we would find in or assign to the text are being managed so as to influence people

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8
Q

Discreet Text

A

Text with clear boundaries and clear separate context

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9
Q

Diffuse Text

A

A collection of signs working for the same or related rhetorical influence that is not discretely separated from its context

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10
Q

Centrality of Metonymy

A

When you think about something by reducing it to a smaller, simpler, more manageable image that leaves out certain details of the larger whole

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11
Q

What Brummett means by texts of popular culture as “sites of struggle”

A

People struggle over how to construct these different texts in ways that suit their own interests. Texts wield rhetorical influence because of the meanings they support. Because texts mean different things, they are sites of struggle over meaning.

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12
Q

What does this concern have to do with meaning? with power?

A

Meanings are where rhetorical power lies, Struggles over power occur in the creation and reception of texts

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13
Q

What is the critical Method

A

A way of asking certain kinds of questions about whatever is being studies. Doesn’t break texts up, deals with the complexity of them

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14
Q

Criticism as concerned with power

A

Suspicion that power is seized and maintained in other less obnoxious ways, in all the experiences of pop culture

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15
Q

Text as Discrete

A

Clear boundaries in time and space

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16
Q

Texts as diffuse

A

Perimeter of boundary that is not clear and may be mixed up with other signs

17
Q

Texts as Broad

A

Widely held meaning

18
Q

Texts as original or new

A

Must do historical work to find original context,,,New context = think the bible

19
Q

Transformation

A

The standing in of one sign for another

20
Q

Keystone

A

Implied throughout the text, assumes centrality in a text

21
Q

Syntagmatic Structure of a Narrative

A

A chain, something that extends itself in a line, moving horizontally, like a story line

22
Q

Paradigmatic Structure of a Narriative

A

Vertical, second type of pattern

23
Q

Structure of News Story- Horizontal

A

Broadcast to reporter to news story

24
Q

Structure of News Story - Vertical

A

Compare newscast to other stations

25
Q

Subject Position- Preferred

A

The missing perspective, the point of view required for the text to make sense. ex watching Cops from a cops perspective

26
Q

Subject Position - Subversive

A

Positions taken deliberately by the reader in opposition to the preferred subject

27
Q

Definition and Goals of Rhetorical Criticism According to Foss

A

A qualitative research method that is designed for the systematic investigation and explanation of symbolic acts and arrtifacts for the purpose of understanding the rhetorical process

28
Q

Act/Artifact Distinction

A
Act= Executed to a live audience, fleeting, difficult to analyze 
Artifact= Transcribed or printed, accessible to wider audience, preserved, recorded, Artifact = object of study
29
Q

Symbol According to Foss

A

Something that stands for or represents something else by virtue of relationship, associaion, or connection to the object represented

30
Q

Definition of rhetoric

A

The human use of symbols to communicate

31
Q

Coherence

A

findings do not contradict each other and are internally consistent and that all the major dimensions of the artifact are included in the schema or theory you present of your findings—nothing is left hanging, unable to be explained.

32
Q

Units of Analysis

A

units of analysis are things like strategies, types of evidence, values, word choice and metaphors. They focus attention on certain dimensions of an artifact and not others. If you use a narrative method you must have a narrative artifact, like a story.

33
Q

Coding

A

analyzing an artifact, measuring, perceiving certain figures.

34
Q

Agon Analysis

A

Examination of opposing terms

35
Q

Identification and Consubstantiality

A

As two entities are united in substance through common ideas, attitudes, material possessions, or other properties.

36
Q

Terministic Screens

A

The terms we select to describe the world constitute a kind of screen that directs attention to particular aspects of reality than others.