Exam 1 Flashcards
What are the 6 periods of classical music and their corresponding dates?
- Middle Ages: ca. 600-1450
- Renaissance: 1450-1600
- Baroque: 1600-1750
- Classical: 1750-1820
- Romantic: 1820-1910
- Modern: 1910-Present
Why does classical music begin in the Middle Ages and not earlier?
We know there was music before the Middle Ages, but we don’t know how it sounded
Who is the god of music in Greek Mythology?
Apollo
Despite the partition of Europe, all nations had one thing in common: religion. All citizens were…
Christian
Because of the overwhelming presence of Christian religion throughout the Middle Ages, most music in the period is…
Sacred
What is the purpose of sacred music?
To help the listener pray and glorify god
What was the most important genre of sacred music in the first half of the Middle Ages?
Plainchant (also known as Gregorian chant)
What are some characteristics of plainchant
-vocal only
-sung in Latin
-no meter or key
-sung during Sunday mass
-monophonic
-melismas
What was the most important musical advance in the second half of the Middle Ages?
The discovery of polyphony
What problem arose with polyphony?
Dissonance
What is the system of rules on how to write a good polyphony?
Counterpoint
Who was the first renowned composer of sacred polyphonic music and his pieces have 2 melodies?
Leonin (1100 AD)
Who added a 3rd and even 4th melody to his music?
Perotin (1200)
Who wrote complete masses (all the prayers) using 4 voices?
Machaut (1300)
What were the problems with Machaut?
-All voices share the same range so the resulting sound is often messy and confusing
-A lot of dissonance
What music is well suited to Romanesque buildings because both the music and buildings are austere?
Monophonic
What music is well suited to elaborate tall Gothic buildings because of its resonance?
Polyphonic
What is humanism?
The idea that the human being, not God, is at the center
What is the most visible consequence of humanism?
The surge of secular music
What 2 things distinguish Middle Ages polyphony from Renaissance polyphony?
Consonance and imitation