Exam 1 Flashcards
alankar
Ornament, specific melodic embellishment by singer or instrumentalist. Andolan, gamak, mind
gamak
pulsing effect crated by pushing from the throat, movement between two svaras
andolan
- a slow swing or oscillation, may by between two svwars
mind
glissando between two svaras
alap
a melody performed without rhythmic accompaniment, made up pf alap, jor, and jhala
antara
the second section of musical bandish composition, following the sthayi
aroha
ascending scale of a raga
avarhoa
decending scale of a raga
avartan
a cycle of a tala
bandish
general term for a composition
chautal
tala of 12 beets, divided into 6 subdivisions of 2 beats each. Primarily used in dhrupad
Dagar gharana/family
family of dhrupad performers, vocal and vina, who take their name from the dagar bani style of singin
Dhrupad
early genre of Hindustani music. raga-based music from the Mughal court in Agra. Originated in the court of Tomar in Gwalior, common instrumetns are the rudra vina and the pkhawaj
gat
a type of instrumental composition, sthayi and antara
gharana
a musical lienage. or gamily
jajman
patron of hereditary musicians, hiring of entire caste
guru-shishya parampara
master disciple lineage
Mughal Empire
empire based din Dilli from 1526-1957, and by the 1700s, it extended over much of S. Asia. Brought Persian culture into South Asia and created a syncretic environment where arts flourished. Akbar, 1542-1605 considered the greatest ruler
Rudra vina
plucked string instrument with two resonators used in dhrupad music
sangit
Sanskrit word for music
sarangi
bowed string instrument, used to be the accompaniment for vocal music
sargam
system of assigning syllables to specific notes or svars, solfege
sargam git
composition of sargam notes
sarod
plucked string lute
saptak
one octive of svaras
sitar
plucked string instrument with long net
sthayi
First part of bandish or gat, comes before antara
tansen
musician of akbar court. attributed with the creation of many ragas
theka
rhythmic pattern of a tal
murka
characteristic melody of a bandish or gat that is returned too.
Sam
first and last note of a tal
layakari
rhythmic based improvisation of a raga
saval-javab
question and answer form of inprovisation
tan
improvised melodic phrases
tihai
passage repeated three times in a row that ends on sam