Evolution of the Drum to the Steel Pan Flashcards

1
Q

The steelpan that we know today has its origins in the

A

African drum

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2
Q

Africans — were brought primarily from —

A

Africans kidnapped and enslaved were brought primarily from West Africa as part of the Trans-Atlantic Slave Trade

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3
Q

These Africans were sold to

A

work on plantations across North America, South America and the Caribbean

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4
Q

In TT, a robust

A

sugar cane plantation complex was developed with enslaved Africans being forced to work under a chattel slavery system

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5
Q

Despite the horrors of chattel slavery,

A

the African community proved resilient and were able to hold on to and pass on many aspects of their tradition, including cultural and religious practices

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6
Q

One such cultural tradition is

A

the making and playing of the drum, from which evolved what is known today as the steel pan

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7
Q

Example of an African drum

A

djembe and dun dun

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8
Q

These African drums are still used today in

A

religious ceremonies

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9
Q

other forms of African drum and drumming still form a

A

critical part of African music, dancing and singing in TT

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10
Q

In the post emancipation period, Africans began

A

playing the drum openly in religious and festive gatherings

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11
Q

Because of this open playing, the white planter class and colonial authorities

A

began to feel increasingly threatened by the newly emancipated Africans’ freedom and sought ways to circumvent their cultural expressions

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12
Q

what happened in 1833

A

the playing of African drums was banned by colonial authorities

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13
Q

Several historians and social scientists attribute this ban in part, to

A

the 1881 Canboulay Riots which took place in POS in the vicinity of Piccadilly Street

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14
Q

However, it is well documented that the white planter class had

A

a deep fear of the African drum for its ability to communicate messages, particularly in the planning of rebellions

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15
Q

What was a critical component of the culture and lifestyle of Africans

A

rhythm

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16
Q

As rhythm was important, the Africans had always

A

felt compelled to find ways of creating it

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17
Q

the Yoruba village consisted of

A

the communities of Belmont, (originally Freetown), Gonzales, Laventille, Success Village, John John, East Dry River and Morvant

18
Q

In the Yoruba village became a

A

hub for cultural innovation and adaptation, one such being the Tamboo Bamboo

19
Q

The prohibition of the drum prompted

A

the development of the Tamboo Bamboo which was produced by cutting bamboo of various lengths

20
Q

Players would then do what to the bamboo

A

stamp the bamboo on the ground, some lengths were also hit with a piece of metal while stamping it

21
Q

the players would stamp it while they

A

‘chipped’ effectively creating a variety of sounds

22
Q

The Tamboo Bamboo ensemble developed into

A

four distinct instruments- the boom, chandler, fuller, and cutter

23
Q

These ensembles were often accompanied by

A

brass and string instruments

24
Q

What was the problem with bamboo

A

it was not the most durable material for this particular use as it splintered easily and in the 1930s Tamboo Bamboo went the way of the drum and was also banned

25
Q

When were Carnival celebrations suspended

A

During World War 1

26
Q

During World War I

A

persons of African descent living in urban communities like laventille and Gonzales began experimenting with other material to create music

27
Q

(World War I) Persons began to use

A

a number of metal objects such as milk cans, garbage can covers and pots to produce musical sounds by beating them with short lengths of metal or wood

28
Q

Tell me about the biscuit tin

A

the biscuit tin in particular lent itself to the creation of a variety of musical notes and it soon replaced the tamboo bamboo

29
Q

How did the biscuit tin create musical notes

A

It was heated and the surface shaped to create musical notes

30
Q

When played, the biscuit tin was

A

hung around players’ necks and was initially struck with the open palm, it is believed to be the first true pan

31
Q

Musicians also began experimenting with

A

55-gallon oil drums, cutting them and indenting the surface to produce a musical range

32
Q

What permitted complete tons on the oil drums

A

the length to which the drums were cut permitted complete tones from the bass to the soprano

33
Q

These early steel pans were also

A

hung around the players’ necks and hit with short wooden sticks called mallets

34
Q

What has also developed around the instrument

A

a unique culture

35
Q

Pan yards function as

A

not only as a rehearsal space for pannists but also a meeting place for people in their communities where generational gaps disappear

36
Q

It is not uncommon to see (at pan yards)

A

young and old, parent and child side by side playing pan together

37
Q

Pan enthusiasts are known to be

A

loyal to their favourite pan sides which have evolved into steel orchestras

38
Q

Every year, Panorama continues to

A

draw thousands to the Queens Park Savannah to enjoy the intoxicating sounds of music and crown the new reigning champion of Panorama

39
Q

The steelpan is the only instrument to have been invented in

A

the 20th century and is one of the major contributions of Africans to Trinbagonian culture and identity

40
Q

Out of the bowels of slavery and colonialism,

A

Africans demonstrated their resilience and proved that they would not just survive but thrive

41
Q

the steelpan is now informally recognised as

A

the national instrument of TT and in 2023, the UN declared August 11, World Steel Pan Day